From Where They Stood

Legendary photographer and director Anton Corbijn is responsible for many of the most indelible and important images of the past two and a half decades. His recently released book U2 & I is a photographic retrospective of his 25 year collaboration with U2. Later this year, Anton will direct his first feature film, Control, based on the life of the late Joy Division lead singer Ian Curtis.

Following the 1884–85 Berlin Conference resolution on the partition of Africa, the Portuguese army uses a talented ensign to register the effective occupation of the territory belonging to the Cuamato people, conquered in 1907, in the south of Angola. A STORY FROM AFRICA enlivens a rarely seen photographic archive through the tragic tale of Calipalula, the Cuamato nobleman essential to the unfolding of events in this Portuguese pacification campaign.

Men talk openly about their penis, the physical realities of sex, masturbation and erections, and how it feels to be a man. They also tell stories of infertility, violence and sexual abuse. Men of differing sexualities (gay, straight, non-binary and trans), differing cultural and racial heritages are interviewed by photographer Ajamu X as he photographs them.

Photographic and sound story, through the encounter of characters with their stories of a time without end.

An intimate portrait of iconic photographer Helmut Newton shot by his wife and fellow photographer June Newton.

Documentary compiling the testimonies of the last remaining Holocaust survivors living in Britain, all of whom were children at the time, and following them over the course of a year as they embark upon personal and profound journeys.

Documentary about Finnish Jews during WWII and their unique position as German allies.

Calcutta, 1950: Satyajit Ray directs his first film and, by opening his eyes on his country's realities, breaks every convention of Indian cinema. During twenty-five years, Ray's personal photographer Nemai Gosh will be his shadow. This movie tells their parallel destinies, it ventures Satyajit Ray's extraordinary artistic journey through the obsessive lens of Nemai Gosh.

Infiltré à Auschwitz

Step inside the minds of 16 international masters of photography. They share stories behind their most iconic images and techniques whilst learning their impressions of our world as seen through their lenses.

The film explores the role of photography, since its rudimentary beginnings in the 1840s, in shaping the identity, aspirations, and social emergence of African Americans from slavery to the present. The dramatic arch is developed as a visual narrative that flows through the past 160 years to reveal black photography as an instrument for social change, an African American point-of-view on American history, and a particularized aesthetic vision.

Documentary about the American architectural photographer Julius Shulman.

Short subject on how fashion is created-- not by the great couturiers, but on the street.

Documentary about war photographer James Nachtwey, considered by many the greatest war photographer ever.

An experimental self-portrait, MMXIII explores phenomenological subtlety, intersections of construct and verité, and the ways in which technology, landscape, and beauty coalesce.

On the 29th September 1945, the incomplete rough cut of a brilliant documentary about concentration camps was viewed at the MOI in London. For five months, Sidney Bernstein had led a small team – which included Stewart McAllister, Richard Crossman and Alfred Hitchcock – to complete the film from hours of shocking footage. Unfortunately, this ambitious Allied project to create a feature-length visual report that would damn the Nazi regime and shame the German people into acceptance of Allied occupation had missed its moment. Even in its incomplete form (available since 1984) the film was immensely powerful, generating an awed hush among audiences. But now, complete to six reels, this faithfully restored and definitive version produced by IWM, is being compared with Alain Resnais’ Night and Fog (1955).

The celebrities who visited Luisita Escarria's photo studio in Buenos Aires for decades are countless. Sol, a young photographer, discovers there more than 25,000 unpublished negatives, an archive of incalculable value that opens a window through which to look at the true artistic epicenter of Argentinean popular culture…

As the first documentary filmmaker, Reiner Holzemer has produced a film about the most famous German photographer, which shows both, the work and his biography. It introduces Sanders heritage from a poor minors family in the „Westerwald“, a region located in the midwest of Germany, as well as his early career as a studio photographer in Trier and Linz, and his most productive period between the Twenties and Thirties in Cologne, where he developed his big project „People of the 20th century“.

Between 1947 and 1951, more than 80 000 Greek men, women and children were deported to the isle of Makronissos (Greece) in reeducation camps created to ‘fight the spread of Communism’. Among those exiles were a number of writers and poets, including Yannis Ritsos and Tassos Livaditis. Despite the deprivation and torture, they managed to write poems which describe the struggle for survival in this world of internment. These texts, some of them buried in the camps, were later found. «Like Lions of stone at the gateway of night» blends these poetic writings with the reeducation propaganda speeches constantly piped through the camps’ loudspeakers. Long tracking shots take us on a trance-like journey through the camp ruins, interrupted along the way by segments from photographic archives. A cinematic essay, which revives the memory of forgotten ruins and a battle lost.

”In the Water, Behind the Lens" examines the world of surf photography. Shooting from the water, photographers face many dangers, ranging from being hit by a surfboard, drowning, or being attacked by sharks. This film tells the story of these passionate water photographers, located all over the world, and all in pursuit of the perfect shot.