Meta-Hegemony, Meta-Industry

A mass murderer kills his victims, then cooks and eats them

A teenager decides to shut himself off from the world around him after receiving bad news.

After she gets into a film-production accident that leaves her crippled, successful actress Jane Ciego slowly transitions into madness after experiencing horrors and torture in her own home.

A story of a group of pranksters who scares a homeless girl and accidentally injuring her. One by one, they start encountering a shadow whose glare causes them to fall severely ill and die.

Three screams in a mental system composed of barbed wire and napalm. A plastic tank encloses the geometry of a sex. Outside is a corrupt clue. Incisions are the incantation of melancholy. No way out. (Industrial drone improvised on improvised images, deficient results).

A story of broken humanity following the invasion of a technologically superior alien species. Bleak, harrowing, and unrelenting, the humans must find enough courage to go on fighting.

Procedurally-generated frames slowly expand in density to visually explore the mind of a psychopathic, narcissistic teenager, up until the demise of the subject.

A lady cop who moves into a small town gets drawn to a case that involves a girl that's possessed by an evil spirit.

ANA is: a) An investigation of a cyber-sect linked to the disappearances of several women online. b) A moodboard of the aesthetization of self-destruction. c) A found footage documentary about today's subcultures.

A sinister montage intimates the hellish void facing a man emptying bottles by the river. Sandy Fisher’s densely reverberating electronic score provides strong support for Lloyd Williams’ cultic collage of skulls, chess boards and fire.

There is no escape… From one side of the globe to the other, there is no escaping the faces, the visions, the ever-watchful camera. There is no escaping the mask, there is no escaping the resonating echoes of images and sounds that cross each other over time. There is no escaping the cinema. There is no escaping the terrors of the mind. “A mysterious loner, perhaps a poet, journeys through a series of uncanny surrealistic landscapes with an unclear purpose. His adventure is divided into three sections. The main theme of this experiment is to compare the eerier qualities of different landscapes and interpose the characters within them, elaborating the project’s ongoing preoccupation with extracting sinister moods from ordinary settings. In a way, these can be seen as experimental horror films in which an atmosphere of dread is evoked and sustained without the expected narrative trappings.”

It's Christmas time, and a grandmother spends a quiet afternoon tending to the family chores. But the arrival of an unexpected visitor brings with her some deadly consequences.

A story of girls aspiring for an enjoyable 18th birthday celebration but has instead turned bloody with a curse cast upon them.

Creeping from the halls of the maze brain, corruption and terror is woven by devils born from the denied errors of mankind.

A faceless protagonist witnesses the alienation of gentrification as his home is overtaken by development. the forces behind it are demanding him to leave, but also consequently push him further and further into his not-home.

Stories tell of a beautiful woman who mysteriously walks out of a cemetery at night, boards a carretela for parts unknown. An old witch who tormented by the unjust death of her son wreaks havoc on those responsible for the tragedy. A dead man, rising from the grave, mingles with the living, turns an innocent young girl into a deadly vampire. A young housewife who becomes the object of the ire of a vengeful witch, undergoing an ugly transformation to the horror of her husband and her child.

Seeking fulfillment, a young drifter forgoes isolation to embark on a year-long murder spree.

Begotten is the creation myth brought to life, the story of no less than the violent death of God and the (re)birth of nature on a barren earth.

An experimental film comprised of Stanley Kubrick's THE SHINING played forwards and backwards at the same time on the same screen, creating bizarre juxtapositions and startling synchronicities.

A Japanese salaryman finds his body transforming into a weapon through sheer rage after his son is kidnapped by a gang of violent thugs.