Pattaki

This documentary is featured on the DVD for Captain Blood (1935), released in 2005.

In 1928, as the talkies threw the film industry and film language into turmoil, Chaplin decided that his Tramp character would not be heard. City Lights would not be a talking picture, but it would have a soundtrack. Chaplin personally composed a musical score and sound effects for the picture. With Peter Lord, the famous co-creator of Chicken Run and Wallace & Gromit, we see how Chaplin became the king of slapstick comedy and the superstar of the movies.

Adolfo Kaminsky started saving lives when chance and necessity made him a master forger. As a teenager, he became a member of the French Resistance and used his talent to save the lives of thousands of Jews. The Forger is a well-crafted origin story of a real-life superhero.

Veneno

Schoolboy Hinata has a big crush on his classmate Shigure, but is too shy to tell her. On the day Shigure is leaving, Hinata flies off on the wings of a bird chasing after her to tell how he feels!

2015 featurette documentary behind the experience of Nightmare and grindhouse cinema.

Memory is a collaboration with musician Noah Lennox (Panda Bear), exploring the relationship between a musician and filmmaker and their personal reflection on memories. From Super 8 home movies and entirely handmade, this film explores familiar memories, the present moment combined with past experiences and how it all seems to evade from our present memory.

A nature documentary about the predators in the Swedish winter mountains: the owl, the bear and man.

A documentary written by Kane McKay, a returned military serviceman, about Bob Quinn, a recipient of the Military Medal for his heroic actions in World War II in Tobruk, 1941, and also champion player for a number of years at the Port Adelaide Football Club.

Four field researchers want to go home. Unfortunately, one of them apparently lost his mind. Since the return is not possible, as long as they remain in this state, ignited a controversy about what to do with him. Where do they come back and what was the object of their research, now becomes a much more important question.

After his village is attacked, a cowboy steals a black sphere. The mysterious object changes hands and it finally arrives to a bandit camp. The Indian girl who is carrying the sphere is captured and tied to a big cross. The cowboy confronts the bandits, in the attempt to have the sphere back, but they are all distracted by the arrive of the obscure owner of the craved object. The fight is ruthless, dramatic. Only the girl tries to escape, but she will have to meet her fate.

Car parts found at a garbage dump, old mannequins, clocks and bicycle racks find a new purpose as installations in an exhibition.

This documentary reports on the master potter Otto Engelmann from Klingmühl, who was commissioned to make black painted clay heads of Karl Marx in the spring of 1973. Engelmann briefly explains the individual work steps from mixing the casting slip to firing the clay heads and then painting them. An old craft is vividly captured on camera and accompanied by original sou

This film reveals the resurgent San Francisco Bay Area culture of zines - artistic publications that are self-made, accessible, intentionally tactile and NOT the Internet. We meet remarkable zine authors in their studios, a major art museum curator, and avid zine festival goers and promoters.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

In the Kalapalo cosmogony (an ethnic group that lives in the Xingú Indigenous Park), water is as old as humans and is the source of life. That is where all their sustenance comes from, their food, their drink, their joy. The idea of using water as a dumpster, of poisoning water is a dystopia. In this documentary Chief Faremá —from Caramujo village on the banks of the Kuluene River— tells us about the birth of water and warns us about the consequences of disrespecting it.

Misha observes the area with binoculars. In the infinite white, he notices Gia, as lonely as himself.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

An embittered old musician embarks upon a journey which becomes the outward manifestation of his inner landscape.

A stop-motion puppet animation adaptation of Hans Christian Anderson's tale The Ugly Duckling.