Double D

After her estranged brother's sudden death, young wife Lucia bonds with his fiancée through their shared grief and finds herself falling in love.

A lonely man lives with his pet on a small island and longed to get to 'other people.'

A criminal gang conspire to rob the home of a wealthy banker and his two daughters. To do so, they first lure the banker from his home, then have a trunk containing one of the gang delivered there, where it is taken into the daughters’ dressing-room. One daughter, at her mirror, sees the trunk begin to open, and, using her small cousin as a messenger, warns her sister of their danger. The younger daughter telephones the police, and only after some difficulty persuades them to come to their rescue. The police arrive after the robbers have broken into the house, but succeed in overpowering and capturing them.

A newly arrived guest of a Hollywood hotel charms and amazes the regulars, and they decide to invite him to their Christmas dinner.

A very old woman wants to have dinner with her friends. As they are all dead, the butler has to play the role of every guest.

A bored couple takes in a young man who turns their lives inside out.

Datho (Merab Ninidze) has been innocent in prison for many years. When he comes home nobody wants him. His angelic wife Elene (Anna Antonowicz) has fun with a fire-eater. The two children imagined the father as a hero, not as a sorrowful knight. But everything changes when Datho can freeze his enemies in the bathtub or he calls for rain so that they remain stuck in the mud.

The Boss from the West

When Ruth's husband dies in New York, in 2000, she imposes strict Jewish mourning, which puzzles her children. A stranger comes to the house - Ruth's cousin - with a picture of Ruth, age 8, in Berlin, with a woman the cousin says helped Ruth escape. Hannah, Ruth's daughter engaged to a gentile, goes to Berlin to find the woman, Lena Fisher, now 90. Posing as a journalist investigating intermarriage, Hannah interviews Lena who tells the story of a week in 1943 when the Jewish husbands of Aryan women were detained in a building on Rosenstrasse. The women gather daily for word of their husbands. The film goes back and forth to tell Ruth and Lena's story. How will it affect Hannah?

Marcelline is an actress. Forty, single and childless, she begins rehearsals for Turgenev’s A Month in the Country. Denis, the director, admires her greatly and promises he’ll make her happy on stage — she will shine. But things don’t go to plan.

On the night of his brother's wedding, best man Charlie gets the old gang back together for a fun-filled, post reception after party, at the newlyweds' home, where he has been staying for several weeks. Unsure of how to proceed with his own troubled marriage, Charlie reunites "the fellas" fifteen years after high school, in hopes that revisiting the past will help him find clarity for the future. What he finds, however, is that while his friends have all taken different paths, they are all faced with similar conundrums that comes with being in one's thirties.

SPACEMAN uses mime, stop motion, classic animation, and theatrical elements, to explore one artist's loss of creative passion, and his journey to get it back again.

Sick of life in the city after his fiancée deserts him, Merrill Day goes to the country for a rest with his sister and niece. There he meets Joan, who has lived in the hills for her whole life, and they quickly begin a romance. Grekko, however, a hunchback who has loved Joan for years, convinces her that Merrill's sister is really Merrill's wife.

Short film that follows a group of Hollywood nobodies. Think Curb Your Enthusiasm, without the enthusiasm.

A troubled Southern man talks to his suicidal sister's psychiatrist about their family history and falls in love with her (and New York City) in the process.

Screen adaptation of Dmytro Pavlychko's tale-poem of the same name. The shepherd Vasylko saves his friend, the magical golden-horned deer, from the greedy king and his army.

The animation is based on a Ukrainian fairy tale about an old married couple, who had no children. One day the woman asked her husband to cut down a log and put it in a cradle for a night. The old man did what she had asked him to do. Next morning, a surprise was waiting for them.

Hedgehog and Bear shivered from cold at the leaves strewn yard where shrill and angry wind was blowing. Friends decided to go to an abandoned house, where they found a lot of interesting things. They saw a sheet of paper on which a sunny and hot day was painted. Spreading it, they found summer and after taking the sunbath, Hedgehog and Bear continued their fascinating experiments with the weather.

Francesca, tormented by her past, breaks the silence to talk about surviving the horrors of the comfort stations of Imperial Japan.

Much of Godin’s purple, declarative dialogue is delivered at a breakneck pace, as though these verbally nimble actors are running lines at auctioneer-speed while simultaneously playing their intentions to the hilt. The film is an exercise in radical compression, its velocity integral to its comic effects, though all the rapid-fire yakking and spastically edited reverse-shot sequences lead to a wordless denouement in which Mésuline searches her pockets for a cigarette in a shot that’s hardly protracted yet still takes up about one-fifth of this taut little film’s runtime. Her pleasure in finally lighting up is fairly adorable.