The Making of Me

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

A 16 year old girl recalls the last moments of her summer vacation, spent with friends in the Laurentians north of Montreal. She reminisces about their talks on life, death, love, and God. Shot in direct cinema style, working from a script that left room for the teenagers to improvise and express their own thoughts, the film sought to capture the immediacy of the youths presence their bodies, their language, their environment.

A group of aliens searching for a new planet on which to make home, with little success. Promotional short for Dreamworks Animation's forthcoming feature, Home.

A surreal trip through the subconscious of a stifled musician as he struggles to sing.

Mickey leads Minnie on a treasure hunt in the Valley of the Tombs, but when the two are separated the adventure might prove too stressful for Mickey.

Based on the horror game Ao Oni by noprops. Five members of the cultural anthropology club at an old western-style school are trying to come up with ideas for their presentation at the school's culture festival, when they find a collection of folk tales gathered by a student in their club 40 years ago. They realize that the mysterious Bellflower Oni that appears in the folk tales may be the basis for the popular free game Ao Oni, and decide to make that their theme. They manage to make contact with the author of the Ao Oni game, but he dies mysteriously soon afterward. The club members become suspicious at the author's death and began to investigate on their own, but encounter a secret they never should have touched: a secret underground prison in the school. For some reason all the fire doors at the school are locked, and they are trapped in the school. The sound of the strange footsteps they hear soon turn to their screams...A new tragedy of the Ao Oni is about to begin.

An animated short about the 75 years of Superman.

A juggler in a park opens his magic box and takes out 3 balls. The audience marvels at his dexterity, until one ball escapes. The mutinous ball takes on magical properties as it draws the juggler into a series of adventures with many levels of meaning: appearance, fantasy and love. Without words.

A boy encounters a trace of his lost father on tracks where time comes and goes, at a station where time stops. With the help of a mysterious projectionist, the boy and station master search for the truth of the father's image.

One summer afternoon in 1907, Abel and his wife (both mice) are picnicking, when they become separated during a violent rainstorm. After flying some distance, Abel discovers himself alone on a river island, unable to swim due to the powerful current. Abel periodically attempts to leave the island by various means: flying on a leaf, rowing a crudely fashioned boat, etc. Meanwhile, he tries to create a normal life of sorts, even learning to enjoy a new hobby: sculpture. Still, Abel's goal is to escape the island and rejoin his wife in the city.

Hykade's third and final part of The Country Trilogy. The once dead father of "We Lived in Grass" returns. "I give you the runt," he says. "But you take care of it and you kill it next year."

The animation was produced for the Tezuka Osamu Manga Museum, thus it features scenes from the "life and nature" of Tezuka Osamu's childhood, themes that are central to the museum as a whole, through exchanges between the boy Osamu and the carabid beetle (Osamushi) who provided the origin for the artist's name.

A young girl buries in her soul a memory of a painful moment, when as a child she brought home an injured bird and her father burdened by his own weight of worries didn’t notice her feelings and longing for understanding. The girl took her father’s reaction as indifference and closed herself in her inner world longing for her father’s love and its manifestations. Since that moment she and her dad continued to grow apart, and as an adult she is no longer able to accept his endearments. The father suffers from guilt and searches for a way back to his daughter, trying to revive their lost relationship.

The beautiful princess Giselle is banished by an evil queen from her magical, musical animated land and finds herself in the gritty reality of the streets of modern-day Manhattan. Shocked by this strange new environment that doesn't operate on a "happily ever after" basis, Giselle is now adrift in a chaotic world badly in need of enchantment. But when Giselle begins to fall in love with a charmingly flawed divorce lawyer who has come to her aid - even though she is already promised to a perfect fairy tale prince back home - she has to wonder: Can a storybook view of romance survive in the real world?

In a 19th-century European village, a young man about to be married is whisked away to the underworld and wed to a mysterious corpse bride, while his real bride waits bereft in the land of the living.

After receiving the key to the city for their heroic efforts, Rocket J. Squirrel notices that Bullwinkle falls in love with a robotic moose. Unbeknownst to him, inside the moose is Boris Badinov, who, along with Natasha Fatale and Fearless Leader, are carrying out another plan to eliminate Rocky & Bullwinkle.

A 10-minute portrait of modernist poet and de Andrade’s godfather, Manuel Bandeira, is clear in its affection for it subject, though like many New-Waveish films of the time, depicts the modern urban landscape as an ominous and alienating force.

Hannas baby

Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.

A duo of street performers learns how sound and picture work together to create amazing cinema experiences.