A 10-year-old, gender non-conforming student navigates his way through the school, in search of a safe washroom.
The first film Vegter made using image generation software that he wrote himself, consists of three parts, each with its own, formal starting-point. Gradual changes in the position, direction, movement, velocity and colour of the elements become apparent.
A boy realizes how will his life be in the present and future with or without his crush
Temps chimique
Lelaina was mellow, eating marshmallow.
Awena was left alone when war took him away from home.
Sofia's brains went missing, when mixing toasting with ironing.
Guy drinks strange liquid, sees some shit
After amusements working in a restaurant, a waiter uses his lunch break to go roller skating.
A tailor's apprentice burns Count Broko's clothes while ironing them and the tailor fires him. Later, the tailor discovers a note explaining that the count cannot attend a dance party, so he dresses as such to take his place; but the apprentice has also gone to the mansion where the party is celebrated and bumps into the tailor in disguise…
A self-reflexive, multi-portrait film following the filmmaker, Emma Barda, and other queer artists exploring queerness and gender identity through their art. The film takes a deep dive on how queer / gender non-conforming people interpret and represent body and gender identity through various facets of art and identity, with the aim to showcase the unique and wonderful world of queerness.
This is a deserted black space that one tries to fill in. To the point of becoming totally submerged in color. One explores the chromatic circle, by turning around it meticulously. And by vertical unreeling, a process specific to cinema.
A father strives to give his daughter a perfect life full of happy memories, in spite of a troubling diagnosis and a partner overseas.
Sierra Madre as a woman threatened by corruption, with a child symbolizing the small and vulnerable people affected by the damage done to the mountain.
Death as a global service provider? Unthinkable! So far Death has thought that too. But then his nephew Cedric had the crazy idea of founding the company AFTER LIFE while his uncle was away. This company takes over the craft of death with the latest technology and markets it worldwide.
Shortly before his death, Romitelli together with his friend Paolo Pachini and the poetess Kenka Lèkovich, resurrected the dream of a total scenic art (a furnace of sensations, they called it, an_ initiation rite_) in the manner of the Futurists: rhythms and gleams of light striking metals (for the video part), poems in iron and chrome singing of fusion with matter (Kenka Lekovich), acoustic/electric music highly amplified, filtered, spatialised, in as artificial a manner as possible. An Index of Metals bears vigorous witness to this determination to go beyond: sizzling orchestration, electric and psychedelic; a voice which plays on effects, murmurs with reverb, cackles into a megaphone, screams like a pop star; and an electric guitar score of a kind that no ‘serious’ composer has ever written, sliding across an infinite range of tones with a lightness of touch and blurring of contours.
Anything can happen when a watch stops and a movie cuts.
A Late Night
Julio and Damián are a couple that have just adopted smart and shy five year old Andrés. Damián dotes on the boy, his adoption being a life-changing moment for him, while Julio feels somewhat put upon as the bread winner in the family. Soon after, a family tragedy occurs that puts Julio at a cross road, and questioning his parenthood.
After the death of his wife, an 80-year-old man checks into the Plaza Hotel to celebrate their first anniversary apart, hiring a male escort to take her place.