The Laughter Congress
PJ spends a sleepless night getting roped into a sniper revenge plot.
A young Polish partisan flees from the Warsaw Uprising. Whilst hiding in the yard of a countryside manor, he is chased up a tree by a large wolfhound. With his rifle out of reach, there seems to be no way to escape his predicament.
The journey of two storks on an ordinary workday reveals the urgent crisis in maternal health care in the United States. One stork has a relatively safe trip to deliver her baby, while the other faces significant dangers, risking her life; each obstacle serves as a metaphor for various forms of violence or obstetric complications. Throughout her journey, the protagonist visually deconstructs herself, just as she does the idealization of motherhood. A layer of reality begins to take over the screen through experimental manual painting. Upon reaching the maternity ward, the stark difference between the two storks becomes clear: the one who barely survived is the one delivering a Black baby.
A Gorilla is surprised as a bird crashes next to him and seemingly can't fly away anymore.
A guy equipped with the latest model of bionic power arm gets a map and a mysterious ball from a clandestine dealer, and begins the search for a treasure that is hidden inside an abandoned tower in the desert.
A British trick film with stop-motion animation by an unknown film maker.
A lighthearted animated history of transport.
A scientist has acquired a microscope and is showing it off to his friend. He takes various body samples - hair, phlegm, etc. - and puts them under the microscope. The "microbes" coalesce and form different shapes, creating caricatures of various people, such as mothers-in-law and drunks. These animated characters goof around in traditional cartoon fashion.
Fracture (1977) is a short animated film from France by the Brizzi Brothers (Paul and Gaëtan), a duo better known for their work on feature-length animated films such as Asterix versus Caesar (1985), and a number of films for Disney. Fracture is their earliest work, and isn’t remotely Disney-like, delivering an SF / fantasy scenario of alien inexplicabilities that makes it an animated counterpart of the comic strips that were running in Métal Hurlant (and its US counterpart, Heavy Metal) in the late 1970s.
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It’s the story of an encounter: a caged bear who can’t sing meets a little bird who can’t fly but who can sing beautifully. Their friendship will be mutually beneficial and together they will overcome their disabilities.
Silent cartoon.
Lone Little Hippo in search of a friend meets ants, bees, rabbits, chickens, until it finds another Hippo.
A 1983 short film directed by Eduard Nazarov about an ant who gets blown away with the wind from its home and the adventures it goes through in desperately trying to find its way back.
Mickey leads Minnie on a treasure hunt in the Valley of the Tombs, but when the two are separated the adventure might prove too stressful for Mickey.
The second of three pilot shorts that eventually became the 1989 movie Little Nemo: Adventures in Slumberland.
Two lovers perform a fandango dance. A jealous quarrel follows and the heart-broken swain decides to end it all. He throws himself from the window of his room, but instead of falling to his death, the anchor of a passing balloon intercepts his flight and he is taken high into the clouds. Laughing at his plight, the moon arouses the anger of the desperate lover and a battle between the two ensues.
A tenor, in suit and tie, with a receding hairline, sings a ballad to his love, “Your Face Is Like a Song,” to simple piano accompaniment. Preserved by the Academy Film Archive in 2015.
A sometimes harsh, sometimes goofy look at the routines that give our lives form.