Stars in the Sky: A Hunting Story

An ethnographic film that documents the efforts of four !Kung men (also known as Ju/'hoansi or Bushmen) to hunt a giraffe in the Kalahari Desert of Namibia. The footage was shot by John Marshall during a Smithsonian-Harvard Peabody sponsored expedition in 1952–53. In addition to the giraffe hunt, the film shows other aspects of !Kung life at that time, including family relationships, socializing and storytelling, and the hard work of gathering plant foods and hunting for small game.

An NFB crew filmed a group of three families, Cree hunters from Mistassini. Since times predating agriculture, this First Nations people have gone to the bush of the James Bay and Ungava Bay area to hunt. We see the building of the winter camp, the hunting and the rhythms of Cree family life.

A group of outdoorsmen demonstrate duck hunting as a preliminary to traveling the various hunting and fishing centers of the world. They begin their journey with a trip to the Rocky Mountains to hunt elk and mountain lions and to fish in the freshwater lakes. They travel to Lac la Ronge in Saskatchewan and to Anchorage and the Katmai Peninsula in Alaska to fish for trout, salmon, and grayling and hunt moose and bear. In the Arctic, the hunters go with a group of Eskimos for their biggest catch, the polar bear. The hunters travel south by plane, to the Fishing Club of Panama to fish for marlin, tuna, shark, and dolphin in the Gulf of Panama. In South Africa and the Zambesi River basin, they often hunt with only a camera. Accompanied by native beaters, they hunt elephants, antelope, buffalo, crocodiles, and hippopotami. As conservationists they capture some almost extinct white rhinoceros and take them to a game preserve for protection.

My Deer Hunter is the meeting of Alain, man of the nature and passionate of hunting with the deer, at the moment where the nervousness of the first days of hunting settles down. It's a family reunion, a return to the source in the lands of Témiscouata.

Semi-documentary exposé of scandalous hunting practices in the Sologne, a wooded area south of Orléans where he shared a house at the time. The film, part tribute to Jean Renoir's The Rules of the Game (1939) and its celebrated hunting scene, is notable for its cinematography by Polish director Walerian Borowczyk.

This grisly documentary presents horrifying journalistic footage of suicides, assassinations, bombings, mob hits, decapitations, and more in bloody detail. Not for the faint of heart.

Mr. Burbridge's party slew three giant gorillas, one weighing something like 450 pounds. Two of these were sent to the Belgian Government and one to the Smithsonian Institution. The explorer also brought away with him three young gorillas, one of which weighed 125 pounds and put up a good battle before he surrendered. Mr. Burbridge shows some amusing scenes with these animals, one of them being that of a young gorilla who insists on getting tangled up in a drum of film. (cont. http://www.nytimes.com/movie/review?res=9B04E5D7143CEE3ABC4C52DFB467838D639EDE)

Recorded by pioneers as far back as 1805, the Tasmanian tiger has become an intensely mystifying Australian icon, whose entire existence has become the stuff of both fable and legend. This program investigates a chequered past and puts the speculation into perspective, taking into account the tragic culling and ‘bounty era’ where the carnivorous creatures were thought to be solely responsible for a considerable loss of farmers’ livestock. Balancing the facts with personal reflections from Tasmanian locals, scientists and other informed practitioners, The Tasmanian Tiger is a thought-provoking and revealing look at the extraordinary life and death of one of Australia’s most mysterious marsupials.

Prey

Shark: Beneath the Surface

Two big game hunters are on safari in the jungle with their African guide. They observe zebras, ostrich and a hippopotamus, and catch a small monkey for a pet. During the night they are awakened by a lion which kills a small goat and then the hunters' horse. The hunters shoot the lion as it stands by the water on a beach. They discover another lion and shoot it also. The lions are gutted and skinned. The happy hunters sit and smoke cigarettes afterward.

Every single day in South Africa at least two to three captive bred or tame lions are being killed in canned hunts. And hundreds more are slaughtered annually for the lion bone trade. The Blood Lions story is a compelling call to action to have these practices stopped.

For the Frigons, hunting is a family affair that forges and solidifies the bonds between generations. For many autumns, Louis-Henri has been tracking moose alongside Sasha, his grandson. On the other hand, at the dawn of his 81st birthday, old age reminds him that his career as a hunter is behind him. This year, Louis-Henri will not go hunting and Sasha will go without him for the first time. Goodbye, Hunter offers an intimate look at the moment of the passing of a long family tradition.

One last time, Hubertus Meckelmann sounds the horns for a big drive hunt in the wild. In the central area of the former military training ground, hunting will soon be prohibited. For the hunting grounds in the area, this is quite an imposition: the populations of red deer, fallow deer and wild boar, limited only with great effort, will get out of control. Nor will the return of the wolf change anything – according to the hunters in the area, the wolf has no place here, anyway. The film accompanies three hunters in their forests and in long, tranquil shots provides insights into the hidden world behind hunting terminology and loden coats.

In the Faroe Islands, hundreds of pilot whales are slaughtered each year in a hunt known as the “Grind.” This gruesome tradition has drawn outrage from activists, most notably the international conservation group Sea Shepherd, who routinely sail to the islands to try to block whaling boats. Yet the Faroese are equally determined to maintain their tradition, defending the practice as more sustainable and less cruel than getting meat from slaughterhouses. Director Vincent Kelner spends time with both Faroese hunters and Sea Shepherd crusaders, building to a nuanced look at a disturbing event with much larger implications for the way humans relate to other creatures.

This short film showcases the skills of Howard Hill, known as the "World's Greatest Archer".

A dive into the world of a theatrical tradition with riders in classical costumes, hunting horns and bloodhounds. The drag hunt is a hunt without guns, where you do not hunt an animal, but a piece of cloth. It seems to be something of this time, but drag hunting is still under pressure. Can this age-old tradition survive in modern society? How do the riders view this spectacle full of etiquette?

If you have a little time, you can save the money and process your own deer, the E Z way.

Fast on his feet with a fat mustache, short stature, and investigative gaze. For a couple of days in the mountain, in his native land, we approach a man, strange and loud but nevertheless genuine and sensitive, a hunter. In his own way, Mr. Sotiris shines light on our bond with nature, history and man.

Louis goes to South Africa where American tourists pay to hunt wild animals in privately owned reserves.