Duck Hunters' Paradise

Argentinian short film which shows local fauna and hunting.

An ethnographic documentary following four Ju/’hoansi (!Kung) men during a multi-day giraffe hunt in the Kalahari Desert, filmed during the Smithsonian–Harvard Peabody expedition of 1952–53.

One day in the lives of an average Greenlandic family, which happens to be of great importance for 8-year old Kali - he's about to catch his first prey with the harpoon. The whole family is looking forward for the huge step in boy's maturation.

Indian elephants in action as working animals and in hunting.

Peter Gimbel and a team of photographers set out on an expedition to find and film, for the very first time, Carcharodon carcharias—the Great White Shark. The expedition lasted over nine months and took the team from Durban, South Africa, across the Indian Ocean, and finally to southern Australia.

Amateur film of fishing and geese-shooting trips by a British party in India.

An NFB crew filmed a group of three families, Cree hunters from Mistassini. Since times predating agriculture, this First Nations people have gone to the bush of the James Bay and Ungava Bay area to hunt. We see the building of the winter camp, the hunting and the rhythms of Cree family life.

Polar Bear Safari follows Randy, a wealthy trophy hunter on a 15-day hunting expedition in search of a polar bear and discusses the reliance of the Inuit on guiding these hunting trips to keep the community living in Resolute Bay in the Canadian Arctic where unemployment is high. The local Inuits selling their bear hunting licenses to wealthy hunters to help combat their financial woes.

Wildfowl and wallabies in the wild, exotic animals in the office.

In the estuaries and lagoons of the Northern Territory, freshwater and saltwater crocodile are hunted for their hides by both Indigenous and non-Indigenous hunters. This film shows Aboriginal people using age-old hunting techniques to land crocs either for food or for skins. The methods employed by the professional hunters, who earn as much as 3000 pounds during the season, are also depicted, followed by a brief look at how the hides are skinned and prepared before being transported to the leather factories of Sydney and Melbourne.

This is the untold story of a Nazi vision, that went far beyond the military conquest of European countries. As part of their crazed dream to create a thousand-year Reich they developed detailed blueprints for Aryan settlements and vast hunting parks for ‘Aryan’ animals. Goering and Himmler employed Germany’s best scientists to launch a hugely ambitious programme of genetic manipulation to change the course of nature itself, both in the wild and for domestic use. In a fascinating blend of politics and biology, Hitler's Jurassic Monsters is the true and asthonishing story of how the Nazis tried to take control of nature and change the course of evolution.

Nisa Ward’s film seeks to expose the hidden realities of hunting – via footage of hunters’ aggressive interactions with hunt monitors and their effect on other inhabitants of the countryside – and show what a repeal of the ban would mean.

Etthén Heldeli: Caribou Eaters travels with Déné First Nations people in Canada’s north, as they search for the species so vital to every aspect of their lives – the barren-ground caribou. The documentary is a celebration of their rich ancient culture, and a visual document lamenting their traditions that could vanish, if the caribou disappear.

Duck archery is not the same as duck hunting. This is a Pordenone moment I will never forget – in actuality short Distraction et Sport à Batavia (1909), the residents of what is now call Jakarta make the most of their leisure time by pursuing a variety of mostly healthy exploits. But really, I can see no justification, nor explanation for why a round of archery needs to be enlivened by affixing live poultry to the target. As my good man Peter tweeted at the time: “One right in the neck, yeesh.” Sensitive viewers should be aware that animal cruelty abounds in silent cinema – the most notable, and egregious, example is Edison’s notorious Electrocuting an Elephant. The most poignant fictional example is perhaps the poor horse in Eisenstein’s October. (from http://silentlondon.co.uk/2015/01/23/10-disgusting-moments-in-silent-cinema/)

Shark: Beneath the Surface

Les Rossignols

In 2015 a lion in Zimbabwe named Cecil was killed by Walter Palmer, an American dentist, provoking a global outcry. The story of Cecil’s death turns the gaze back on to us and our behaviour. The simplicity of the outrage is a stark contrast to the complexity of the reality.

Donnie Vincent's The River's Divide is a full-length documentary film featuring Donnie Vincent's bowhunting journey into the Badlands of North Dakota, chasing a whitetail deer known as Steve.

In this feature-length documentary, three generations of the Caribou Inuit family come together to tell the story of their journey as Canada's last nomads. From the independent life of hunting on the Keewatin tundra to taking the reins of the new territory of Nunavut on April 1, 1999, we see it all. The film is the result of a close collaboration between Ole Gjerstad, a southern Canadian, and Martin Kreelak, an Inuk. It's Martin's family that we follow, as the story is told through his own voice, through those of the Elders, and through those of the teens and young adults who were born in the settlements and form the first generation of those growing up with satellite TV and a permanent home.

The imminent extinction of the vaquita porpoise and the totoaba, two species endemic to Baja California and sought after by the mafia for their swim bladders, which are highly prized in the East; victims of illegal fishing nets and in danger of extinction.