Privacy of Wounds

Mohammed Alsaleh, a young Syrian refugee, is rebuilding his life after being granted asylum in Canada. In Vancouver, he counsels and helps resettle newly-arrived Syrian refugee families so that they may find new homes and begin again.

The Big One is an investigative documentary from director Michael Moore who goes around the country asking why big American corporations produce their product abroad where labor is cheaper while so many Americans are unemployed, losing their jobs, and would happily be hired by such companies as Nike.

Five transgender women share their prison experiences. Interviews with attorneys, doctors, and other experts are also included.

THE STORY WON’T DIE, from Award-winning filmmaker David Henry Gerson, is an inspiring, timely look at a young generation of Syrian artists who use their work to protest and process what is currently the world’s largest and longest ongoing displacement of people since WWII. The film is produced by Sundance Award-winner Odessa Rae (Navalny). Rapper Abu Hajar, together with other creative personalities of the Syrian uprising, a post-Rock musician (Anas Maghrebi), members of the first all-female Syrian rock band (Bahila Hijazi + Lynn Mayya), break-dancer (Bboy Shadow), choreographer (Medhat Aldaabal), and visual artists (Tammam Azzam, Omar Imam + Diala Brisly), use their art to rise in revolution and endure in exile in this new documentary reflecting on a battle for peace, justice and freedom of expression. It is an uplifting and humanizing look at what it means to be a refugee in today’s world and offers inspiring and hopeful vantages on a creative response to the chaos of war.

A short, low-budget documentary that follows a small jobbing band from the north of England called 'Hardwicke Circus' as they perform a gig and music workshop at 'Standford Hill HMP', a men's prison on the Isle of Sheppey in the south of England. Shot in Ben Archer's fly-on-the-wall 'gonzo' style of filmmaking and taken from the band's late-2019 tour of England's south coast, this documentary focuses on the joy of performance and music in an environment that does not often allow such expression. Bookended by short commentary from the band's lead singer Jonny Foster, 'Hardwicke Circus: The Prison Gig' is an uplifting ode to the power and necessity of art, even for those that society have deemed not to deserve it.

Insein Rhythm portrays the sights, sounds and rhythms of Yangon’s Insein train station which is also a stone’s throw away from the country’s infamous Insein prison.

Behind the scenes at one of the most unique and controversial prisons in the UK, home to some of Britain's worst female criminals

A 3-year-old girl and her family's long journey from a Greek refugee centre to Uppsala.

As politicians debate and argue, the men, women and children at the heart of the European immigration wave have found themselves caught in the midst of a humanitarian crisis. On the frontline is the Greek island of Lesvos – the first point of entry into Europe for over half of the refugees. One week at the end of August 2015 marked a tipping point in the crisis. More refugees arrived than ever before, volunteers were inundated and local infrastructure just couldn’t cope; trains were overflowing, refugees were dying in the back of lorries and on beaches, and politicians responded by closing borders and arguing about how to stem the tide of people. Filmed over just five days, this first-hand account of that dramatic week on Lesvos is seen through the eyes of the refugees and volunteers caught in the crisis.

Two thousand years ago, it was a flourishing city in the middle of what is now a Syrian desert. At the crossroads of trade routes, Palmyra attracted caravanners from Mesopotamia, India and China. In what remains of its ruins, rediscovered by Europeans in the 17th century, its numerous necropolises bear witness to a prosperous past. Carved in limestone in the first centuries of our era, the faces of the representatives - men, women and children - of its greatest families adorn the walls of its tombs. Since 2012, Danish archaeologist Rubina Raja has been leading a long-term project to find, document and retrace the family trees and daily life of these Palmyrenians.

A nine-year-old Syrian refugee girl contemplates her increasingly bleak future after being forced to drop out of school in the midst of Lebanon’s unprecedented economic collapse and battle with Covid-19.

Addicted to Captagon

Four-time Emmy winner John Kastner was granted unprecedented access to the Brockville facility for 18 months, allowing 46 patients and 75 staff to share their experiences with stunning frankness. The result is two remarkable documentaries: the first, NCR: Not Criminally Responsible, premiered at Hot Docs in the spring of 2013 and follows the story of a violent patient released into the community. The second film, Out of Mind, Out of Sight, returns to the Brockville Mental Health Centre to profile four patients, two men and two women, as they struggle to gain control over their lives so they can return to a society that often fears and demonizes them.

Errol Morris examines the incidents of abuse and torture of suspected terrorists at the hands of U.S. forces at the Abu Ghraib prison.

Documentary on Sakine Cansız (Sara), the Kurdish revolutionary and PKK co-founder killed in Paris in January 2013 by Turkish agents.

Ekhlas Alhlwani was forced to flee Syria with her three children and now lives in Zaatari, a refugee camp in the Jordanian desert. Rizzi spent seven weeks observing her and other women's daily life, which is devoid of any prospects. He shows how Alhlwani makes every effort to establish some kind of normality for her family despite the difficult camp conditions. The film vividlyconveys the cruelty of war, and especially the state o funcertainty and rootlessness to which refugees are exposed. The film is the first part of a trilogy that focuses on the emergence of a new civil consciousness in Malaysia, Tunisia, Egypt, Bahrain and Syria, as well as the social implications of the end of post-colonialism in these countries.

The old world is gone. Our landscape bears scars. Entire cities have been levelled. Is it possible to regenerate the city without covering over the warnings of war’s aggressions? Or can these ruins provide a unique chance to reinvent the city thoroughly? The art historian Heinrich Klotz took precisely these questions, concerning the reconstruction of Germany’s historical districts after World War II, as the departure point of his practice.

An animated documentary film, based on an actual story of a woman from Damascus countryside. Suleima evokes some of childhood memories, when her thoughts refusing injustice had arisen. The film is a portrait of Suleima, and a monitoring of intellectual and social shifts she experiences during the events. The visual environment: has been presented graphically fully of sharp contrasts, and imaginary mixed with reality.

Kinder des Lichts

In the privacy of her own home, a Syrian woman shares her thoughts and feelings, talking about her existence, and her desire to be open about her sexuality in a conservative society.