Little heroine, a music school student, wanders through the backstreets of Warsaw's Old Town and discovers a world to which others have no access. It is a world of extraordinariness and beauty of sounds. And these are sounds that are the most important thing for the girl – the hubbub of children, the sounds of the street, the puffing of a tractor, the tuning of an organ, the sweeping of a broom and the sound of jets flying overhead.
With his industry on lockdown and no end in sight, Toronto chef Luke Donato tries to keep his culinary passion alive during the COVID-19 pandemic - even if it means teaching a group of misfits online.
A poetic cine-essay about race and Australia’s colonised history and how it impacts into the present offering insights into how various individuals deal with the traumatic legacies of British colonialism and its race-based policies. The film’s consultative process, with ‘Respecting Cultures’ (Tasmanian Aboriginal Protocols), offers an evolving shift in Australian historical narratives from the frontier wars, to one of diverse peoples working through historical trauma in a process of decolonisation.
"Labyrinth" is a groundbreaking multi-screen 45-minute presentation produced for Chamber III of the Labyrinth at Expo 67 in Montreal, using 35 mm and 70 mm film projected simultaneously on multiple screens. A film without commentary in which multiple images, sometimes complementary, sometimes contrasting, draw the viewer through the different stages of a labyrinth. The tone of the film moves from great joy to wrenching sorrow; from stark simplicity to ceremonial pomp. It is life as it is lived by the people of the world, each one, as the film suggests, in a personal labyrinth. Re-released in 1979 as "In the Labyrinth" by the National Film Board of Canada in a 21-minute single projection format.
They set off, looking for work in far-off places, but disappeared along the way. Inspired by Shiv Kumar Batalvi’s “birha” poetry, the film traces the longing on both sides: on the part of those who are missing, and those that wait for them to return.
Lively holiday in Blackpool, with jazz accompaniment.
Little Monsters presents some of the animal kingdom’s strangest survival strategies: poison dart frogs, chameleons, praying mantises and scorpions, to name but a few. Thanks to 3D visualization, large audiences can experience a chameleon thrusting out its tongue at close range, rattlesnakes striking at their targets to within fractions of an inch, praying mantises hunting and hummingbirds feeding, filmed from inside the flower! And with its ingenious combination of slow-motion 3D and timelapse 3D, “Little Monsters” even improves upon state of the art 3D for greater impact, yielding unbelievable scenes the world has never seen and “felt” before.
Photomicrography reveals the unusual structure and behavior of the Venus's flytrap, the trumpet plant, the cobra plant, the common pitcher plant, the sundew plant and the utricularia.
Mein Wunschland
It’s been widely reported that Detroit is making a comeback, but long-term residents of Detroit’s mostly black neighborhoods aren’t seeing much benefit. Crime, lack of opportunity and infrastructure problems still persist. Community Patrol explores neighborhood self-policing through the eyes of Minister Malik Shabazz, a long-time Detroit activist and community organizer. Determined that more black men don’t end up in jail or killed, the minister confronts drug offenders directly rather than reporting them to the police.
Pontormo and Punks at Santa Croce
This short documentary takes us to St. John's Cathedral Boys' School, at Selkirk, Manitoba, one of the most demanding outdoor schools in North America. As the school can’t accommodate every student wishing to enroll, boys of 13 to 15 years old are put through an initiation tougher than they have ever faced. They paddle canoes through some 500 kilometers of wilderness in 2 weeks, portaging and camping all the way, thereby learning vital outdoor lore, cooperation and self-confidence.
Comments on the background and popularity of disc jockey "Emperor" Bob Hudson, who bases his shows on the idea that radio is a fantasy.
Making Dust is an essay film, a portrait of the demolition of Ireland's second largest Catholic Church, the Church of the Annunciation in Finglas West, Dublin. Understanding this moment as a 'rupture', the film maps an essay by architectural historian Ellen Rowley on to documentation of the building's dismantling. Featuring oral interviews recorded at the site of the demolition and in a nearby hairdressers, the film invites viewers to pause and reflect on this ending alongside the community of the building. The film is informed by Ultimology, and invites its audience to think about the life cycles of buildings and materials, how we mourn, what is sacred, how we gather, what we value and issues of sustainability in architecture.
The first childbirth for children film ever made which launched a sibling preparation movement across the US.
A compelling look at the choices that lead to incarceration and the reality of being locked up in Pelican Bay State Prison.
Documentary tells the story of the Chilean football club Colo-Colo, exploring its profound impact on popular culture and the everyday lives of its fans. Throughout the film, it shows how the club has transcended sport to become a symbol of resistance, pride, and class struggle in Chile.
Spiel in Farben
This film describes the building of the drilling platform ADMA Enterprise in a shipyard on the Kiel Canal, from where it was rowed to the Arabian Gulf.
In an effort to improve feminine hygiene, a machine that creates low-cost biodegradable sanitary pads is installed in a rural village in Northern India. Using the machine, a group of local women is employed to produce and sell pads, offering them newfound independence and helping to destigmatize menstruation for all.