Leon Drey

This film begins with the invocation of 'almighty god' at a river where several people are gathered. The child god Krishna rises out of the water astride the demon snake Kaliya. Then we see Yashoda as she rocks the sleeping Krishna's crib and imagines the god as Gopala. The next scene shows Kamsa fantasizing about Krishna threateningly duplicated many times around him. Kamsa then imagines himself dead as his severed head rises up and descends again. People of all castes pay obeisance to the deity with the title-card: 'may this humble offering be accepted by the Lord'.

God and Satan wager on the soul of a learned and prayerful alchemist as part of their eternal war over Earth.

An upper class melodrama.

The Curse of Quon Gwon is the oldest known Chinese-American film and one of the earliest American silent features made by a woman. Only two reels of the film survive, and no intertitles are known to exist, making it difficult to parse out the exact plot. An article in the July 17, 1917 issue of The Moving Picture World states that the film "deals with the curse of a Chinese god that follows his people because of the influence of western civilization." The film also touches on themes of Chinese assimilation into American society. Formally premiering in 1917, no distributor was willing to purchase a Chinese-American film without racial stereotypes. Considered a devastating financial failure, the film was only screened two more times until its rediscovery in 2004. Preserved by the Academy Film Archive in 2005.

It's love at first sight for the Boy, but obstacles— namely shyness, and the temerity of other suitors— place themselves in the way of his love. Unknowingly, the Boy and the young woman of his fancy both stay at the home of mutual friends— But all is not well, as robbers lurk outside the house.

A public service animation from O'Galop that warns against the dangers of alcohol. Oh, the woes of drinking. Even a small glass of alcohol will turn someone inevitably into an epileptic criminal.

A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre.

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.

A classic of the silent age, this film tells the story of the doomed but ultimately canonized 15th-century teenage warrior. On trial for claiming she'd spoken to God, Jeanne d'Arc is subjected to inhumane treatment and scare tactics at the hands of church court officials. Initially bullied into changing her story, Jeanne eventually opts for what she sees as the truth. Her punishment, a famously brutal execution, earns her perpetual martyrdom.

The Man With The White Mask

Spot25N - Rompe el Ciclo

A gangster falls for a blind violinist, only for his mobster rivals to kidnap her.

Alraune and the Golem

A hobo takes revenge to a miller who didn't give him something to eat.

A 1920 film directed by Roy William Neill.

Nina, mid 20’s, is a visual artist whose art depicts the feminine beauty of all women but struggles with self-identity as a multicultural millennial woman. While flipping through social media her frustration leads her to brood over old photos of complex stages in her life. She’s inspired to create a portrait that represents her personal voyage to self confidence and finally see her beautiful self.

A tramp cares for a boy after he's abandoned as a newborn by his mother. Later the mother has a change of heart and aches to be reunited with her son.

Come and Swallow is the newest film in the big swallow universe. Being a piss take on the original “The Big Swallow (1901)” and “Come and See (1985)”. When the young boy (Josh Killoh) has his village burned down and destroyed by an army of troops, a few soldiers (Angus Rhind, Finlay Doney and Quillan Hepburn) pose to take a photo with the boy. As the camera man (Finlay Esslemont) prepares to take the photo, the boy suddenly decides that he has had enough of this tyranny and swallows all the soldiers.

A married farmer falls under the spell of a slatternly woman from the city, who tries to convince him to drown his wife.