La fleur et le fusil

A trans Vietnamese woman's deadname being repeated over and over again.

An anti-war film about the personal suffering behind the hard statistics, which show that more than four million Vietnamese died during the Vietnam War, as opposed to 58,000 Americans. We hear South and North Vietnamese, including émigrés to the United States, describing how huge numbers of friends met their deaths, caught as they were between government forces, the Vietcong, and the Americans; how political boundaries divided not only the country, but also families; how mothers deserted their children because their fathers were American soldiers; and how the war cruelly lingers on long after hostilities ceased, in the lives of children born crippled by chemical weapons.

As queer trans and gender non-conforming children of the Vietnamese diaspora, we are fragmented at the crossroads of being displaced from not only a sense of belonging to our ancestral land, but also our own bodies which are conditioned by society to stray away from our most authentic existence. Yet these bodies of ours are the vessels we sail to embark on a lifetime voyage of return to our original selves. It is our bodies that navigate the treacherous tides of normative systems that impose themselves on our very being. And it is our bodies that act as community lighthouses for collective liberation. Ultimately, the landscape of our bodies is our blueprint to remembering, to healing, to blooming.

To provide for his young family, a food vendor searches for customers in the ancient city of Hue from sunset until the early morning. An insight into the the life of a banh bao vendor. Hoa, 42; a farmer by day who has been selling banh bao on Hue’s streets for 12 years. Hoa cycles from his country home to Hue every afternoon to sell a barrel load of the Vietnamese dumplings and provide for his young family.

Private McKinley Nolan vanished 40 years ago in Vietnam on the Cambodian frontier. Some say he was captured, some say he was a traitor, some even say he was an American operative. The US Army officially claims he was radicalized and went native, joining the Viet Cong and later encountering the Khmer Rouge. In 2006, retired US Army Lt. Dan Smith, revisiting the battlefields of his youth, may have encountered the elusive McKinley, alive. So began a journey into the heart of darkness.

Diese Bilder verfolgen mich - Dr. med. Alfred Jahn

Push-ups to the rhythm of a metronome, a meter counting backward from 100; three words are shouted time and again: “dog – pig – monkey”.

A German Documentary about the “village of friendship” that was created by American Veteran George Mizo to help the Vietnamese kids suffering from the Vietnam War.

America's involvement in the Vietnam War dramatically intensified in 1964 after the Tonkin Gulf incident, an incident in which the blame falls squarely on the Johnson administration. What would follow would be a series of misinformation and outright lies from the government to mislead the American public into supporting a war that would become increasingly harder to justify.

A Hmong guide's daily life in the mountains of Sapa, North Vietnam.

Země jihu – Vietnam

A portrait of a Vietnamese-Canadian family opening up a restaurant and cocktail bar in Calgary's Chinatown, amid the COVID-19 pandemic.

Le Lotus dans tous ses états

Interviews with five former American soldiers who were present at the March 16, 1968 attack on the village of My Lai during the Vietnam War; they discuss the orders that were issued leading up to the attack, their expectations of what they would find there, and the subsequent massacre of the inhabitants and destruction of the village, as well as possible motivations for the killings and rapes which took place.

An uplifting documentary that explores the human element behind Vietnam’s resurgence as one of the fastest growing economies in the world.

The Art of Nom explores an ancient and nearly extinct Vietnamese script called Chu Nom and the five scholarly artists known as Zenei, Gang of Five. The beauty, heritage and emotion of the Chu Nom characters inspire Zenei’s art. The film also examines Vietnam’s culture, history, customs, and the social impact of rapid modernization in a changing world. Art of Nom follows Zenei through their research and explorations that takes them far off the beaten path. They enter hidden library chambers of Buddhist pagodas to examine original Nom scriptures and woodblocks preserved by monks through the centuries. Led by renowned artist Le Quoc Viet, Zenei is a collective of avant-garde calligraphers forging a new path, merging contemporary visual expression with a nearly extinct script. Zenei elevates art and history to a new level of experience.

The prophecy of Khoa Lê’s 93-year-old grandmother (bà nôi) burdens his unknown future and reflects the roots of his past. Born in Vietnam but raised in Canada, Lê’s homeland pilgrimage is measured parts self-portrait, ethnography and an ethereal quest for identity. His bà nôi is funny and forthright in a matriarchal manner, as one with little time to worry about what others think. Stark observations of her home life and family visits contrast visually stunning dreamlike sequences of fog-laced silhouettes and twilight vistas that echo an unpredictable path. As he celebrates New Year’s events with family traditions and rituals steeped in superstition, fortunes and horoscopes, it’s clear Lê is seeking signs of destiny as he poetically captures a soul floating between two worlds.

Vietnam in HD is a 6-part series that immerses viewers in the sights, sounds and stories of the Vietnam War as it has never before been seen. Thousands of hours of uncensored footage--much of it shot by soldiers in action--will detail every critical chapter of the conflict. The war will unfold onscreen through the gripping firsthand accounts of 13 brave men and women who were forever changed by their experience in Vietnam.

Using archival footage, cabinet conversation recordings, and an interview of the 85-year-old Robert McNamara, The Fog of War depicts his life, from working as a WWII whiz-kid military officer, to being the Ford Motor Company's president, to managing the Vietnam War as defense secretary for presidents Kennedy and Johnson.

During the chaotic final weeks of the Vietnam War, the North Vietnamese Army closes in on Saigon as the panicked South Vietnamese people desperately attempt to escape. On the ground, American soldiers and diplomats confront a moral quandary: whether to obey White House orders to evacuate only U.S. citizens.