Now, we're getting a new look at the infamous Roswell UFO case of 1947 in Roswell: Mysteries Decoded. The show follows investigator Jennifer Marshall and Rogue Planet's own Ryan Sprague as they head to Roswell and dive deep into the mysteries of one of the most famous alleged crashes of all time.
This true story covers ground-breaking research into the aviation that took place at the Groom Lake Testing Facility, otherwise known as Area 51, which ensured US Aerial supremacy from the Cold War through to the present day. Utilising CIA documents that have recently been declassified this programme identifies specific individuals who worked at the top secret base in a variety of roles – the radar specialists, pilots and security guards. Their personal testimonies provide a unique impression not just of the work that was carried out, but of the site itself. We reveal just how tight security had to be to keep the development of the U2, A12 and HAVE BLUE aviation programmes under wraps. This is a film that concentrates on delivering history and factual accuracy in a fresh and engaging style – one that answers the question ‘what really happened at Area 51’?
The most famous UFO case of all time is the alleged UFO crash in the desert of Roswell, New Mexico in 1947. Did humanity make its first contact with alien life that dark starry night?
Jim Marrs looks at the Aurora Crash. According to a news story that appeared in The Dallas Morning News, an "airship" crashed in Aurora Texas on April 17th, 1897. According to the news report, published two days later, the "airship" crashed into the windmill at Judge Proctor's place and the pilot -- a "Martian" -- was killed in the crash and later buried in the town cemetery. In 1897 a UFO crashed in Aurora, Texas where it hit a windmill and exploded. The remains of an alien body were recovered and buried in the local cemetery. This documentary was premiered at the first annual Aurora Alien Encounter on Saturday, April 16th, 2016 - An event to commemorate the historical incident
Revisit the events of December 9, 1965, in the rural community of Kecksburg, Pa., when a strange object fell from the sky one night, prompting a military visit within days, much to the shock of the locals. This absorbing documentary explores the peculiar media response to the incident, examines the secret transfer of the object to an Air Force base in Ohio, and interviews 21 witnesses, who describe their own memories of that strange night.
VICE meets up with Joe Nickell, a longtime paranormal investigator who’s been called the real-life Scully. We travel with him to Roswell, NM on the anniversary of the 1947 UFO Crash to talk to believers, skeptics and UFO witnesses alike to see if the truth is really out there.
In the US and around the world, there are reports of certain areas experiencing an unusually high level of UFO sightings.
On October 4 1967 flashing lights could be seen in the sky, and an unidentified large object made contact with the waters of Shag Harbour, Nova Scotia. After investigations from the Canadian Coast Guard, the RCMP, and the Canadian Armed Forces and reports and speculation from witnesses, journalists, and UFO enthusiasts the event would later become the most well-known UFO incident in Canada. This documentary uncovers new witness accounts, photographic evidence, various investigation reports, and historical archives to examine exactly what happened on the coast of Nova Scotia that night, and how much information surrounding the case has been intentionally hidden.
Roswell redécouvert 75ème anniversaire
A Cor do Cinema
Stanton Friedman discusses space travel
A look at the Roswell crash landing.
After an alien ship crash lands in a Russian city, many who see the inside and the occupants start to question their own existence while others demand the aliens leave Earth.
Two days after an unidentified object landed on a farm in South Africa in December of 1967, 4 authorities brokers, geared up with a Super 8 and 16mm digital camera, drove out to research it. What the brokers deal with as a concrete anomaly to be examined by means of Geiger counters, cameras, and beakers evolves into an all-encompassing, existential conundrum.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
On a misty morning in the fall of 1985, a small group of Haida people blockaded a muddy dirt road on Lyell Island, demanding the government work with Indigenous people to find a way to protect the land and the future. In a riveting new feature documentary drawn from more than a hundred hours of archival footage and audio, award-winning director Christopher Auchter (Now Is the Time) recreates the critical moment when the Haida Nation’s resolute act of vision and conscience changed the world.
Known for her intimate films, director Kim O’Bomsawin (Call Me Human) invites viewers into the lives of Indigenous youth in this absorbing new documentary. Shot over six years, the film brings us the moving stories, dreams, and experiences of three groups of children and teens from different Indigenous nations: Atikamekw, Eeyou Cree, and Innu. In following these young people through the formative years of their childhood and right through their high school years, we witness their daily lives, their ideas, and aspirations for themselves and their communities, as well as some of the challenges they face.