Visiting

In Greenwich Village in the early 1960s, gifted but volatile folk musician Llewyn Davis struggles with money, relationships, and his uncertain future.

Miso lives from day to day by housekeeping. Cigarettes and whiskey are the two things that get her through the day. As cigarette prices and rent start to rise, Miso decides to give up her house for cigarettes and whiskey, leading her to couch surf with old friends while reconsidering her place in life.

Upon breaking up with her boyfriend, Leyla goes back to her couch surfing lifestyle as she struggles to juggle her personal life, aspiring career as an artist and her need for stability.

Warsaw is becoming a meeting place for people from different corners of the world, of different ages, with different life stories. What they have in common is a feeling of being lost and a dire need to run away from their solitude. The film shows an image of a contemporary city from couchsurfers’ perspective.

In the form of an anthology film, travelers and hosts encounter one another in four different places in Europe via an internet-based hosting network called “Couchsurfing”. In Stuttgart, the Swabian publisher Annette meets the Polish master in the art of living Pawel, while her niece Nina is expecting a big fiesta in Spain, but meets only a deaf old man. In parallel Matti, a freshly minted high school graduate, hopes to find a great adventure in Paris, while the two Erasmus students Reka and Alma wander through Frankfurt desperately seeking their hosts. In the quest of adventure, diversion or just an authentic travel experience, encountering people whom one never would have met otherwise and so they are confronted not only with counterparts, but also with themselves.

One Couch at a Time follows 'CouchSurfing evangelist' Alexandra Liss across 6 continents, 21 countries, CouchSurfing for 7 months in the first full-length feature ever to document the CouchSurfing movement and this emerging 'age of sharing' we are entering.

An ultra-Orthodox Jew, a couch surfing custodian, and a personal injury lawyer - risk everything to find their voices on the cutthroat New York comedy scene.

Edouard, a funeral director, leads a very quiet life. The routine: work, return home, dinner cooked by his wife and reading a story to sleep his daughter. One evening, like no other, her daughter makes a strange prayer. She predicts the death of one of her family members the next day. And every night, the same refrain. Until the dreaded day arrives - she announces the death of her father.

A series of good times, bad times, cherished bonding moments which will make them all realize the value of love, friendship, family and life.

Rome and Ethan have been together for 14 years. He is the love of her life, and she is his number one supporter. They are each other's firsts, and to their friends, they are the perfect couple. When the two begin to feel that their relationship has gone stale, they explore the idea of going open. It's something Ethan wants to do and it's the only way Rome feels she can do to keep her man. They agree that they are allowed to have sex with strangers, but they are not allowed to fall in love. In a relationship built over time, the two begin to "explore" expecting to salvage the exact same thing they are giving up. In the end, they learn the importance of the very thing that they have been blind to–a relationship without trust will eventually crumble.

Doña Atang, a once celebrated film producer from the earlier years of Filipino cinema, celebrates her one hundredth birthday. For her wish, she wants a reunion with all the actors and staff that she has worked with in the past. She is also looking for an unfinished film from one of her directors. Her grandson Michael decides to take the task of finding them. As he does, we remember the glorious years of cinema from its workers–fragments of a colorful past filled with faded memories.

Lola Igna is a foul-mouthed and stubborn woman who is eager to die but her neighbors are hung up on her winning "the oldest living grandmother in the world." Her long-lost great-great-grandson, Tim, is an aspiring vlogger who wants to latch on her now-famous grandma but ends up giving her a new reason to live.

A troubled Overseas Filipino Worker (OFW) is forced to return home and come to terms with the family she left behind.

Salma is not happy with her husband Jamal due to his drug addiction. Zaryaab tries to keep Jamal in this habit because he set some goals for himself. Zaryaab cannot achieve his goals without the help of Saieen. Jamal cross all the limits to get drugs regularly.

Haunted by the ghosts of his past and his angst of his future Roman is determined to prove himself as a boxer. For this dream he is willing to give up on everything: his friends, his health, even his own self.

Everybody has their own dreams and fears. Are we all connected or are we really all alone in this world?

A lonely forest, a car, a father and a son. Of all the places where they could speak on this special day, this is probably the most desolate - because it is the place that suits them best.

Very often in life, no words are needed to express human feelings. Many issues appear to stand between the two protagonists in „We Need to Talk“, while still uniting them in the end. Within a few minutes, the short film will create different illusions of what they need to talk about for every spectator.