Attila

Franco Zeffirelli directs these two legendary La Scala productions telling tragic tales of jealousy. Mascagni's Cavalleria Rusticana features performances by Elena Obraztsova, Plácido Domingo, and Renato Bruson. Leoncavallo's I Pagliacci stars Teresa Stratas, Plácido Domingo, and Juan Pons. Both are conducted by George Pretre. This production of Pagliacci earned director Franco Zeffirelli the coveted Emmy as Best Director in the category of Classical Music Programming.

The story of the Arthurian legend, based on the 'Sarmatian hypothesis' which contends that the legend has a historical nucleus in the Sarmatian heavy cavalry troops stationed in Britain, and that the Roman-British military commander, Lucius Artorius Castus is the historical person behind the legend.

The life and career of Italian opera singer Farinelli, considered one of the greatest castrato singers of all time.

Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Viennese composer Wolfgang Amadeus Mozart.

Friends of Spartacus achieve revenge on the plotter who tries to make political capital out of the rumor that he is still alive. It was shot back to back with Seven Slaves Against the World.

Jules Massanet's lyrical opera is transformed into a superb film production by Petr Weigl, shot on location in Prague, with music conducted by Libor Pesek. First produced by the Vienna Opera in February 1892, "Werther" rapidly confirmed Massanet's position on the French opera scene and achieved enormous popularity outside France, notably in Italy, America and England. The tragic story tells of Werther's intense passion for Charlotte, who has married his best friend, Albert, fulfilling a pledge to her now deceased mother. But Werther's letters of love bring Charlotte to his side when he promises to take his own life.

Siegfried, son of King Siegmund of Xanten, travels to Worms, capital of the Burgundian kingdom, to ask King Gunther for the hand of his sister, the beautiful Kriemhild.

Berlioz’s colossal masterpiece requires stupendous forces—dozens of soloists, enormous chorus, orchestra and ballet, a superb conductor who understands the uniqueness of the score—plus a production that does visual justice to the work. “A stupendous achievement” was one critic’s assessment of Peter Wexler’s inventive production. And with James Levine’s wizardry galvanizing the marvelous all-star cast, this is truly a gem. Plácido Domingo is the legendary hero Aeneas, Jessye Norman the obsessed prophetess Cassandra, and Tatiana Troyanos is Queen Dido, who commits suicide when Aeneas leaves her.

Who loves whom in Così fan tutte, Mozart’s and Da Ponte’s cruelly comic reflection on desire, fidelity and betrayal? Or have the confusions to which the main characters subject one another ensured that in spite of the heartfelt love duets and superficially fleetfooted comedy nothing will work any longer and that a sense of emotional erosion has replaced true feelings? Così fan tutte is a timeless work full of questions that affect us all. The Academy Award-winning director Michael Haneke once said that he was merely being precise and did not want to distort reality. In only his second opera production after Don Giovanni in 2006, he presents what ARTE described as a “disillusioned vision of love in an ice-cold, realistic interpretation”.

Famed countertenor Andreas Scholl sings the title role of Roman emperor Julius Caesar in this memorable production of Georg Friederich Handel's "Giulio Cesare," staged at the Royal Danish Opera. Transporting the action from ancient times to the present day, director Francisco Negrin paints a passionate portrait of Caesar's storied romance with the Egyptian queen Cleopatra (played by soprano Inger Dam-Jensen).

The Royal Ballet and the Royal Opera collaborate in Wayne McGregor's production of Handel and Gay's classic opera, in which the nymph Galatea falls in love with a shepherd named Acis.

When Kriemhild, thirsty for revenge, marries to Etzel, king of the Huns, she invites King Gunther and his court to visit them, intending to finally take the life of the man responsible of her disgrace.

Johann Strauss, Jr., a would-be composer of waltzes in mid-19th Century Vienna, attempts to thwart his father's efforts to prevent his success when the older man becomes jealous of his melodic skill.

In the fifth century, constant civil war scars western China. To escape death, Ti, a young scout, jumps through a crevice in the Zu mountains where he gets entangled in a great battle against the Blood Demon, a supernatural entity seeking to wreak havoc upon the world.

Takarazuka Revue's Phantom based on the play by Maury Yeston and Arthur Kopit.

Opera by Harry Somers portraying Metis leader Louis Riel and his Northwest Rebellion.

King Arthur returns home after fighting the Roman Empire. His illegitimate son has corrupted the throne of Camelot and King Arthur must reunite with the wizard Merlin and the Knights of the Round Table to fight to get back his crown.

A historical drama set in Roman Egypt, concerning philosopher Hypatia of Alexandria and her relationship with her slave Davus, who is torn between his love for her and the possibility of gaining his freedom by joining the rising tide of Christianity.

La traviata in Paris is a film-opera of Giuseppe Verdi's La traviata filmed live on television and worldwide, directed by Giuseppe Patroni Griffi, conceived and produced by Andrea Andermann in 2000. A Traviata that takes place live, with a television reporter who, amid the events of the day that took place in France on June 3, 2000, connects live to the scene of the action but at the time exactly a century earlier, in the Paris of June 3, 1900 (the setting of the opera is thus postdated from the original, which was conceived for the 1850s).

Features a mustached villain, who is the leader of a Viking clan that worships an octopus god-monster. The Vikings wish to kidnap a beautiful girl to sacrifice her to their demigod, but the heroic Tarkan, aided by his dog, Kurt, is there to save the day.