Two, Three Times Branco

This is a story of a seemingly quiet and unobtrusive man, author of a colossal and partly unfinished literary work. We will try to trace back to the origins of his inspiration so as to understand why his work met and still meets with so much success. How did JRR Tolkien manage, through the power of words alone, to so widely instill wisps of magic in the midst of a particularly disenchanted 20th century?

Hold mig fast. Før jeg forsvinder

Tells the story of Tucson and the legendary movies that were shot there.

Interview with critic Molly Haskell about Hawks and Red River

Interview with filmmaker Peter Bogdanovich about Red River and the two versions of the film.

Hours and historical meetings, Pierre Assouline has composed an anthology of the best extracts presented in the form of a primer, which he had commented on by a surprised Bernard Pivot.

Here's a little story they're about to tell... Mike Diamond and Adam Horovitz share the story of their band and 40 years of friendship in a live documentary experience directed by friend, collaborator, and their former grandfather, Spike Jonze.

Thirty years after recording "Rapper's Delight," Master Gee & Wonder Mike come back to reclaim their identities and rightful place in Hip Hop history.

Widely regarded as one of the greatest Rugby League players ever, kiwi hard-man Mark Graham was feared off and, on the field, though little knew the real man or the destruction behind his success. SHARKO, portrays an intimate look at the life of a father, a son and the cost of greatness.

The work and unexplained death of Michael Ventris, the English architect, classicist, and philologist who deciphered the ancient Mycenaean Greek script Linear B, are portrayed.

Eight hundred German filmmakers (cast and crew) fled the Nazis in the 1930s. The film uses voice-overs, archival footage, and film clips to examine Berlin's vital filmmaking in the 1920s; then it follows a producer, directors, composers, editors, writers, and actors to Hollywood: some succeeded and many found no work. Among those profiled are Erich Pommer, Joseph May, Ernst Lubitsch, Fritz Lang, Billy Wilder, and Peter Lorre. Once in Hollywood, these exiles helped each other, housed new arrivals, and raised money so others could escape. Some worked on anti-Nazi films, like Casablanca. The themes and lighting of German Expressionism gave rise in Hollywood to film noir.

Diving Deep: The Life and Times of Mike deGruy, tells the story of Mike deGruy, an irrepressibly curious and enthusiastic underwater filmmaker who died suddenly in 2012. DeGruy filmed the oceans for more than three decades becoming as famous for his on camera storytelling as for his glorious, intimate visions of the sea and the creatures who live in it. Inspired to share his legacy as a filmmaker and storyteller, and to spread his mission for protecting the ocean, his wife and filmmaking partner Mimi deGruy returned to the edit room to produce Diving Deep: The Life and Times of Mike deGruy.

Black City Parade : Le Film

A portrait of the internationally acclaimed Spanish film director Isabel Coixet and an analysis of her particular world and her sensibility as a creator: her fictional universe, her career and her life through the words of actors, technicians, family, friends, journalists, specialized critics and those filmmakers who have been inspired by her work.

The tortured life of Paul Morphy (1850s New Orleans chess prodigy) is examined.

Werner Herzog interviews guests on the art of filmmaking.

Django

This shows physicist Stephen Hawking's life as he deals with the ALS that renders him immobile and unable to speak without the use of a computer. Hawking's friends, family, classmates, and peers are interviewed not only about his theories but the man himself.

A three-part study that introduces audiences to the celebrated Martinican author Aimé Césaire, who coined the term "négritude" and launched the movement called the "Great Black Cry".

Richly illustrated with film clips and interviews, OUR TIME, OUR STORY tells the still-evolving story of the Taiwanese "new wave," from its rise in the early 1980s, as the island was democratizing after decades under martial law, through growing international recognition and domestic debate in the 1990s. Spearheaded in its early years by such filmmakers as Edward Yang, Ko I-cheng, Hou Hsiao-hsien and Wan Jen, the movement revitalized Taiwan cinema through low-budget experiments that emphasized personal stories, political reflection and stylistic invention. Said filmmakers, writers and actors like Wu Nien-jen and Sylvia Chang, even "second wave" directors Tsai Ming-liang and Lin Cheng-sheng provide fond reminiscences and retrospective insights in this compelling account of one of the most distinctive national cinemas of the last quarter-century.