Payada pa' Satán

Love triangle in Chile

Ten years after an enormous open-pit gold mine began operations in Malartic, the hoped-for economic miracle is nothing more than a mirage. Filmmaker Nicolas Paquet explores the glaring contrast between the town’s decline and the wealth of the mining company, along with the mechanisms of an opaque decision-making system in which ordinary people have little say. Part anthropological study, part investigation into the corridors of power, Malartic addresses the fundamental issue of sustainable and fair land management.

It’s an icy cold winter in Ulaanbaatar. Abel, a young French cartographer living in Mongolia, goes to a seminar with his new colleagues. After an evening of drinking, he wakes up in a camp of yurts out in the steppe, alone. Lost, he decides to take to the road in the biting cold. Luckily, he is picked up by a gang of nomadic bikers who dig gold illegally and shoot drones: real ninjas.

In times of recession, five friends need to join a cooperative in the hope of not losing their jobs. What they did not expect is that they would take a hit and, in addition to losing their jobs, they would lose all their savings. What could they do to get back and get revenge?

Das Wunder von Lengede

Tensions mount in an Andalusia mining town between local Spanish workers and their British employers.

Rick Morgan, an American engineer who runs a mine in East Africa, is approached one day by his friend Jim Scott, who needs someplace to store canisters of toxic waste. Unfortunately, a spill occurs a short time later, resulting in deaths and Morgan having to leave the country. A year later, he is approached by a government agent looking for a missing supply of potentially hazardous poison, which in truth hides something even more valuable.

"Dayas", a term referring to the process of gold extraction from the ore, is a short film that aims to showcase the Igorot culture and local talents. It focuses on the lives of two Igorot small-scale gold miners in Itogon, Benguet named Hacob and Bantay who deal with the challenges of the work in the midst of the changing times while striving hard to stick to their beliefs and traditions.

A farm laborer crosses the mythical nature of the Iberá Wetlands in search of a child he lost in an accident. To find them, he has to embody a hero called "Gauchito Gil", a local Robin Hood, and therefore die like the myth: hanged from his ankles.

The Australian Aborigines (in this film anyway) believe that this is the place where the green ants go to dream, and that if their dreams are disturbed, it will bring down disaster on us all. The Aborigines' belief is not shared by a giant mining company, which wants to tear open the soil and search for uranium.

A journey into the mines provides a visual representation of a journey into the conscience of Kentridge's invented character, Soho Eckstein, the white South African property owner who exploits the resources of land and black human labour which are under his domain. Throughout the film the imagery shifts between the geological landscape underground inhabited by innumerable black miners and Soho's world of white luxury above ground. When Soho, breakfasting in bed, pushes down the plunger of his cafetière, its movement is transformed into a rapid descent through the tray, through the bed and into the mine-shaft. Here the miners' world of overwhelming misery is depicted in claustrophobic tunnels where they are trapped digging, drilling and sleeping, embedded in rock. Above ground, Soho sits at his desk in his customary pin-stripe suit and punches adding machines and cash registers, creating a flow of gold bars, exhausted miners, blasted landscapes and blocks of uniform housing.

Peter Wilcox, as skipper of the 'Rainbow Warrior', a Greenpeace ship, docks in Auckland, July 1985, preparing for a protest against French nuclear testing in the south pacific. When a bomb rips open the vessel, killing a crew member, he must convince the police superintendent that this is an act of terrorism. Determined not to allow outside forces to threaten their harbor, the police embark on a pursuit of the persons responsible. The events that follow nearly bring down an allied nation's government.

La Pampa, Argentina. Don Genaro Gran hires gaucho Juan to capture horses and tame them. In his quest, Juan rescues a girl in trouble whose beauty unleashes Don Genaro's worst impulses.

A little girl is taken on a mind-bending tour of her distant future.

A miners in Donbass embrace new technologies with enthusiasm.

After being thrown out of her home, a young woman decides to disguise herself as a man to survive the ruthless Wild West.

In a town where half the men die down the coalpit, Margaret MacNeil is quite happy being single in her small Cape Breton island town. Until she meets Neil Currie, a charming and sincere bagpipe-playing, Gaelic-speaking dishwasher. But no matter what you do, you can't avoid the spectre of the pit forever.

The Girl of Lost Lake

In 1890 Minnesota Christine Powell is the scheming head of the Powell dynasty, the richest mining empire of the era. But the Powell mine deposits are diminishing. The Mesabi range represents a whole new productive area but the rights to mine there are held by a young geological engineer, Kyle Ramlo. The latter reaches an impasse when he needs money to continue his experimentation with open-pit mining and goes to Miss Powell for financing. She displays great interest in both his inventive mining method and in him personally but secretly plots to destroy him and take over his Masabi rights. The gullible Ramlo falls into clutches while the girl he really loves, Cathy Norlund, tries desperately to open his eyes to Christine's scheme.

June Lorich works at the Mesabi Mine on Minnesota's iron range. After an emotionally and physically abusive marriage, June is determined to make it on her own. But the worsening steel industry forces major cutbacks and June is bumped down to an all-male pit. She becomes the brunt of the other workers' hostilities and is forced to fight against them -- and the man she loves -- to save her job.