Ice on Fire

From Source to Sea

A post in the debate on Swedish forestry highlighting the difficulties and consequences of a hard deforestation with fast-growing forest plantations and a devastating short-sightedness. The documentary shows the vulnerability in the transition to a fossil-free society where we become increasingly dependent on the forest as a natural resource.

This docucumentary by John Brett conveys the impressions of cultural loss felt by an elderly Acadian man living on the south shore of Nova Scotia after his homestead has been deserted.

When fighting for necessary change, rejection of the status quo is a worthy rebellion. SOMEHOW HOPEFUL is the story of Jason Rutledge, a woodsman dedicating his life to proven methods of protecting our most vital life-giving asset - a healthy, diverse forest.  The woodsman's ally in the fight to restore our environment has been mankind's most reliable partner for thousands of years, the powerful draft horse.  Jason, and those like him, are poets, craftsmen, artists, farmers and educators doing the real work to make our planet whole again. While the woodsman's critics say he's stuck in the past, Jason believes he is in the future.

Antarctica is the most extreme continent on our planet—higher, colder, and even drier than any other on Earth, and although it is thousands of miles away, what happens here affects every single one of us.

An award-winning short exploring man-made impacts on New Zealand’s water cycle.

When documentarian Josh Fox realizes, after much soul searching, that the answers for how to respond to the degradation of our environment cannot be found in his own back yard, he travels the world to connect with communities that are already facing grave effects of climate change. What he finds is a complicated mix of tragedy and inspiration in the various ways climate change is affecting our value systems. How to Let Go of the World delivers a sobering portrait of the state of climate change, and takes stock of what makes humans survivors, and our societies so creative and resilient.

Award-winning war photographer Rita Leistner goes back to her roots as a tree planter in the wilderness of British Columbia, offering an inside take on the grueling, sometimes fun and always life-changing experience of restoring Canada’s forests. Leistner, who has photographed some of the world’s most dangerous places, credits the challenge of tree-planting for her physical and mental endurance. In Forest for the Trees, her first feature film, she revisits her past to share the lessons she learned. The film introduces us to everyday life on the “cut-block” and the brave souls who fight through rough terrains and work endless hours to bring our forests to life. The rugged BC landscape comes to life magically in Leistner’s photography, while the quirky characters and nuggets of wisdom shared around the campfire tell a sincere story of community.

How incomprehensible would a higher intelligence find the plodding human species and the way it treats the Earth? And do Czechs differ in the way they care for nature?

Devour the Earth, a 20 minute film about the global consequences of meat consumption.

Anita Chitaya has a gift: she can help bring abundant food from dead soil, she can make men fight for gender equality, and maybe she can end child hunger in her village. Now, to save her home in Malawi from extreme weather, she faces her greatest challenge: persuading Americans that climate change is real. Traveling from Malawi to California to the White House, she meets climate sceptics and despairing farmers. Her journey takes her across all the divisions that shape the USA: from the rural-urban divide, to schisms of race, class and gender, and to the American exceptionalism that remains a part of the culture. It will take all her skill and experience to help Americans recognise, and free themselves from, a logic that is already destroying the Earth.

Three farming families in Hanyuan, China, strive to give their children a good life in the midst of an ecological crisis, as widespread use of pesticides leads to a dramatic decline in bees and other pollinating insects in the valley.

Beautifully filmed by New Zealand nature photographer Richard Sidey over the past decade around the polar regions, Speechless: The Polar Realm is a visual meditation of light, life, loss and wonder at the ends of the globe. This is the second film in Sidey’s non-verbal trilogy which is comprised of: - Landscapes at the World’s Ends (2010) - Speechless: The Polar Realm (2015) - Elementa (2020)

Short film about an animal in captivity longing for the outside. An animal that, like us, dreams, is intelligent, curious, social and sensitive, and in whom we can clearly recognise a soul. The piglet in this movie invites us to see the world through his eyes, which will forever change our view on pigs.

Since World War II North Americans have invested much of their newfound wealth in suburbia. It has promised a sense of space, affordability, family life and upward mobility. As the population of suburban sprawl has exploded in the past 50 years Suburbia, and all it promises, has become the American Dream. But as we enter the 21st century, serious questions are beginning to emerge...

Acoustic Ocean is an artistic exploration of the sonic ecology of marine life in the North Atlantic. Located on the Lofoten Islands in Northern Norway, the video centers on the performance of a marine-biologist diver who is using a life-size model of a submersible equipped with all sorts of hydrophones and recording devices. In this science-fictional quest, her task is to sense the submarine space for acoustic and bioluminescent forms of expression.

In the same vein as Meri's other documentations, this one takes advantage of the glasnost policy to discuss the social and ecologic impact of the Russian oil industry on the natives and the lands they inhabit.

Wilder than Wild reveals how fire suppression and climate change have exposed Western forests to large, high intensity wildfires, while greenhouse gases released from these fires contribute to global warming. This vicious cycle jeopardizes our forests and affects us all with extreme weather and more wildfires, some of which are now entering highly populated wildland-urban areas.

By 2045, twenty localities in Germany will be resettled because of brown coal open pit mining. The film Waste Land follows the inhabitants of three villages in the Rhenish coal-mining district during their last years in their old home and documents how an entire region prepares for its collective relocation.

Armed with a camcorder, farmer-filmmaker-activist Severine von Tscharner Fleming spent two years crisscrossing America, meeting and mobilizing a network of revolutionary young farmers resettling the land. 'The Greenhorns' is an ode to their grit and entrepreneurial spirit, an exploration of sustainable agriculture, and an enticement to reclaim our national soil. The ninety minute feature is the culmination of well over 200 hours of original footage from all regions of the United States, as well as original animation by young urban farmer and artist Brooke Budner, and rare agricultural archival footage from the Prelinger Archives. Ultimately, The Greenhorns shows us how farmers can move out of the margins recent history has consigned them to, and back to the heart of the American food landscape.