89 mm - Freiheit in der Letzten Diktatur Europas

Farben im Schnee

A journey through a place of an eternal past; where the grandson of a Jewish partisan sets out to experience the dramatic events and places that shaped his grandfather's war years

One of the five-part documentary series by Belarusian writer and director Viktor Dashuk, which recounts the horrors experienced by the Belarusian people during World War II, through firsthand accounts of survivors and newsreel footage.

2021 was a turning point for Belarus and 6 Belarusian students - as well as for the city of Łódź, Poland, in which they found themselves. Across the rails of change and transformation, documenting a time that has not been before and will not repeat again. Heroes of the film have very different fates and experiences, but they are all connected by the place they found themselves in - the post-industrial and post-apocalyptic city, which becomes a part of their story and a hero of its own. Students, transport, quaters, youth, revolution, local apocalypse, changes and turns - they all mix in a documentary kaleidoscope 'Across the Rails'.

Victor Asliuk's contrast of rural and urban life in Belarus examines the tangible differences between the young in the city and the elderly in the village and between modernity and tradition, interspersing modern images with archive material depicting the countryside as it used to be.

Between 1930 and 1945, Eastern Europe experienced mass violence on an unprecedented scale. Hitler and Stalin exploited the vast region for their respective expansionist plans. It is estimated that around 14 million civilians were murdered—primarily Jews, Poles, Balts, Belarusians, and Ukrainians.

It’s the last dictatorship of Europe, caught in a Soviet time-warp, where the secret police is still called the KGB and the president rules by fear. Disappearances, political assassinations, waves of repression and mass arrests are all regular occurances. But while half of Belarus moves closer to Russia, the other half is trying to resist…

As a diplomat, Andrei Sannikov was instrumental in Belarus' nuclear disarmament in the 1990s. Under dictator Lukashenko, he resigned from the civil service and began the fight for a democratic Belarus, which cost the lives of companions and landed him in prison for a time.

Mothers and fathers of gay, lesbian and trans people from Armenia, Belarus, Georgia, Moldova, Poland, Russia and Ukraine have come to Berlin pride 2024. This documentary shows them as they are living together preparing for pride, the first pride for many in this group. The parents make placards, prepare borsch and talk about their relationships with their queer children.

A documentary about Tanjuska who is a 12-year-old White-Russian schoolgirl, with a face like an icon. Two years ago she stopped eating, then talking and finally she stopped growing. The village priest in Estonia has explained to the family that seven devils have made a home inside Tanjuska. These devils are giving her orders and only a daily ceremony can force the devils to leave the girl.

The film tells the story of a small family, consisting of a grandfather retired from the army, and his stripper grandson. It is not just a story of a relationship, but rather a reflection of entire Belarus and the post-Soviet, pro-Russian world. Moreover, it's a universally-recognized reflection of a generation gap.

A propaganda documentary on the post war reconstruction of Miensk, capital of Belarus.

Brutto Nostra

Two men, a Finn and a Belarusian live alone, on a lake's island.

The documentary film ANCESTRAL CODE is a research into the origins of the Ukrainian and Belarusian peoples, the search for their identity through the study of the melodism of Slavic ethnographic heritage. Nowadays many people talk about brotherhood, spiritual intimacy, affinity. The authors analyze the connection between the neighboring peoples of Ukraine, Lithuania, Belarus and Poland through music and folklore.

Yanka Kupala, Belarusian poet and writer, is one of the spiritual symbols of Belarus. He did everything to make Belarusians feel like a full-fledged people. This is a figure that cannot be reduced by anything from the height of modernity. But the weight of recognition, inclusion in the ranks of the classics leads to petrification of the face. The authors of the film remove this petrification - verses sound throughout the film. Patriotic songs that sing the praises of Belarus and our people, awaken them from historical apathy and eternal longing. Mystics who whisper about the revival of the past that sleeps in the mound. And intimate and lyrical, filled with intimate beauty, eternal sensuality and lust for life.

Minsk, August 2020. Pasha and Yulia, a young married couple, leave the house at night and find themselves in the midst of peaceful protests. Everyday walk turns into a real hell, in which innocent people are victims of police brutality.

This film is war parabola with expressive visual style. This not typical point of view about the war for Soviet cinema.

Belarus has been under dictatorship of Lukashenko for 15 years. Miron (23) is not interested in politics. However, the next concert of his 'apolitical' rock band triggers off an anti-regime manifestation. Miron, is enlisted for the army for 15 months by way of punishment for 'fomenting political unrest among young people'. And this is just a beginning.. A film inspired by the story of Frank Viachorka, activist of the Belorussian opposition. Starring top Belorussian cinema and rock stars.

Three stories of immigrants trying to start new lives in Poland: an Afghan traumatised by the war, a Ukrainian lost in her own body, and a Belarusian running away from painful love. The Afghan, Azzam, works as a translator for the Polish army. In his homeland he is treated like a traitor. Having been evacuated to Poland, he is unable to shake off the war experiences. The Ukrainian, Wiera, escapes to Poland to undergo sex reassignment surgery in secret from her family. An unexpected visit from her father and little son will make her face the question of her own identity once more. Żanna, the Belarusian, leaves her husband, a dissident, and lives together with her daughter at her sister’s in Warsaw. She wants to move out as soon as possible and make a normal home. Things get complicated when her husband gets arrested again.