A Bitter Story of Eastern Hollywood

黃子華棟篤笑 - 娛樂圈血肉史II

Paris, second half of the 20th century. Countess Diana de Simerose has been evading the legitimate rights of her husband, who married her without love, since their wedding day. Fed up with the protracted abnormal situation, the count leaves on a journey, perhaps never to return.

Villa Primic was once a luxurious home. Now in disrepair, the Primic family home is up for sale by the owner, Rose, and her two heirs, Massimiliano and Adele. The head of the family, Valerio, is vehemently opposed to this. The reunion is going to be complicated...

Set in the halls of Austen Middle School, a newly single middle-school teacher is covertly set up with a divorced dad after his daughter – one of her students – begins a matchmaking business for a school project she assigned her class.

Set in the austere post–World War II British world of rationing, Cyril dreams up an ode to an imaginary character named Merlin Mound who can provide anything one can wish. Merlin becomes real and grants his host's wishes; not by conjuring the items out of thin air, but depriving them from other people's ownership, which leads to trouble.

Reimagining of the 2006 film Night at the Museum, with all-new characters. Plot TBA.

When shy college freshman Devon asks cool-girl Celeste to be her roommate, a blossoming friendship quickly spirals into a war of passive aggression.

Gül, a young woman, works as a street vendor with her boyfriend Kartal and her friends Necdet and Hüseyin. Her life takes a dramatic turn when she meets Hulusi Bey, a wealthy businessman whose daughter looks exactly like her. Upon learning what has happened to Hulusi Bey's daughter, Gül takes action to help the young woman.

An early short film by Peter Weir, produced between 1967 and 1968 for a Channel Seven staff revue and later screened in underground film programs.

An early short film directed by Peter Weir in 1968, centered on the life of a bird enthusiast who becomes a Christian evangelist, and described in archival sources as a surrealistic documentary.

Shin-hye, Mi-yeon, and Hae-young are three vivacious women who help each other through the tangles of their romantic lives, from tentative first dates to Viagra-taking husbands and one-night stands. Being 40 proves that they're not past their prime.

This quirky episodic comedy weaves together three plotlines centered around the employees of a car garage, with some unexpected fairytale elements to get things moving. A woodland fairy convinces shy bookkeeper Piel to suddenly start driving his Trabi far above the speed limit. Manager Neumann sells his soul to a black cat in order to purchase a more respectable vehicle. And a spirit named "Car Accident" offers to warn owner Sengebusch about upcoming traffic accidents so he can make money by always being the first on the scene.

Das haben die Mädchen gern

Following a breakdown and suicide attempt, an aging actor becomes involved with a much younger woman but soon finds that it's difficult to keep pace with her.

Since they were both five, Ryosuke has been stalked by Momoko - the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste - but still he wants nothing to do with her. Ryosuke goes in for fleeting romance - for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke's little finger hacked off. Magically, the finger falls into Momoko's hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba's short-but-powerful feature debut. Just like in her previous short films, the director - who cut her teeth in the advertising world and as the writer of a video game - throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR

Hosted by Terry Crews, the fifth annual "Red Nose Day" special showcased a night of music, comedy and Hollywood's biggest names. The star-studded evening featured performances including Kelly Clarkson and Blake Shelton and beloved comedic talent who will join the fun with their own entertaining Red Nose Day spin. Also, the reimagining of the classic Daryl Hall and John Oates hit "You Make My Dreams" with talent including Julianne Hough, Rob Gronkowski and "This Is Us" star Chrissy Metz. Sketches include Kate McKinnon and Lilly Singh. The highly anticipated short film "One Red Nose Day and a Wedding" as well as an appeals film with "This Is Us" star Milo Ventimiglia rounds out the event.

Grace Livingston is leading a happy life in her small town, with her mother and father, being courted by two men, the steady but predictable Tommy Tucker and the more ambitious, flashy, and worldly Dick Loring, who seems closer to Grace in his desire for travel and adventure.

In year 20xx, the world was plagued with zombies. Human race was on a verge of extinction and clock was ticking for those who were still alive. When a young male protagonist, Toshiyuki (Ryouta MURAI) was running alone from a horde, he comes across a safe house. The place seemed like a paradise, with endless food supplies and other humans for a company. However, to Toshiyuki's horror, he soon realized that the real nature of the place was to breed humans so zombies won't starve to death! Toshiyuki was paired up with a girl named Mitsue (Nagisa ODAJIMA). Although things are very awkward between them, Toshiyuki is aware that he is slowly falling in love with her. Is this the last sanctuary or sugar-coated hell? As emotions and speculations entwine, the "Human Farm" is facing a bloody fate. The most pleasurable way to survive in the Zombie-filled apocalypse!

The plot of the lost film is divided into two acts. Ossi Oswalda and Victor Janson play two apartment seekers, while Marga Köhler is a landlady. The housing shortage is treated in sketch form and "in a joking manner [...] the real housing calamity", whereby "humorous aspects" are wrested from the "tragedy." Lubitsch and Kräly used a sketch in the film that they had written especially for Ossi Oswalda.