Turning of the Tide: The Ill-Starred Making of Moontide

Three arrested and detained undocumented immigrants must navigate the system to fight impending deportation.

Former footballer Paul Merson sets out to understand why his life has been so blighted by gambling and asks if enough is being done to prevent others following in his footsteps.

Explores the natural history of the otter, depicted through the fictitious account of a day in the life of Otto the Otter and his mother. The narrator claims that the short features "the first film ever taken of an otter swimming underwater."

"Smoke Signals" follows the volunteers at High Point Lookout, one of the last remaining fire lookout towers in California. Alternating between the daily duties of the fire lookouts, and a series of profiles on wildfires that have traced their history, "Smoke Signals" questions the role of the fire lookouts in the face of rapidly advancing technology and climate change.

A documentary about the making of the 2006 AMC miniseries Broken Trail.

Interviews with Satoshi Kon, voice actors and others about the acclaimed 2003 Japanese animated film.

People from different ethnic backgrounds with "difficult" names by Western standards share their experience with moving through the world with an identity that challenges others to simply just say their name. A short social docu-film by Mariam Meliksetyan, “Say My Name” is a meditation on identity, otherness, assimilation, community, and ancestral roots.

At a mobile home park in small-town Northern California, five best friend retirees navigate their golden years with grace, humor, and wisdom, and reflect on the importance of genuine human connection.

Andy is a loyalist of the Ka'bah Youth Movement (GPK) which is one of the 'civil militias' under the United Development Party (PPP) based in Yogyakarta. In 2019, Andy decided to support Prabowo Subianto to become the President of Indonesia. During the unstable political tension in Indonesia, Andy was required to maintain the condition in Yogyakarta.

This short documentary shows the reactions of European immigrants as they land in Halifax at the beginning of the 1960s. From the port, we follow them on a snowy journey by train to Montreal.

The pandemic has changed many things. Including Alfia, she is a teacher who has learned a lot from the phenomenon she saw. For Alfia, trash is no longer appropriate to be disposed of in its place.

This two-part visual essay features the son of director Don Siegel, Kristoffer Tabori, who reads from his father book A Siegel Film. The bulk of the content addresses the production history of Invasion of the Body Snatchers.

The film shows one day from waking up in the morning all the way to waking up again the next morning. The everyday situations that many commercials are made of, the little dramas that they create and solve through the product or service they sell, are stitched together into one day. This is a film about the everyday in (German, or Western-European) society because the commercials are part of the everyday of most people (everyone who watches television) and they depict an ideal image of society. The film abundantly uses repetition as an editing technique, in visual ways as described above, but also because commercials can be read in different ways. For instance, Brat baking foil shows up at the evening dinner sequence, when an ovendish is put on the table, and again later on in the sequence about going out to a classic concert, because the clip has classic music.

Set against a backdrop of spectacular neon footage of Vancouver, Los Angeles, and Las Vegas, the film is an illuminating exploration into the vibrant history and contemporary use of neon. The movement, power, and raw exuberance of neon is revealed through a fascinating demonstration of how neon is made, a montage of notable neon installations and commentary from a colorful array of neon experts.

A young mother, alone with her daughter, confides in a friend who happens to be the director herself. Chantal Akerman, although she sympathizes with the mother, does not say a word.

Song of Ceylon was commissioned for the short-lived German TV-series Telekritik and broadcasted in 1975. In Telekritik documentary approaches were analysed and made available for a critique of contemporary TV, its aesthetics and modes of production. Other authors for the series include Hartmut Bitomsky, Rainer Gansera and Klaus Wildenhahn.In the 30-minute movie, Farocki shows and comments on excerpts from the film Song of Ceylon by Basil Wright (and a short segment of Eisenstein's Mexico-fragments). Farocki's voice-over describes part of the movie, focussing on details and montage. He also uses didactic and descriptive drawings and intertitles to confront the classic documentary and its stylistic approaches with contemporary TV.

Debris is a 25 minute film made in collaboration with the National September 11th Memorial and Museum. This documentary tells the story of September 11th, 2001 using bystander footage, source audio and newly composed music. Some of what you'll see may seem familiar - but certain events in Debris have rarely been viewed by the public.

A photoshoot on the roofs and in the streets of Paris, under the astonished eyes of the inhabitants.

This in-depth documentary short exposes how an irresponsible rancher in Washington State set up a pack of wolves living on public land in a remote forest to attack his cattle.

A conversation with an author.