This documentary explores the work of Robert Doisneau, and the subjects his photographs have addressed, from the workers of the Renault factories in Billancourt to Parisian lovers, from the crowds of the Liberation to the children of Gentilly, from the unknown to the famous. The voice of the photographer, speaking of his choices and memories, and a montage of sound archives seem to comment on the photographs, which several film archives put into context. A sober and fascinating presentation of the work of a great artist.
Fernando Lemos, a Portuguese surrealist artist, fled from dictatorship to Brazil in 1952 searching for something better. The movie follows the last moments of his journey and the struggle for the preservation of his legacy, trying to fulfill his last great desire: to be a good dead man.
Les raisins de la guerre
This look behind the scenes shows how worldwide camera crews climbed, dived and froze to capture the documentary's groundbreaking night footage.
Down the gangway, photographers leave the deck of a riverboat in large numbers.
Since the renewed Intifada began in 2000, there have been over 75 Palestinian suicide bombings. This is the story of 0ne-the bombing of bus 32 in Jerusalem in June 2002. The film connects the stories of a group of ordinary Israelis-Jews and Arabs. Each of them holds a clue to someone who died that day.
A pain management specialist in a Berlin hospital laments how difficult it is to see if black skin has turned blue. The patient, 15year old Arlette, doesn’t understand German. Her knee was injured in the war, and unknown wealthy Germans have helped pay for her trip to have surgery in Europe. The camera follows Arlette on her journey, from her worried family in Central African Republic to the desolate rooms of the hospital and the rehabilitation centre. The girl’s gaze is captivating but impenetrable, and the easily bored teenager surrounded by adult strangers is only cheered up by an interpreter who knows her mother tongue. The story takes a gloomier turn when it transpires that rebel forces have taken up arms in Arlette’s home country.
The United States fought the American Revolution primarily over King George III's Currency act, which forced the colonists to conduct their business only using printed bank notes borrowed from the Bank of England at interest. After the revolution, the new United States adopted a radically different economic system in which the government issued its own value-based money, so that private banks like the Bank of England were not siphoning off the wealth of the people through interest-bearing bank notes. But bankers are nothing if not dedicated to their schemes to acquire your wealth, and know full well how easy it is to corrupt a nation's leaders. Just one year after Mayer Amschel Rothschild had uttered his infamous "Let me issue and control a nation's money and I care not who makes the laws", the bankers succeeded in setting up a new Private Central Bank called the First Bank of the United States, largely through the efforts of the Rothschild's chief US supporter, Alexander Hamilton.
What is it really like to go to war? Filled with terror, pain, and grief, it also brings exhilaration, and a profound sense of purpose. Renowned authors Karl Marlantes and Sebastian Junger help us make sense of this paradox and get to the heart of what it’s like to be a soldier at war. Veterans of various conflicts reveal some universal truths of combat with unflinching candor.
Errol Morris examines the incidents of abuse and torture of suspected terrorists at the hands of U.S. forces at the Abu Ghraib prison.
You arrive at a secret location at a precise time, prompted by a mysterious email. You must follow the instructions closely. Once inside, disturbing visions begin. Unspeakable acts befall you—often frightening, sometimes sensual, possibly painful—each stimulating your deepest fears. And when it's over, you are changed, abandoned, and left wondering what is real and what was merely a game.
La Garoupe, a beach in Antibes, in 1937. For one summer, the painter and photographer Man Ray films his friends Pablo Picasso, Dora Maar, Paul Eluard and his wife Nusch, as well as Lee Miller. During these few weeks, love, friendship, poetry, photography and painting are still mixed in the carefree and the creativity specific to the artistic movements of the interwar period.
Documentary about the work of photographer Alair Gomes, one of the first artists to introduce male nudity in Brazilian photography.
In 1983, photographer Gocho Shigeo met an early death at the young age of 36. The view we see reflected in Gocho’s photographic images has become more profound over time since his death and has struck a chord in people’s hearts. While focusing on Gocho’s collection of photographs Self and Others, the film also visits places associated with him, creating a collage with the manuscripts, letters, photographs and voice recordings remaining in an attempt to capture “one more gesture”—a theme pursued by Gocho through photographic expression. This film is neither a critical biography nor a monograph on the photographer. Rather, we are offered a new perception. As if mesmerized, the photographs Gocho left behind captivate us in their gaze.
Operating under a pseudonym which means 'no boundaries' - North Korean defector Sun Mu creates political pop art based on his life, homeland, and hope for a future united Korea. His hidden identity is nearly compromised when a massive historical exhibit in Beijing is shuttered by Chinese and North Korean authorities.
Using archival footage, cabinet conversation recordings, and an interview of the 85-year-old Robert McNamara, The Fog of War depicts his life, from working as a WWII whiz-kid military officer, to being the Ford Motor Company's president, to managing the Vietnam War as defense secretary for presidents Kennedy and Johnson.
A film made of archives mostly unknown, on the last day of the Second World War in Europe and on the events which preceded it. This film also shows the growing tension between the Allies and the Soviets at the time: May 8, 1945 is also the first day of the Cold War.
A heartwarming exploration of a community art project by photographer Tawfik Elgazzar providing free portraits for locals and passers-by in Sydney, Australia's Inner West. The film explores the nature of individuality, cultural diversity and the positive joy for the photographer of seeing his subjects smile.
Photographer Helmut Newton talks about his work.
A group of Kuchi children are living in a minefield around Bagram airfield, Afghanistan. They dig out anti-personal mines in order to sell the explosives to child workers mining in a Lappis Lazulli mine. The trajectory of the blue precious stones goes towards Tajikistan and China, through an area controlled by child soldiers. When they are not waging their own mini-wars in the daily madness of life in Afghanistan, the children are fleeing away in their personal fantasies and dreams, while the American soldiers are planning their retreat...