Agit-Prop

A labyrinthine portrait of Czech culture on the brink of a new millennium. Egon Bondy prophesies a capitalist inferno, Jim Čert admits to collaborating with the secret police, Jaroslav Foglar can’t find a bottle-opener, and Ivan Diviš makes observations about his own funeral. This is the Czech Republic in the late 90s, as detailed in Karel Vachek’s documentary.

A fictionalised documentary about the great Japanese poet Bashô (1644–1694), the spiritual father of haiku poetry. A monk, portraying the poet, journeys through Japan, following Bashô's journal and writing many of his haikus. A ruminant, poetic, Zen Buddhist observation of nature – a return to the lost paradise of unspoilt nature.

In 1978, just after Le fond de l'Air Est Rouge, which mercilessly analyzed the previous ten years of the revolutionary left's momentum until its collapse, Chris Marker made this complementary piece entitled Quand le Siècle a Pris Forme (Guerre et Révolution).

An account of the personal and artistic life of the Spanish singer Peret (1935-2014), the artist who imaginatively mixed various musical styles, such as mambo, tanguillo and rock, to create the gypsy rumba. An epic adventure, from a humble neighborhood of Barcelona to the biggest stages of the world.

Documentary on writer/philospher Simone de Beauvoir via interviews of herself and friends supplimented with archive footage resulting in an intimate portrait avaoiding the usual clichés.

An extension of the Benign Violation theory of comedy developed by Tom Veatch and A. Peter McGraw and Caleb Warren. Source: The Cure (1917) Dir. Charles Chaplin and Edward Brewer

From the rains of Japan, through threats of arrest for 'public indecency' in Canada, and a birthday tribute to her father in Detroit, this documentary follows Madonna on her 1990 'Blond Ambition' concert tour. Filmed in black and white, with the concert pieces in glittering MTV color, it is an intimate look at the work of the icon, from a prayer circle before each performance to bed games with the dance troupe afterwards.

An account of the life of actress Jeanne Moreau (1928-2017), a true icon of the New Wave and one of the most idolized French movie stars.

Tommy sets out to document walking. He meets a colorful cast of characters, attaches microphones to his feet, and contends with what it means to capture movement on film.

An event organised by CND pits the bomb against poetry. Hear artists who hoped that words and rhymes could put an end to destructive times.

Twenty-five films from twenty-five European countries by twenty-five European directors.

Documentary about the Swedish playwright Lars Norén

Despejadas

A film essay investigating the question of what “the West” means beyond the cardinal direction: a model of society inscribed itself in the Federal Republic of Germany’s postwar history and architecture. The narrator shifts among reflections on modern architecture and property relations, detailed scenes from childhood, and a passed-down memory of a “hemmed-in West Germany,” recalling the years of her parents’ membership in a 1970s communist splinter group.

A portrait of Frank Lloyd Wright (1867-1959), a genius of modern architecture, whose life passed between glory, scandal and tragedy.

As the eldest son of the legendary actor and producer Kirk Douglas (1916-2020), it was not easy for Michael Douglas to make his way in Hollywood and, like his father, become a recognized actor and a prestigious producer.

A moving and very funny portrait of the personal and professional life of the magnificent French comedian Louis de Funès (1914-83), as well as a detailed analysis of his masterful acting technique.

In the sixties, Peter Handke was one of the first to show how the business works: the writer as angry young man and pop star of the literary scene. As soon as he was on the bestseller lists, he turned his back on the hype. For many years, he has lived and worked in his house in a Parisian suburb, more quietly and more hospitably. Peter Handke's precise, free gaze becomes perceptible in his texts, his conversations, the cosmos of his notebooks.

Over a 50-year career and more than a hundred movies, filmmaker John Ford (1894-1973) forged the legend of the Far West. By giving a face to the underprivileged, from humble cowboys to persecuted minorities, he revealed like no one else the great social divisions that existed and still exist in the United States. More than four decades after his death, what remains of his legacy and humanistic values in the memory of those who love his work?

Film director and screenwriter Seijun Suzuki (1923-2017), who in the sixties was the great innovator of Japanese cinema; and his collaborator, art director and screenwriter Takeo Kimura (1918-2010), recall how they made their great masterpieces about the Yakuza underworld for the Nikkatsu film company.