60 jours collaboratifs

A look at how climate change affects our environment and what society can do to prevent the demise of endangered species, ecosystems, and native communities across the planet.

In Bettina Büttner’s exquisitely lucid documentary Kinder (Kids), childhood dysfunction, loneliness, and pent-up emotion run wild at an all-boys group home in southern Germany. The children interned here include ten-year-olds Marvin and Tommy. Marvin, fiddling with a mini plastic Lego sword, explains matter-of-factly to the camera, “This is a knife. You use it to cut stomachs open.” Dennis, who is even younger, is seen in a hysteric fit, mimicking some pornographic scene. Boys will be boys, but innocence is disproportionately spare here. Choosing not to dwell on the harsh specifics, Büttner reveals the disconcerting manner in which traumatic episodes can manifest themselves in the mundane — a game of Lego, Hide and Seek, or Truth or Dare. Filmed in lapidary black-and-white, Büttner’s fascinating film sheds light on childhood from the boys’ characteristically disadvantaged perspective — one not yet fully cognizant — leaving much ethically to ponder over.

A blend of drama and documentary, this film follows several people caught up in the turmoil of the modern world. The drama centres on a woman who has burned out and who holds up her own despair – and her attempts to rebuild her life – as a mirror to the rest of us. With a blend of gravity and humour, Sylvie Groulx's film shows the absurdity of a society dedicated to the cult of speed at all costs.

A riveting expose about the personalities of murderers and their motives. This 72 minute film covers the McDonalds' restaurant massacre, President Reagan's assassination attempt, serial murderer Henry Lee Lucas and others.

One year: this is the time left to the employees of the Ascoval steel plant to save their factory and their future. During these months of sacrifice, doubt and hope, Eric Guéret, author and director of the documentary, accompanies the management and employees in a race against time to increase productivity and try to find a buyer. For many, this steel mill, which was the story of a lifetime, becomes a matter of survival. A personal struggle that is also symbolic of a problem intrinsic to this documentary: French deindustrialization. Can we still have heavy industry in France today?

Conceição Tavares is one of the most forceful, critical and original voices of Brazilian economic thought. This documentary gives an account of her life and work, while taking stock of more than half a century of a country looking for a future.

"Mexico begins where the roads end ”. Mexican writer Carlos Fuentes tells us about the history of Mexico: its invasions, its revolutions, its sacred lands, its forgotten legends, its religious rituals and this frightening misery. François Reichenbach and his camera sink into the dust, on this sacred land, where "the land never ends."

DETECTION. Consideration of past, present and future of a small village in Germany. For over a century — wars and states went by — the military is the largest employer. The everyday life of the community is inextricably linked to the events on the nearby military training area. Diaries, daily instructions, petitions, letters and photos tell about daily life at different times.

This documentary is about the Byker Community Centre. This centre was built in 1928. During the great depression, it helped a lot for the local people. In modern days, we have plenty of other problems, such as food waste, poverty, and isolation. This centre fights with all of that. Also, it invites all people, despite their disabilities, social groups, age, and gender and provides help and activities. This place is magical and hospitable.

The war in the Ukraine has changed the way many European countries view Russian politics. Suddenly it became clear how dependent countries had become on Russian gas imports for decades and what Vladimir Putin was up to. However, no country needs more gas than Germany. It was only after Russia's invasion of the Ukraine that the German government realized that Russia had long used gas as a weapon to impose its will on states. The instrument created for this purpose is the natural gas production company GAZPROM. So how did Germany become so dependent on Russian gas? The documentary shows how, over several decades and several changes of government, a broad alliance of politicians and business representatives did everything possible to secure Germany's energy supply with cheap Russian gas, while the Kremlin's foreign policy became increasingly aggressive and the warnings of experts went unheeded.

Motu Haka, le combat des îles Marquises

Trans - La confusion des genres

A Canadian union and workers in a GM plant mobilize to save it in what will become the fight of their lives.

Germany in Autumn does not have a plot per se; it mixes documentary footage, along with standard movie scenes, to give the audience the mood of Germany during the late 1970s. The movie covers the two month time period during 1977 when a businessman was kidnapped, and later murdered, by the left-wing terrorists known as the RAF-Rote Armee Fraktion (Red Army Fraction). The businessman had been kidnapped in an effort to secure the release of the orginal leaders of the RAF, also known as the Baader-Meinhof gang. When the kidnapping effort and a plane hijacking effort failed, the three most prominent leaders of the RAF, Andreas Baader, Gudrun Ensslin, and Jan-Carl Raspe, all committed suicide in prison. It has become an article of faith within the left-wing community that these three were actually murdered by the state.

Zeitgeist: Addendum premiered at the 5th Annual Artivist Film Festival. Director Peter Joseph stated: "The failure of our world to resolve the issues of war, poverty, and corruption, rests within a gross ignorance about what guides human behavior to begin with. It address the true source of the instability in our society, while offering the only fundamental, long-term solution."

Common sense says you can't make a living in America playing avant-garde improvisational jazz. But Ken Vandermark does it anyway. Among musicians, Vandermark's work ethic is almost mythic. The Chicago reed player has released over 100 albums with nearly 40 ensembles, spends over eight months per year on the road, and lives every other waking moment composing, arranging, performing—and trying to discipline his two hyperactive canines. Though Vandermark was the recipient of a 1999 MacArthur genius grant, he still spends most of his life in smoky clubs and low-budget recording studios, hoping people will plunk down hard-earned cash to hear his wholly non-commercial music. Following the artful cinéma vérité style of the internationally acclaimed Sheriff (Work Series #1), Musician (Work Series #2) forgoes all interviews and voice-overs. It is a fly-on-the-wall time capsule that expertly captures every subtle sound and texture of this most American of art forms.

The short reportage film depicts the situation of hard-to-recycle waste. Our guides are a local government employee and the staff of Technical Services Zlín, whom the director interviewed and filmed at work. In the local context of an East Moravian municipality, it examines the technical, economic and political aspects of the problem. In addition, there are the inevitable social issues regarding the wider sustainability of the contemporary consumer lifestyle.

Ungleichland - Wie aus Reichtum Macht wird

fifteen zero three nineteenth of january two thousand sixteen explores how everyday routines and gestures are transformed when a mother loses her child in the violence impacting Swedish outskirts since the early 2000s. The film resists simplistic media depictions of the suburbs and shows how a home can hold both mourning and the mobilization of women to fight for their own and others' children.

Three men seeking asylum in Ireland find themselves on the streets, caught between restrictive migration policies and an increasingly aggressive far-right movement. Dennis Harvey captures an explosive sequence of events on the streets of Dublin.