Shelley in Wonderland

Documents the true story of the final weeks of rehearsal for the Young at Heart Chorus in Northampton, MA, and many of whom must overcome health adversities to participate. Their music goes against the stereotype of their age group. Although they have toured Europe and sang for royalty, this account focuses on preparing new songs for a concert in their hometown.

Through a powerful visual metaphor, Camille Vigny gives a first-person account of the domestic violence she suffered. The images and text interact with remarkable precision to convey the devastating impact of the cataclysm. It's a political gesture, brimming with courage, an icy cry that takes your breath away.

The world's largest island has been part of Denmark since 1721, but a significant majority of the 56.000 inhabitants now want independence. They feel their culture and language is threatened and is the main reason for the many suicides among young people. But the Danish speaking Greenlanders feel discriminated and want to keep the ties to Denmark. The film follows four strong young Greenlanders, who each in their own way insist on taking responsibility for the future of their country. The documentary explores the difficult balance between the right to self-determination and xenophobic nationalism. Between traditional culture and globalization.

What if you are made to feel ashamed when you speak your "mother tongue" or ridiculed because of your accent? "Pidgin: The Voice of Hawai'i" addresses these questions through its lively examination of Pidgin - the language spoken by over half of Hawai'i's people.

The film does not have a plot per se; it mixes documentary footage, along with standard movie scenes, to give the audience the mood of Germany during the late 1970s. The movie covers the two-month time period during 1977 when a businessman was kidnapped and later murdered by the left-wing terrorists known as the RAF-Rote Armee Fraktion (Red Army Fraction). The businessman had been kidnapped in an effort to secure the release of the original leaders of the RAF, also known as the Baader-Meinhof gang. When the kidnapping effort and a plane hijacking effort failed, the three most prominent leaders of the RAF, Andreas Baader, Gudrun Ensslin, and Jan-Carl Raspe, all committed suicide in prison. It has become an article of faith within the left-wing community that these three were actually murdered by the state.

What happened to those vedettes who represented the mexican cabaret’s exotic beauty in the ‘70s and ‘80s? Four decades after the end of their roles, they tell their stories with dignity.

On February th 1970, Carlos Castañeda de la Fuente tried to assassinate the Mexican President to avenge the Tlatelolco massacre from October 2nd 1968, defying the most repressive regime in the contemporary Mexican history. Forty years later, this failed avenger survived the system´s disproportionate retaliation, only to wander Mexico City´s streets as a vagrant.

Spontaneous portrait of an endearing and cheerful teenager living in balance between traditionalism and modernity. She presents her regalia to us and we share her pride in being Innu.

The story of three Turkish men. They all grew up in Switzerland and all got deported after various criminal offenses.

After the India of Varanasi’s boatmen, the American desert of the dropouts, and the Mexico of the killers of drugtrade, Gianfranco Rosi has decided to tell the tale of a part of his own country, roaming and filming for over two years in a minivan on Rome’s giant ring road—the Grande Raccordo Anulare, or GRA—to discover the invisible worlds and possible futures harbored in this area of constant turmoil. Elusive characters and fleeting apparitions emerge from the background of the winding zone: a nobleman from the Piemonte region and his college student daughter sharing a one-room efficiency in a modern apartment building along the GRA.

A bunch of British working class amateur filmmakers with nothing left to lose tackle one of Hollywood's greatest musicals in order to save their beloved Club. Britain’s oldest amateur filmmaking club struggles to survive, as its members grow old amid flickering memories and hardships. In the northern industrial town of Bradford, England, a handful of diehard amateur filmmakers desperately cling to their dreams, and to each other, in this warm and funny look at shared artistic folly that speaks to the delusional dreamer in us all.

Documentary about the life and work of Mário Eloy, one of the greatest painters of the second generation of modernism in Portugal.

The Mejia family emigrated from Oaxaca to Fresno, California 40 years ago. Filmmaker Trisha ZIff filmed the family in 1996, and returns now to see the changes that have settled over them, and follows the family on their return to Mexico.

Quel numéro ? - What number ? ou le travail automatisé

"Africa Light" - as white local citizens call Namibia. The name suggests romance, the beauty of nature and promises a life without any problems in a country where the difference between rich and poor could hardly be greater. Namibia does not give that impression of it. If you look at its surface it seems like Africa in its most innocent and civilized form. It is a country that is so inviting to dream by its spectacular landscape, stunning scenery and fascinating wildlife. It has a very strong tourism structure and the government gets a lot of money with its magical attraction. But despite its grandiose splendor it is an endless gray zone as well. It oscillates between tradition and modernity, between the cattle in the country and the slums in the city. It shuttles from colonial times, land property reform to minimum wage for everyone. It fluctuates between socialism and cold calculated market economy.

Je vous écoute

How can we prevent epidemics? Why do viruses and bacteria move? Rather than trying to contain epidemics one after another, why not stop the processes that encourage their emergence? The challenges are enormous, but scientists argue that solutions exist. Because if emerging diseases are the collateral consequences of our lifestyles, our lifestyles are under our control.

Working from the text of James Baldwin’s unfinished final novel, director Raoul Peck creates a meditation on what it means to be Black in the United States.

How are biographies charted? How is identity constructed? Can we relive our past, reinvent it, rearrange or recycle it? Can we really know who we are if we ignore where do we come from?

Openland is an art film guided by issues surrounding micro states and its derivative definitions. Through intertwining interviews, meta-narratives, and digital landscapes, Openland unfurls a dialogue between consciousness, individuality and collectivity.