February 14, 1992

Rudra has come back one morning, has return to his friend Saruar's home. He had disappeared from home leaving no cue, a year ago. Saruar first came to know about Rudra's disappearance in Rudra's mother's call. Then he had gone to Rudra's home and saw how his agitated parents and elder brother were tracing out reasons of his desertion. Rudra do not answer any of these questions of Saruar now. He become immutable and eloquent. He only replies that he is tired and cinema experience Rudra's exhaustion from this world's journey in a non-narrative way. Rudra's consciousness become aware of a bigger crisis. Rudra just express interest to go to sleep for a while.

Traditional Northwestern Indigenous spiritual images combined with cutting-edge computer animation in this surreal short film about the power of tradition. Three urban Indigenous teens are whisked away to an imaginary land by a magical raven, and there they encounter a totem pole. The totem pole's characters—a raven, a frog and a bear—come to life, becoming their teachers, guides and friends. Features a special interview with J. Bradley Hunt, the celebrated Heiltsuk artist on whose work the characters in Totem Talk are based.

A bodybuilding fever dream fueled by childhood trauma, food porn and acid techno music.

Repetition, delay, suppression, intertwined images. Through the child, father, and mother; the way memories are recalled, the camera's manipulative reduction of photographs, videos against their magnificence in memory.

An experimental piece displaying the acts of common addictions.

Smooth and highly polished surface, capable of reflecting light and images of objects and people.

Abuse is all around us, where do you fit in? Swing is an abstract , stylized dark comedy about abuse. In this short film, escalating abuse is depicted in familiar situations, highlighting how accustomed we have become as both the victims and perpetrators.

Experimentuum

The second part: Brakhage’s layering of images spends less time with images of war, and begins filtering in scenes of Vienna and his home in Colorado. He sets up a comparison between “Kubelka’s Vienna” and his own.

As a major storm strikes Texas in 1900, a mysterious televisual device is built and tested. Blake Williams’ experimental 3D sci-fi film immerses us in the aftermath of the Galveston disaster to fashion a haunting treatise on technology, cinema, and the medium’s future.

Foreign Names focuses on the worker displacement in a compilation of video clips from Aroma, a coffee shop chain. Ben-Ner’s video shows counter staff at the coffee shops yelling nonsensical English “names,” fabricated and given to them by the artist. The texts edited together become a lament of the waiters’ disappearance and the state of workers today.

A man attempts to operate a mysterious device, but with each attempt comes a new set of problems.

Viztor o fenômeno

A man eats a rather unsavoury snack.

A psychedelic, avant-garde collage film designed to accompany PRPL PPL's experimental album of the same name.

The video is made up of, on the sound side, a composition consisting of 58 words, in Japanese, accompanied by piano, and, on the image side, a series of images captioned, in Japanese and English, in correspondence with the recitation on the sound side. A title has been added. (Voice: Maya Taneda.)

Experimental short film.

Short animation experiment drawn by Oskar Fischinger

The Weavers of Nishijin captures the process of traditional textile manufacture in Nishijin.

Short experimental 16mm film.