Time to Change

Experimental Documentary on Sound & Cannabis

AEOLUS

Two very different men are brought together by New Brunswick's decision to hand the management of millions of acres of Crown land to six multinationals. One man is an Acadian woodlot owner retired after nearly 40 years in a pulp mill; the other is a painter and winemaker with homes in France and New Brunswick. They travel to Finland to urge officials at one of the largest licence holders of New Brunswick Crown lands to practise responsible forestry, then go head-to-head with the provincial government to secure a new community-based forestry policy that is environmentally sustainable and produces more jobs than the highly mechanized techniques used today.

A housekeeper received a film made by her daughter. It's a film that combines found footages of Thailand during the Cold War with the present days images of Bangkok. Through these images she tells a story of the house owner and her own story of coming to the capital.

An oil boom has drawn thousands to America’s Northern Plains in search of work. Against the backdrop of a cruel North Dakota winter, the stories of three children and an immigrant mother intertwine among themes of innocence, home, and the American Dream.

Experimental short-film made by brazilian students about the trópicalia and cinema novo movement. The narrative revolves around the song Géleia Geral from the album Tropicália ou Panis Et Circensis and also around the political, artistical and social time from that period.

"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City."

The Eye explores silent landscapes where nature and absence coexist. Between the memory of places and resilience in the face of time, the film oscillates between beauty and existential vertigo, capturing what persists and what fades.

A long-form 'artist moving image' documentary film that sits in a fictitious conceit that begins in a distant future, inspired by Russell Hoban’s cult novel ‘Riddley Walker’. A medley of documentary, fantasy, song and dance: shot on a tapestry of celluloid film stocks and developed by hand.

Anticosti: La chasse au pétrole extrême

The Moroccan Labyrinth

Jan receives the group patch at the campfire, Herkules brews up some tea in the workshop and Sidney gets a mohawk haircut done by his father. The film shows fragments from an Oberhausen subculture in which symbols and practices of the outlaw motorbiker scene are transferred to cycling.

In an attempt to represent reality, the boundary between life and art blurs between fragmentary images of someone and the praxis of an essay film.

Omniac

Le Baron et l'Empereur : Japon, la voie de la guerre

Maura is a black woman, mother of 7 children and recyclable material collector in one of the largest cities in Latin America. While she works hard to maintain herself, she has to deal with prejudice, invisibility and the ignorance of those who do not recognize the value and important role of the recyclable material collector bring to the city, as an environmental agent.

A contemplative portrait of a liminal space, where anonymous inscriptions transform a place of transit into a quiet archive of memory

An audiovisual essay constructed from Super 8 footage filmed during camera tests for the short film ‘La Trampa’. Through gestures, light, and silences, it reflects on what the image reveals and what it leaves unsaid.

This film was originally made for the International Conference on Human Settlements (HABITAT) which was held in Vancouver, Canada. Taking as an example the production and marketing of bananas and the prevailing conditions in the world market - dominated by the virtual monopoly of three multinational companies -, it is shown how as a result of this monopolistic domination, the Costa Rican State has stopped receiving equitable taxes for what that, in the end, the housing and public services offered by the country are characterized as those of an underdeveloped society. The attempt made since 1974 by a group of banana-producing countries, aimed at improving sales prices to multinationals and raising taxes; The resulting “banana war” are examples of the enormous efforts that small banana countries have to make to achieve greater justice in the prevailing market conditions.

an experimental short shot completely in black and white and attempts a new technique.