Border Blackbirds

The Ranchman's Daughter

A man almost loses his fortune, not to mention his fiancée, to a society scion.

Outlaw Hawk Parsons, notoriously successful in his pursuits, has been caught by the local sherif of a New Mexico town in the 1850s. The overly prideful sherif and his lawmen are outsmarted and Parsons escapes. In the desert, he falls in with a reverend, his wife, and their group of missionaries, who hope to establish a church. After coming under attack by a tribe of Native Americans, Parsons strikes a deal: in exchange for the safe keeping of the missionaries, he takes the reverend's wife for himself. Ultimately a parable of Christian values, the film's narrative establishes and overcomes obstacles that test the virtue of men in the American West.

A Native American woman is embittered after being abandoned by her white husband, Jimmy Dorr.

Set in the Great White North, the film stars Bennett as the object of affections for several rugged northerners, including a couple of disreputable gamblers.

During a violent disagreement, a miner strangles his partner and accidentally shoots the man's wife. He then deserts his own wife and son to elope with the saloon keeper's daughter. As they are fleeing, the girl discovers the deed and insists upon caring for the baby found in the dead wife's arms.

A rancher begrudgingly goes east in order the fulfill the requirements of his uncle's will and receive his inheritance.

A copy of this Tom Mix western is preserved incomplete in the Library of Congress collection.

William S. Hart directs and stars in a film that is a typical Western of the era. He plays Jim, a prospector who lands in the town of Broken Hope, and the name pretty much describes its inhabitants. Jim meets and falls in love with Jennie (Margery Wilson), whose father (Walt Whitman) is gravely ill. Jim rounds up a reluctant doctor from another town to tend to the old man, but he dies anyway. The doctor, however, gains Jennie's trust and she runs off with him. Only then does he tell her he's already married. She leaves immediately, but is too proud to go home so she finds work as a dance hall girl at Tacoma Jake's saloon. Jim, meanwhile, finds gold near Broken Hope, which raises its inhabitants' attitudes considerably. But the bad element is still there, and Jim is chasing after a group of kidnappers when he enters Tacoma Jake's saloon and sees Jennie. Jim not only overcomes the bad guys, he gets the girl, too.

The Pony Express is a silent 1925 Western film produced by Famous Players-Lasky and distributed by Paramount Pictures. The film was directed by James Cruze and starred his wife Betty Compson along with Ricardo Cortez, Wallace Beery, and George Bancroft.

The famous black cowboy Bill Pickett shows his prowess in rodeos. Only small parts of the film survive.

A description of the surviving scenes: Two girls are dancing in the inn, one wearing a white dress, the other in black - a bandit arrives - the bandit has an argument with another guest about one of the girls - the fight continues on the rocks - the bandit throws his rival off the cliff - the girl in black mourns the dead man - a cowboy appears on a horse - the girl in black laments the crime to him - the cowboy catches up with the bandit, he disarms him and ties him to a tree - the old man who is to watch over the captive gets drunk and falls asleep - the girl in white, armed with a revolver, frees the bandit, her lover, and they both tie the watchman to the tree instead - the cowboy returns and again fights with the bandit - the girl in white is accidently shot during the ensuing duel - the cowboy leads the handcuffed bandit away.

The Spoilers is a 1914 film directed by Colin Campbell. It is set in Nome, Alaska during the 1898 Gold Rush, with William Farnum as Roy Glennister, Kathlyn Williams as Cherry Malotte, and Tom Santschi as Alex McNamara. The film culminates in a spectacular saloon fistfight between Glennister and McNamara. It was adapted to screen by Lanier Bartlett from the Rex Beach novel of the same name.

Setting the standard for his later light-hearted biopics The Private Life of Henry VIII and Rembrandt, producer-director Alexander Korda steadfastly refuses to take any of The Private Life of Helen of Troy seriously. Maria Corda, wife of the director, plays the title character as a fetchingly underdressed coquette, oblivious to all the political turmoil she's causing when she allows the handsome Paris (Ricardo Cortez) to kidnap her. Meanwhile, poor King Menelaus (Lewis Stone), Helen's husband, stands by in stoic silence, just as he's done on previous occasions when his wife succumbed to the charms of various sexy suitors (one of whom is played by future cowboy star "Wild Bill" Elliot). Finally galvanized into action, Menelaus reclaims his bride, who seems none the worse for wear for her experiences.

Yamamoto Senji fought against the Peace Preservation Law in the Diet. On March 5, 1929 he was assassinated by the right wing. A farewell ceremony was held near the University of Tokyo. Prokino's Tokyo Branch shot the procession.

Alice Grayson's uncle develops a wireless torpedo that can be controlled by radio. After he announces his invention to several of his colleagues, two of them murder the scientist, steal the blueprints and prototype, and make plans to sell both to the highest bidder. When Alice discovers the identity of the thieves, the intrepid heroine, with the help of Bob Moore, her two-fisted boyfriend, desperately tries to recover the plans and torpedo before enemy countries can unleash the torpedoes against American ships. (IMDb)

On May 1st, unions all over Japan celebrate May Day, the international day for workers. Workers gather together at parks and hold demonstrations and parades. May Day has its origins in a strike that occurred in the United States on May 1, 1886, a strike that called for an eight-hour workday. Prokino recorded the May Day every year from 1927 to 1932. Among these films, this work is the only one that has survived. However, only its first part has survived. The original film depicts the march to the Ueno Park where the rally was dismissed. Iwasaki Akira coordinated the entire Tokyo Prokino organization as it photographed the 1931 May Day celebrations. They shot in both 16mm and 35mm (other 35mm productions were planned, but this is the only one that achieved completion). A 16mm print was circulated around the countryside by mobile projection units, and a 35mm print was shown at Soviet film nights in Tokyo and Osaka.

A movie star helps a young singer-actress find fame, even as age and alcoholism send his own career into a downward spiral.

This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.

A love triangle set against the turn-of-the-century gold rush.