A film about three teenagers - Klara, Mina and Tanutscha - from the Berlin district of Kreuzberg. The trio have known each other since Kindergarten and have plenty in common. The three 15-year-olds are the best of friends; they are spending the summer at Prinzenbad, a large open-air swimming pool at the heart of the district where they live. They're feeling pretty grown up, and are convinced they've now left their childhood behind.
Journey with the musicians of the Berlin Philharmonic and their conductor Sir Simon Rattle on a breakneck concert tour of six metropolises across Asia: Beijing, Seoul, Shanghai, Hong Kong, Taipei and Tokyo. Their artistic triumph onstage belies a dynamic and dramatic life backstage. The orchestra is a closed society that observes its own laws and traditions, and in the words of one of its musicians is, “an island, a democratic microcosm – almost without precedent in the music world - whose social structure and cohesion is not only founded on a common love for music but also informed by competition, compulsion and the pressure to perform to a high pitch of excellence... .” Never before has the Berlin Philharmonic allowed such intimate and exclusive access into its private world.
Drei Frauen
Documentary short about the rebuilding of Berlin in 1946 from a Soviet perspective, showcasing the social changes that have taken place since the fall of Hitler and of Jews working side-by-side with non-Jewish counterparts.
In the summer of 2008, Enzo travels to Berlin to work on a creative documentary and find a former lover.
Documentary examines the history and evolution of the Olympic Games, taking a close look at the Olympic charter, oath and ideals. Also featured are rare home movies and interviews with Olympic athletes and the oldest known color footage of the Olympic Games from Berlin in 1936.
Documentary short film about the afterlife of the remnants of the Berlin Wall.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
Jonathan Stavleu explores, in a stream-of-consciousness video essay, the relationship people have with water and what happens when access to it is taken away. For this work, he examines anecdotal histories he has heard from Estonians, as well as stories from his own family history in the Netherlands, weaving them together into a journal-like narrative.
Bosom buddies BeV StroganoV, Ovo Maltine, Ichgola Androgyn and Tima die Göttliche are four Berlin drag queens who met in the mid 1980s. These four queens became Germany’s most popular drag performers and have been busy fertilizing the German cultural scene. Besides being performers, they are also political activists – in AIDS awareness, anti-gay violence, the sex workers movement and the struggle against the extreme right and racism. The film tells their story.
The film chronicles the story of how the Nazis and the IOC turned, to their mutual benefit, a small sports event into the modern Olympics. The grand themes and controversial issues from the 1936 Games have continued to this day: Monumentality, budget overruns, collusion with authoritarian regimes, corruption and sometimes even bribery.
In the 1960s, a white couple living in East Germany tells their dark-skinned child that her skin color is merely a coincidence. As a teenager, she accidentally discovers the truth. Years before, a group of African men came to study in a village nearby. Sigrid, an East German woman, fell in love with Lucien from Togo and became pregnant. But she was already married to Armin. The child is Togolese-East German filmmaker Ines Johnson-Spain. In interviews with Armin and others from her childhood years, she tracks the astonishing strategies of denial her parents, striving for normality, developed following her birth. What sounds like fieldwork about social dislocation becomes an autobiographical essay film and a reflection on themes such as identity, social norms and family ties, viewed from a very personal perspective.
Ein Tag in Berlin
A documentary produced by the French armed forces which chronicles the way of France’s “1ere armée” in the second world war from the days it first crossed the Rhine in March of 1945, through the liberation of a POW-camp in Swabia, until the forces reached the Danube and the Alps at the end of the war and the day French troops marched in the victory parade in Berlin.
Kontrollverlust Berlin
Documentary about the life in Berlin in 1941. The planned premier was stopped by the national party due to the damages and painful changes to the city that soon followed. It thus premiered in 1950.
Artists, urban planners and the city of Berlin trying to transform a former GDR ruin into a place for new visions and concepts of city - a place where everything is different than before?
Rare documentary footage from around 1900 depicts the mood of life in Berlin at the turn of the century.
The documentary portrays the art historian Wilhelm von Bode as a realistic visionary.
In 1952, the Central Committee of the Socialist Unity Party of Germany (SED) decides to establish a "Museum of German History" (MfDG) in the Zeughaus Unter den Linden. As the central history museum of the GDR, it is committed to the Marxist-Leninist conception of history. The film Museum of German History. Insights and Encounters - a GDR television documentary from 1988 - shows the reconstruction of the war-damaged building, presents selected eras such as the Peasants' Wars and the Revolution of 1848 and observes the preparations for a special exhibition on "Artists in the Class Struggle". The film also provides insights into the restorers' workshops, the coin collection and the painting depot.