Several lonely hearts in a semi-provincial suburb of a town in Denmark use a beginner's course in Italian as the platform to meet the romance of their lives. The film, which unspools the connections and family drama shared between the students, complies with several aesthetic principles of Dogme 95 movement.
Are all relationships based on lies? Jake Bianski runs a fish market in north Boston, surrounded by Italians. For years, he's carried a torch for Isabella, an ex-girlfriend now married with three children and no interest in Jake. Yet, he tells everyone she's his girlfriend, including Marisa, a veterinarian his employees set him up with at the Italian singles club. She's interested in him until he tells her about his girlfriend, then he's persistent in asking her to be his friend. As the friendship bumps along, Jake realizes that reality may be better than fantasy, but what if Isabella changes her mind about Jake, and what if it comes out that Marisa, like Jake, isn't Italian?
When a disenfranchised, world-famous photographer is interviewed by university students and presented with a portfolio of his life's work he is transported back to his very first photoshoot with a special yet mysterious subject.
When the ugly truth about a local woman's tastes come to light, there are dire consequences for everyone involved.
Glimpses of Chaucer penning his famous work are sprinkled through this re-enactment of several of his stories.
When an Italian man comes out of the closet, it affects both his life and his crazy family.
Toscana
When his mother eloped with an Italian opera singer, Louis Mazzini was cut off from her aristocratic family. After the family refuses to let her be buried in the family mausoleum, Louis avenges his mother's death by attempting to murder every family member who stands between himself and the family fortune. But when he finds himself torn between his longtime love and the widow of one of his victims, his plans go awry.
In 1987, Ricardo is seventeen years old. This summer, Ricardo has a busy schedule: lose his virginity, find a way to get into bars, get a car and spend time with his friends. In order to make fast money, Ricardo decides to use his Italian connections to take a shortcut via the world of crime. But things don't go so smoothly.
Roberto, a shy law student in Rome, meets Bruno, a forty-year-old exuberant, capricious man, who takes him for a drive through the Roman and Tuscany countries in the summer. When their journey starts to blend into their daily lives though, the pair’s newfound friendship is tested.
A man in crisis just doesn’t know how to fix things with his conscience.
Lisetta (Carmen Russo) a high-priced call-girl, that entertained her eccentric clients in her apartment and in empty theaters over opera! She met Filippo (Saverio Marconi), a bumbling astronomer , and after a series of mishaps, they got married.
"Despite the multitude of characters and situations, the plot is simple: the eternal flow of life. It is based on Les contes fantastiques d’Hoffmann, a play by Jules Barbier and Michel Carré, who were inspired by some of the stories of the German E.T.A. Hoffmann. On a drunken night in the city, Hoffmann tells how he courted and lost three girls, his impossible loves: Olympia, a mechanical doll that only he believes to be truly human; Giulietta, the courtesan who steals his reflection in a mirror; and Antonia, a young woman who sings until she literally dies." Venue & Opera Company: Teatro Regio di Parma Recorded: 1988 Singers: Alredo Kraus, Ruth Welting, Jonathan Omilian, Barbara Hendricks, Elena Zilio, Nicola Gjiuselev, Bruno Buulgarelli, Francis Egerton, Aldo Bottion Orchestra: Orchestra Sinfonica dell'Emilia-Romagna "Arturo Toscanini" Chorus: Coro del Teatro Regio di Parma Chorus Master: Adolfo Tanhzi Stage Director: Beppe de Tomasi
While his girlfriend recovers from a medical procedure, a corrupt lawyer becomes entranced by the grand visions of a mob boss.
A former priest has become bored to the point of impotence by the easy availability of beautiful women. He misses the shame of the priesthood which made sex more enjoyable, and this leads to his strange fascination with photographing asses. He gets involved with a sexy married woman, but he is more interested in her virginal maid.
A rich older man dies during a massage (you see, uh--never mind). His young widow (Lucrezia Love) decides she needs some male help in managing her deceased husband's estate (for some reason she doesn't ask the family lawyer who she spends all her time rolling around in the hay with), so she summons her younger step-brother to come stay with her and her "little stepdaughter" (Gloria Guida). Of course, Guida's character ends up being attracted to her new "uncle" and plots to get "his bird in her bush" by, among other things, arranging for him to witness a steamy lesbian encounter between her and a friend in a, uh, steam room. To resist this temptation, the "uncle" marries Guida off to another guy while he in turn marries her friend, but they still can't resist each other.
A film in 5 segments. The first is about a trafficker who takes a German tourist to an illegal sex market in a working-class neighborhood. The second involves an elderly man courting a young adult film star. The third, a thief seduces a man's wife. The fourth involves an Italian immigrant in Germany who is fired and subsequently offered work as a porn actor. Finally the last segment involves a baron who convinces his wife into a swinging.
The perfect movie DOES exist! Doug and Carol travel to the port city of Milan, where they have to solve a series of murders committed by a masked slasher at an Italian Fertility Festival. And Soviet Spies. INTERPOL’s there, too.
The myths of the sixties are satirized in 20 episodes.
An anthology of four comic moral tales about the hypocrisies surrounding sex in 1960s Italy: frothy young love and office politics in the big city; milk advertisements that begin to haunt an aging prude; a trophy wife enduring her husband's very public affairs; a lucky ticket-holder at a small town fair.