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A collaboration between Soda_Jerk and The Avalanches.

Musicians inspired by the Moon. Since the Apollo landings, the Moon has entered popular consciousness like never before. A journey through pop music's lunar obsession.

A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.

The story of the famous and influential 1960s rock band and its lead singer and composer, Jim Morrison.

This is the first documentary about the singer Marijonas Mikutavičius. Marijonas Mikutavičius, who is celebrating his fiftieth birthday this year, has been on stage since he was 18 and his song "Trys milijonai (Three millions)" has been called Lithuania's second national anthem. In the film, director Eimantas Belickas allows the viewer to be with Marijonas in his intimate surroundings, without the mask. As one of the country's most popular singers, Marijonas is a man, a father, a Lithuanian citizen, just like many of us. The viewer can see this clearly in the film, but at the same time it becomes clear that creativity makes the singer a unique personality.

A compilation of avant-garde artwork and talent of the mid to late 20th century hosted by Ryuichi Sakamoto.

“After So Long // बरसों बाद” is a visual poetry set in Mumbai (India) and voiced by Simha and their parents to symbolise their connection with each other; a walkabout through time and memories. Directed by Varsha Panikar, the film takes inspiration from vintage-home-movie culture to create a contemplative and nostalgic vignette of an artist’s spiritual journey out of the darkness and into the light.

In a city inhabited by drawn beings, an indigenous boy witnesses a holographic appearance. It is the arrival of an entity of unknown materiality. With a mysterious presence and exotic allegories, it starts to enchant the residents, awakening their most insane senses.

The video debut of experimental musicians and culture jamming artists Emergency Broadcast Network.

Köner uses sequences of images from webcams as raw material. People and their vehicles appear acoustically, but not visually. The shift from day to night and the influence of the weather gives motion to the segments. He condenses a total of 3,000 individual web images taken from the Internet into one scene. Despite the cinematic motion of the image, it seems like a still photo.

Iggy Pop reads and recites Michel Houellebecq’s manifesto. The documentary features real people from Houellebecq’s life with the text based on their life stories.

Experimental video art set to the track "Place I Know/Kid Like You" by Arthur Russell.

A film that immerses its audience in subjective states of consciousness they might experience when they die, imagining what they can see and think and hear in a seamless but fragmentary flow of poetic images, words and music. The viewer undertakes a journey into their own interior world of dreams and projections in which time and space, and cause and effect logic, are turned on their heads. Text Messages from the Universe is inspired by The Tibetan Book of the Dead, a text which guides souls on their journey of 49 days through the 'Bardo', or intermediate state, between dying and rebirth.

Live performance of Diamanda Galas in 1985, released by Target Video. The performance, based on a poem by Charles Baudelaire, devotes itself to the emaraldine perversity of the life struggle in hell.

In a film bursting with lyrics, pictures, and music the director shows us a way into the peculiar universe of Tóroddur, and the otherwise not very talkative artist gives us a glimpse of his thoughts on art, God, life and death.

Like a Wave in the Sea

A 1-hour Documentary looking at the Manchester post-punk group and its infamous leader Mark E Smith. The Film follows the current band recording their final Session for the John Peel Show (they were his favourite group and recorded more sessions than any other band) as well as chronicling the chaotic history of the band & its numerous line-up changes.

Although Gainsbourg and Birkin had appeared in a string of films since their magnetic collision in Pierre Grimblat’s Slogan, Melody was a bit of diversion from their collaborations since it’s a series of interwoven videos inspired by the Gainsbourgalbum. For '71 it’s a novel concept to bring visual life to an LP, but even more surprising are the short film’s amazing visuals that director Averty crafted using a wealth of video filters, overlays, camera movements and chroma key effects. Averty applies these in tandem with the increasing tone of Gainsbourg’s songs, which more or less chronicle an older man's affair with a young girl. Each song is comprised of steady, sometimes brooding poetic delivery, with refrains timed to the phrase repeats of each song, while Alan Parker’s buzzing guitar accompanies and wiggles around Gainsbourg’s resonant voice. The bass is fat and groovy, the drums easy but steady, and the periodic use of strings or rich vibrato makes this short a sultry little gem.

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse:Semantics is the study of meaning in language, and Bernstein's third lecture, "musical semantics", accordingly, is Bernstein's first attempt to explain meaning in music. Although Bernstein defines musical semantics as "meaning, both musical and extramusical" this lecture focuses exclusively on the "musical" version of meaning.

Arf Arf is a sound poetry (voice and gesticulation) group. They describe their first film together as 'songs nailed together in a film'. The film is not given over to simply recording a performance of sound poetry but is worked out as a filmic combination of images and sound, each member of the group having individually previously made experimental films.