I Am Not Alone

Es geht um Alles

The Grammy-winning lead singer of System of a Down, Serj Tankian helps to awaken a political revolution on the other side of the world, inspiring Armenia's struggle for democracy through his music and message.

In search of the truth behind the story of Noah's Flood, Joanna Lumley and her team examine the theory that Noah's Ark was preserved on Mount Ararat, in Turkish Armenia.

Stony Paths is the story of a walk across Anatolia. Arnaud Khayadjanian starts a trek in Turkey, on the land of his forefathers who survived the Armenian Genocide. Starting from a painting, from encounters and from accounts by his relatives, he goes on exploring the little known issue of the Righteous, all these anonymous people who saved lives in 1915.

Garod means longing in Armenian. Longing for a land that lost its people. Longing for the homeland. Longing for a time that is eternally lost. “Garod” is a story of longing. It is about the lives and the musical stories of two Armenian musicians - a father and his son, Onnik Dinkjian and Ara Dinkjian. It tells the story of the remaking of a musical tradition and life in diaspora, passes through different geographies and countries following the traces of a musical tradition. In this documentary, Garod means not only longing for loss but also remaking of a musical tradition and the life itself.

INTENT TO DESTROY embeds with a historic feature production as a springboard to explore the violent history of the Armenian Genocide and legacy of Turkish suppression and denial over the past century.

An official border divides the village of Jiliz, with one side being in Armenia and the other in Georgia. Lousine, a young girl, dreams about uniting with her grandmother and relatives who lives across the stream that divides the village. Just what is a border? Why does it take her such a long route to travel? She decides to take the journey to see her family and reflects on these questions.

A feature documentary presented and directed by former Royal Marines Commando Emile Ghessen. The documentary tells the story of the 2020 war between Armenia and Azerbaijan over the disputed region of Nagorno Karabakh. In the fall of 2020, Armenia and Azerbaijan fought a brutal bloody war. Azerbaijan won, decisively. The feature documentary 45 Days: The Fight for a Nation tells the story of this conflict, from the Armenian perspective, focusing on the human cost of war and its impact on the large Armenian diaspora.

The last collaboration of Artavazd Peleshian and cinematographer Mikhail Vartanov is a film-essay about Armenia's shepherds, about the contradiction and the harmony between man and nature, scored to Vivaldi's Four Seasons.

Humans transform the world. In a stone mine, huge majestic rocks are blasted into pieces and after passing through the stone processing line, they gradually transform into pebbles.

Stepanakert's only airport has been operational for 8 years, employing over 50 people. Something is not quite right, however...airplanes and passengers are nowhere to be seen.

As a result of the second Karabakh war, a village should be ceded to Azerbaijan since a new highway is built through the Lachin corridor. The family of Narine, like many other Armenian families, needs to find a new place.

Explores the Ottoman Empire killings of more than one million Armenians during World War I. The film describes not only what happened before, during and since World War I, but also takes a direct look at the genocide denial maintained by Turkey to the present day.

Only women, children and old people live in this Armenian village, while the men work in Russia. A life with a rhythm of its own, an independent daily life marked nonetheless by exile.

Turkey's history has been shaped by two major political figures: Mustafa Kemal (1881-1934), known as Atatürk, the Father of the Turks, founder of the modern state, and the current president Recep Tayyıp Erdoğan, who apparently wants Turkey to regain the political and military pre-eminence it had as an empire under the Ottoman dynasty.

More than one million Armenians perished between 1915 and 1916 in massacres or brutal deportation programs. Turkey still denies it ever happened. Laurence Jourdan examines massacres of Armenians in the decades leading up to the mass murder, and the geopolitical situation both before and after the genocide. Contemporaneous reports and documents written by Western diplomats stationed in the Ottoman Empire describe the methods used and the deportation routes. These accounts are mixed with personal stories from the living survivors and archive footage from Ottoman authorities.

Two American teenagers become intrigued by Armenia's history and culture after learning about the 2020 aggression by Azerbaijan that devastated the Armenian-populated Nagorno-Karabach district from a friend's war correspondent father. Mark Tomlet and his friend Amy Holton embark on a life-changing journey to Armenia, visiting the war zone only months after an uneasy ceasefire was declared, and interview people affected by the war. In the process, the two learn a lot about themselves and how much they take for granted. That first trip leads to more engagement with Armenia, leading tours to the country, and eventually, something amazing happens that brings joy out of the tragedy of war. It's a serendipitous story of hope from tragedy, a chance adventure, and love blossoming even in the worst of circumstances.

Filmmaker Binevsa Bêrîvan travels to Armenia to capture the daily life, customs, and history of the country's Yazidi Kurdish community.

Stone, Time, Touch is a documentary made by Gariné Torossian about the relationship of three Armenian women from the diaspora with the land of Armenia. The young woman (played by Kamee Abrahamian) is visiting Armenia for the first time. The older woman, Arsinée Khanjian has a more conflicted and analytical perspective of her identity and her relationship with the fledgling democracy, one of the former Soviet Union republics. She has been to landlocked Armenia many times and comments on photos taken by French photographer Marc Baguelin. The third trajectory is more subtle and is represented by Gariné Torossian herself whose face is super imposed from time to time in this stylistically-layered documentary.

Raphael, Yervant Gianikian's father, survived the Armenian genocide in 1915 in Eastern Turkey. In April 1988, while living in Venice, he sat for his son's camera and read an excerpt from his memoirs, translated from Armenian into Italian.