Seeing Double

Bob Wharton marries Lorelei Knight, a beauty contest winner. While on their honeymoon, Bob is laughingly abducted by the flirtatious Bernice Lane, who keeps Bob out way past his bedtime.

Piecemeal, chaotic slapstick comedy revolving around honeymooners and various misunderstandings.

One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.

Frank Perry's wife Helen is away visiting her mother, and he uses this "free time" for a night of drinking at a nightclub. Unfortunately, when he tries to return home, he enters the wrong house and is nearly arrested When Helen comes back he tells her that the "incident" was actually an initiation rite of the Masons, knowing that his wife has always wanted him to join the group. She excitedly tells her father about Frank's becoming a Mason, since her father is also a Mason. What neither she nor Frank know is that her father has actually been doing the same thing Frank is--pretending to be a Mason when he actually isn't. Complications ensue.

Directed by Max Urban.

The comedic adventures of amiable con man J. Rufus Wallingford and his partner "Blackie" Daw. They travel the country promoting elaborate financial schemes to swindle corrupt business cliques while often aiding those cheated out of their inheritances.

A girl's father cannot afford a train ticket, so he ships his daughter by Wells Fargo & Co. Express. He loses his money to a villain and cannot claim his "shipment." The villain attempts to claim her, but the Wells Fargo agent foils the plot and claims her himself.

After losing her job as a waitress, Mary Ryan is hired to work in a traveling show's chorus line by theatrical agent Leon O'Day and his partner. The agents convince a young, wealthy socialite named Seymour to finance a brand-new show. To secure the gig and the funding, they lie to Seymour and tell him that Mary is actually a Russian princess in hiding. The deception completely charms Seymour, and Mary gets her contract. Her fabricated royal status takes off when Seymour's mother invites Mary to tea, catapulting her to society stardom. However, the lie threatens to unravel when Mrs. Seymour—an avid social reformer—takes Mary and Seymour to a night court, where Mary's missing sister Rose is brought in under arrest. When Mary claims her sister, the truth is exposed, leading to a series of complications and dramatic resolutions.

Suffering from aphasia after being conked on the head, a man is coerced into robbing his fiancée's home.

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Amy Lindel, a church choir singer, goes to the city to pursue a singing career, but finds herself only able to get cabaret gigs. She then becomes entangled in a situation involving stolen diamonds, and is saved by the "good guy" whom she later marries.

Little Sonny Brown returns to his wretched poverty-stricken home one day to find that his father has expired in his cups. Sonny trudges forth and falls by the wayside. Mr. and Mrs. Chatterton drive by in their auto with their little daughter Clara. They carry him home then place the boy in Clara's beautiful room, still fast asleep. The imaginative little fellow, who has never known the love and kindness for which he craves, dreams a most beautiful dream, in which he goes to the Court of Prince Make Believe.

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A boy named Willie "snaps everything in sight" with his new camera. His targets included: Family members (Ma, Pa, Grandma, Grandpa), family pets (the cat, the old horse, and a St. Bernard), the "scandalous" image of a young man kissing Willie's sister and the Parson and "Miss Old Maid" at a Sunday School picnic.

Indiana Stillwater, the daughter of a wealthy American railroad industrialist, marries English nobleman Viscount Canning and travels to England. Her in-laws are somewhat shocked by her casualness in dress and manner, but welcome her into the family anyway. When her parents invite her to a Sunday-night dinner at their hotel, however, her husband--believing it to be inappropriate behavior for the wife of a nobleman--orders her not to go. Complications ensue.

Ann, a 19-year-old girl who looks much younger, meets a dashing army major on a boat sailing from Liverpool to Bombay, India, and falls in love with him. Her love appears to be unrequited, though, because the major thinks she is far too young--and also, unknown to her, because he had once been in love with her mother. When a fellow passenger on the ship takes advantage of the naive girl the major comes to her rescue, but in the process the girl finds out about the past relationship between he and her mother.

When young Mary Carpenter and wealthy Peter Cooper, both carrying luggage initialed with a large “C,” check into a seaside hotel they end up with each other’s bags. Mary, an astronomy fan, has several volumes by Prof. Carl Von Munsternberg mixed in her bag which Peter takes note of before also slipping in a bestseller, "The Road to Love," before returning it to the desk and retrieving his own bags. Peter, trying to avoid a widow who pursues him but still meet Mary, disguises himself as Prof. Von Munsternberg so that Mary will take notice of him. Gaining her acquaintance all is going well until the real professor shows up! Becoming convinced Peter is the thief who stole the widow’s jewels a madcap chase begins that ends with Mary and Peter united at last.

Comic short reworking of "The Taming of the Shrew".

Hoping to elope, farmer's daughter Myrtle Fairley and her beau Jack Holt are forced to return home after finding the minister not at home. Upon arrival they discover a pair of incompetent safe crackers trying to force Mr. Fairley to give up his money, leading to a tense resolution.