Det nya livet

Explores the lives of Sara, Gigi and Giovanna, three Latino transvestites who for years have lived on the streets of Manhattan supporting their drug addictions through prostitution. They made their temporary home inside broken garbage trucks that the Sanitation Department keeps next to the salt deposits used in the winter to melt the snow. The three friends share the place known as "The Salt Mines".

A poetic exploration of the multi-generational affects of Canada's Indian Residential School system, based on the personal trials of Aboriginal playwright Yvette Nolan.

The city you experience everyday. Into the mind of a homeless man who shares the lack of help he got while being on the streets.

A short documentary about a homeless couple who face the ban on being on the street during 2020 quarantine. Just through their eyes, the two protagonists show us a different Milan, silent and suspended.

A homeless musician finds meaning in his life when he starts a friendship with dozens of parrots.

This documentary about teenagers living on the streets in Seattle began as a magazine article. The film follows nine teenagers who discuss how they live by panhandling, prostitution, and petty theft.

Valery Liashkevich is a homeless artist who lives at a railway station and for over twenty years has painted pictures in the streets of the town of Gomel in Belarus. For the natives he is no more than a local attraction. For art critics he is a phenomenon worth close attention.

What if democracy fails citizens by not serving them all equally? What if inequality becomes the norm and the most vulnerable citizens are left behind with no money, no home, no rights, and no country of their own? In Hungary, the government has slashed social benefits and criminalized homelessness, but a group of activists, homeless and middle class, is confronting authorities to defend social justice and their right to be citizens. After the tragic death of two of its founding members, the group feels that Hungary is growing more hostile and their struggle is more important than ever. Despite all odds, their own community keeps them going—a mini-society with democracy and solidarity at its heart, an island of hope, belonging and dignity in a society gradually shifting the other way.

At the age of 10, Natascha Kampusch was kidnapped and held captive for eight years by a deranged man. In 2006, she managed to escape, and the world discovered an astonishingly articulate and intelligent young woman. Not only did Peter Reichard film 14 hours of conversations with Kampusch, but he was also the very first filmmaker to obtain exclusive access to the house where she was imprisoned. This is the most complete, explicit and revealing documentary in which Kampusch has participated.

Every year in Quebec, 25,000 reports of children being beaten, sexually abused or abandoned are retained by the Directorate of Youth Protection. And nearly 40% of babies who die in the province to die because of the violence of their parents. This explains the fact that nearly 30,000 children are supported by the DPJ until the age of 18. But this government agency is in a position to meet the needs of young people? Journalist and documentary filmmaker Paul Arcand presents the testimonies of children and adult victims of abuse of all kinds, and interviews politicians, social workers and members of the judiciary on their perception of the problem. In addition, Arcand denounces the carelessness of a bureaucratic system that does not always seem to be concerned about the well-being of those for whom they are responsible.

Would you fall in love with a homeless person? Six years after Occupy Wall Street, Jehan is 42 years old and homeless on the streets of New York City. As she works to save money, get an apartment and return to a "normal" life, she decides that she would also like to get married. Would someone willing to put a dollar in her begging bag also be willing to fall in love with her? Can she find true love with a "normal" person?

Poignant stories of homelessness on the West Coast of the US frame this cinematic portrait of a surging humanitarian crisis.

Filmmaker Amy Berg sheds light on the sexual, financial and spiritual abuses heaped upon members of the Fundamentalist Church of Jesus Christ of Latter-day Saints by their former leader, Warren Jeffs.

During the 1980s, claims of satanic ritual abuse ran rife throughout the western world, uncovered by hypnotic therapists and perpetuated throughout the media, including high-rating television talk shows. In Demonic, filmmaker Pia Borg delves into this bizarre chapter of history, examining the elusive line between fact, fiction and the persuasive power of the media.

From the glitzy sidewalks of Hollywood Boulevard to the urban wasteland of Skid Row, "Forgotten" portrays the cruel reality of being homeless in Los Angeles and how these men and women cope with life on the streets of one of America's largest cities.

Award winning feature documentary about an art program for homeless people.

Community First! Village is designed to lift the chronically homeless off the streets of the Austin, TX, offering them a place to call home, helping them to heal from the ravages of life on the streets, and allowing them to rediscover a purpose in their lives. This documentary explores the events that cause homelessness and the heartwarming stories of being welcomed into a nurturing environment where dignity and self-worth are restored.

This documentary portrays the front-line street workers who serve the needy under the umbrella of the Salvation Army. Shot in Toronto at Christmastime, the film chronicles the small hopes and tiny victories of life lived below the poverty line and the daily rewards for those who work to serve others.

Forced onto the streets in her 50s, Marie found "home" at a Santa Monica laundromat. Taking shelter there for 20 years, Mimi's passion for pink, and living without looking back, has taken her from homelessness to Hollywood's red carpets.

This short film recreates the experience of Sylvie, a battered woman who seeks shelter in a Montréal transition house. Faced with the threat of violence, loneliness, the lack of financial resources or information about services, the victim is often understandably reluctant to seek help. Emphasizing the importance for women of speaking out, the film also points out the role of the transition house in putting victims of abuse in touch with appropriate legal and social services.