Det nya livet

A homeless musician finds meaning in his life when he starts a friendship with dozens of parrots.

Explores the lives of Sara, Gigi and Giovanna, three Latino transvestites who for years have lived on the streets of Manhattan supporting their drug addictions through prostitution. They made their temporary home inside broken garbage trucks that the Sanitation Department keeps next to the salt deposits used in the winter to melt the snow. The three friends share the place known as "The Salt Mines".

A poetic exploration of the multi-generational affects of Canada's Indian Residential School system, based on the personal trials of Aboriginal playwright Yvette Nolan.

A short documentary about a homeless couple who face the ban on being on the street during 2020 quarantine. Just through their eyes, the two protagonists show us a different Milan, silent and suspended.

Filmmaker Amy Berg sheds light on the sexual, financial and spiritual abuses heaped upon members of the Fundamentalist Church of Jesus Christ of Latter-day Saints by their former leader, Warren Jeffs.

This documentary about teenagers living on the streets in Seattle began as a magazine article. The film follows nine teenagers who discuss how they live by panhandling, prostitution, and petty theft.

Poignant stories of homelessness on the West Coast of the US frame this cinematic portrait of a surging humanitarian crisis.

Would you fall in love with a homeless person? Six years after Occupy Wall Street, Jehan is 42 years old and homeless on the streets of New York City. As she works to save money, get an apartment and return to a "normal" life, she decides that she would also like to get married. Would someone willing to put a dollar in her begging bag also be willing to fall in love with her? Can she find true love with a "normal" person?

A short documentary examining the consequence of time within the fragility of memory, exposing a sense of self, trapped within materiality and fantasy. We observe Chrystalla in her safe place, her home, reflecting on her childhood, her successful beauty business in 70s Cyprus and her deeply troubled marriage. Loneliness, abandonment and regret are prevailing themes within cycles of reflection, jest and contradiction.

Valery Liashkevich is a homeless artist who lives at a railway station and for over twenty years has painted pictures in the streets of the town of Gomel in Belarus. For the natives he is no more than a local attraction. For art critics he is a phenomenon worth close attention.

Every year in Quebec, 25,000 reports of children being beaten, sexually abused or abandoned are retained by the Directorate of Youth Protection. And nearly 40% of babies who die in the province to die because of the violence of their parents. This explains the fact that nearly 30,000 children are supported by the DPJ until the age of 18. But this government agency is in a position to meet the needs of young people? Journalist and documentary filmmaker Paul Arcand presents the testimonies of children and adult victims of abuse of all kinds, and interviews politicians, social workers and members of the judiciary on their perception of the problem. In addition, Arcand denounces the carelessness of a bureaucratic system that does not always seem to be concerned about the well-being of those for whom they are responsible.

At the age of 10, Natascha Kampusch was kidnapped and held captive for eight years by a deranged man. In 2006, she managed to escape, and the world discovered an astonishingly articulate and intelligent young woman. Not only did Peter Reichard film 14 hours of conversations with Kampusch, but he was also the very first filmmaker to obtain exclusive access to the house where she was imprisoned. This is the most complete, explicit and revealing documentary in which Kampusch has participated.

From the glitzy sidewalks of Hollywood Boulevard to the urban wasteland of Skid Row, "Forgotten" portrays the cruel reality of being homeless in Los Angeles and how these men and women cope with life on the streets of one of America's largest cities.

During the 1980s, claims of satanic ritual abuse ran rife throughout the western world, uncovered by hypnotic therapists and perpetuated throughout the media, including high-rating television talk shows. In Demonic, filmmaker Pia Borg delves into this bizarre chapter of history, examining the elusive line between fact, fiction and the persuasive power of the media.

This is Vol. 1 of god’s movie. A series of interviews and performances with the chosen few that came in contact with the late Joe Cole’s mighty video 8 camera. This video is as much about Joe as it is about the people that he filmed. Joe was able to make people feel comfortable enough to let themselves go in front of his lens. I used to watch the raw footage of Joe’s hours of interview footage culled from walking the streets of cities all over. I was constantly amazed at his ability to find these totally unique people. When you watch this you will see what I’m talking about. Reminds me of a quote I have heard over the years, something that amounts to those who can see it (in) others must have some of it in themselves.

Forced onto the streets in her 50s, Marie found "home" at a Santa Monica laundromat. Taking shelter there for 20 years, Mimi's passion for pink, and living without looking back, has taken her from homelessness to Hollywood's red carpets.

Rompamos con el maltrato

From Kristin Kobes Du Mez, the creator/author of Jesus and John Wayne, comes a powerful new documentary highlighting how a culture of submission and sexual abuse in the evangelical church ties directly to the Christian nationalist quest to use the outcome of the 2024 election to deprive all American women of basic democratic rights. FOR OUR DAUGHTERS speaks to all women of faith, encouraging them to use their voices and their votes to ensure that their daughters will have the rights to health and happiness guaranteed to all Americans.

This documentary portrays the front-line street workers who serve the needy under the umbrella of the Salvation Army. Shot in Toronto at Christmastime, the film chronicles the small hopes and tiny victories of life lived below the poverty line and the daily rewards for those who work to serve others.

This short film recreates the experience of Sylvie, a battered woman who seeks shelter in a Montréal transition house. Faced with the threat of violence, loneliness, the lack of financial resources or information about services, the victim is often understandably reluctant to seek help. Emphasizing the importance for women of speaking out, the film also points out the role of the transition house in putting victims of abuse in touch with appropriate legal and social services.