Poisons

A recruitment video created by Earth First! in 1990 to promote their Redwood Summer initiative.

White Sands is a 3 screen projection 16mm film installation which reflects on the visible and invisible manifestations of the nuclear fuel chain on the land, air, water and people of New Mexico.

If Not is a meditation on love, inspired by If Not, Winter by Sappho, translated by Anne Carson. Filmed in Ephesus and Brooklyn.

Burford met Breer in February 1992 and filmed his actions. Breer manipulates some of his mutoscopes: he leafs through some cards of his film in the making, Sparkill Ave! A dome-shaped sculpture slowly moves across the space.

The television images of the collapse of the World Trade Center were preceded by manifold stagings of the building, either as a highly symbolic icon, a speculative destruction fantasy or merely as a spectacular backdrop. In Misty Picture, city symphony, disaster movie and media trauma therapy become one.

Bubble is a short film performed by Zeena Parkins and the Plastic Girls, Eleanor Hullihan and Erin Cornell in a public park in Brooklyn, NY.

The town Minot is home to a U.S. Air Force base that guards 150 nuclear missiles buried in northern North Dakota. The weapons of mass destruction placed there 50 years ago are still targeted at Russia. Minot, North Dakota portrays an American landscape where people live with nuclear bombs in their backyard.

Alex and José, is a 16mm single channel projection that explores gender, movement and form.

A silent film portraying winter across three continents.

The PSA Project is a series of 15 videos that speak out against the U.S. occupation of Iraq and the act of war.

Still Life gazes unflinchingly at the violence of war, observing the eerie architecture of the West Bank and Gaza Strip collapsed under Israeli occupation. This portrait provides brutal witness to how government sanctioned destruction metes upon structures of home and State. Unlike the mediated images of current warfare, Still Life examines the effects of the destruction of Occupation through the details of cinematic landscapes and its inherent inhabitants. In its relentless questioning reaffirmed with a unique and unremitting soundtrack by composer Zeena Parkins, Still Life forces us to focus on details of devastation.

A sparing and minimal travelogue of Istanbul. A foreigner meditates on the unraveling of a relationship while moving from hotel room to hotel room. In a city simultaneously devoted to Islam and secular nationalism, she finds refuge in the frailty and severity of the rituals of devotion.

Weaving together dozens of professional and amateur archival sources, along with dramatic interviews with the people behind the cameras, Witness: Joplin Tornado reconstructs the deadliest tornado in modern times, through the eyes of those who lived through it. A group of strangers huddle together in a convenience store cooler, shrieking in terror as the tornado tears apart everything around them. A husband-and-wife stormchasing team find themselves caught in the teeth of the storm, then pressed into service when it finally passes. A young mother sobs as she surveys her daughter’s destroyed bedroom. Yet all the while they film, using their cameras to record both the harrowing experience of the storm itself and the shock of what confronted them after — homes destroyed, neighborhoods flattened, a city devastated. Witness: Joplin Tornado tells the story of that day and its aftermath entirely through the videos and voices of the survivors.

Dear features the interior world of two teenage Chinese girls in New York City, whose diary entries reveal their concerns related to growing up as immigrants amidst the ever-gentrifying landscape of Chinatown.

This film shows the splendor, enormous scope and indescribable beauty of this untouched land far to the north of Alaska, one of the last havens for caribou herds and polar bears. Shot over a period of four years, this film offers a unique insight in the lives of the most charismatic arctic animals.

A campaign video made for the 1994 Cove Mallard campaign.

Air Jaws claims new turf in South Africa. Dr. Neil Hammershlag and Enrico Gennari follow with brand new technology: a "drone-towed" seal decoy to study and capture the harrowing and dramatic battles between shark and seal.

Rwanda was once a country of peace, beauty and fabulous wildlife. Romain Baertsoen arrived there in 1966 and started to film two of Rwanda's secrets, the Bahima tribe and rare mountain gorillas. The Rwandan Civil War shattered the peace in 1994, as warring factions pillaged towns and plundered the forests. Remarkably, the gorillas survived, but the world around them is increasingly uncertain.

Dialogue-free short detailing the daily tasks of a man and his wife.

Solidão no Fundo da Agulha