Lal Haveli

"Navras Katha Collage" delves into the nine fundamental emotions (Navras) of life, each story intricately woven together to depict the highs and lows of the human experience. From joy and sorrow to anger and wonder, this film captures the essence of what it means to be human, all brought to life by a single actor through a tapestry of characters.

The story centers around a small town entrepreneur named Maniram who makes a major profit by cheating people and selling them tainted food. His business is run by his daughter-in-law Tejo, who is married to Maniram's mentally challenged younger son. When Maniram's elder son comes back into town to get married, things start to go awry.

A young lawyer is involved with a ghostly woman in his new house, where the builder and his fiancée died shortly after it was built.

Shahjehan (a raw Rehman in one of his first releases) is approached by a Rajput chieftain, Jwala Singh, narrating the plight of his foster daughter, Ruhi (Ragini), who is blessed with unheard of beauty. This gives rise to an army of suitors, who indulge in violence to prevent her from getting married by scaring her to-be grooms. Her beauty, confined to four walls of Jwala's haveli becomes part of folklore, and street gossip, through the poetry of Sohail (Saigal) who accidentally catches her glimpse, and falls in love with her.

Set in present-day Lucknow, Gulabo Sitabo is a social satire about two impossibly peculiar human beings, Mirza Chunnan Nawab, who stays in a dilapidated mansion and one of the tenants, Bankey Rastogi.

To earn extra cash, Mickey helps couples break up — but life gets complicated when he falls for Tinni, a career woman with an independent streak.

Maharaja Sharminder Bhupathi of Avanti and his wife, the Rajmata, would like to see peace in the region, and would like their daughter, Alaknanda, to marry the prince of Gandharva, Aditya Vardhan. While in Gandharva, Aditya has plans of his own, for he loves a courtesan, Jaswanti, and would not dream of marrying anyone else, much to the disapproval of his brother, Ugrarao. Not to be outdone, Alaknanda loves a young warrior by the name of Vikram Singh. Acharya Abangdev of Avanti has plans of his own, which do not include Alaknanda, as he would like to take the region over and rule over it through Ugrarao. Then the unexpected happens, Aditya is reportedly killed by bandits, and Abangdev announces that Ugrarao be the next king, but at the very moment, Aditya shows up, is crowned the king, and makes sweeping changes to Avanti for the betterment of the people.

Satinder (Annu Kapoor), a film director with big dreams of working with famous stars, teams up with his friend Amar (Manoj Joshi), a struggling film writer, to find someone who can invest in their new film project. As the story unfolds, it takes us through a whirlwind of confusion, emotional moments, and loads of comedy.

The adventures of Kishore, a "James Bond 777" CBI agent, as he and heroine Sopa battle criminal mastermind "Boss" and his gang which includes whip-cracking Jamilla and a trio of highly trained dogs.

Thorny questions of love and sexuality take centre stage in this magical realist drama in which a genderless woodland being crashes into the lives of a jaded couple.

Rani is a child who is being brought up by her mother, Kamla (Asha Parekh) as her dad Rajendra (Rajendra Kumar) has gone out of town on business. Both mother and daughter live with their cruel and selfish relatives (Satyendra Kapoor and Lalita Kumari). They live with her abusive uncle. One day, Kamla gets the news that her husband is returning, and she is overjoyed. This joy turns to sorrow when she finds out that he has died in an accident. Shortly thereafter, she too passes away, leaving poor Rani at the hands of the cruel relatives. Her best friend Pappu (Master Abbas) tells her about Lalpari (Reena Roy). She succeeds to reach heaven with the help of Lalpari and manages to trick Yamraj (God of truth and death). However, Rani's father was only injured in the plane crash. Rani lives happily ever after with her parents. This movie also features the story of Cinderella and Gulliver's Travels in two songs.

This portrayal of the rhythm of life and work in a gigantic textile factory in Gujarat, India, moves through the corridors and bowels of the enormously disorienting structure—taking the viewer on a journey of dehumanizing physical labor and intense hardship.

1956 bollywood film

A poverty-stricken woman raises her sons through many trials and tribulations. But no matter the struggles, always sticks to her own moral code.

A stressed father, a bride-to-be with a secret, a smitten event planner, and relatives from around the world create much ado about the preparations for an arranged marriage in India.

1955 bollywood film

Ramji Tiwari and his sister, Parvati, had their parents pass away at an early age. Ramji is a skilled cook and is familiar with all aspects of vegetarian cooking. He arranges Parvati's marriage with the Mishra family, promises to pay a large sum of dowry, which he manages to get by promising to get married to a wealthy man's daughter.

Uma, the eldest daughter-in-law, strives hard to bring her estranged family together and keep her home intact.

Professor Brij Mohan Agnihotri is a confirmed bachelor. Period. No amount of pleading or even begging him to get married, has had no effect on him whatsoever. His reputation gets around, and he gets a young man named Rajesh, to wishes make him his mentor, to which Brij agrees. On a visit to his friend out of town, Brij meets with his beautiful daughter, Punam, and falls head over heels in love with her. Throwing all caution to the winds, he changes his appearance, and attempts to woe Punam, only to find that Punam is attracted to his student, Rajesh. Now the professor has to decide whether to get rid of his pupil altogether, or to reverse their roles and make him his mentor.

Pooja lives with her doctor husband and a young son. Her son becomes seriously ill and does not respond to any medication, her husband wants him to be moved to a hospital for further .