Die Söhne des Grafen Dossy

A peasant girl goes to great lengths to protect her child in 19th century Vienna. The film is considered lost, and only four minutes of footage are known to remain.

Boston Blackie Dawson gets some jewels that belonged to the imperial family of Russia. A gang of terrorists is after the jewels.

A free-spirited young girl has three middle-aged admirers, each of whom sees her from a completely different perspective. Unknown to her, they also happen to be the guardians of a wealthy young man to whom she is attracted. Only a small fragment of this film survives.

The story of two feuding Irish immigrant families living in a tenement.

William H. Thompson plays a likeable old lighthouse keeper who must contend with his less likeable fellow villagers. One of Thompson's acts of kindness is to bless the "scandalous" romance between hero and heroine.

The sequel to the 1935 film Great Bodhisattva Pass

When her husband Fred goes bankrupt, Lily Morton is forced to give up the trappings of wealth and move into a humble home while Fred attempts to fight his way back to prosperity. Resentful of her modest circumstances, Lily accepts her friend Marion Garland's offer to introduce her to Mrs. Farington, a woman who will pay handsomely for Lily's escort services. Lily goes to work for Mrs. Farington while her unsuspecting husband struggles to regain his former wealth. While managing an apartment house for one of his wealthy clients, Fred visits Mrs. Farington, a tenant, and, noticing a framed picture of Lily, asks to be introduced to the girl. Mrs. Farington arranges the rendezvous, and when Lily arrives, she is confronted by her enraged husband who chokes her to death. At this moment, Lily awakens from her nightmare, and chastened for her superficiality, begs Fred for forgiveness.

In Bagdad, Princess Badr al-Budur, the daughter of the Sultan, falls in love with Aladdin, the son of a poor tailor, and rejects the suit of evil alchemist al-Talib, her father's choice. Al-Talib consults his Evil Spirit, who advises him to find the magic lamp hidden in an underground cave. Unable to get it himself, al-Talib hires Aladdin, who secures the lamp but keeps it when he realizes al-Talib's wickedness. With wealth obtained through wishes, Aladdin courts the princess. After the lamp changes hands between al-Talib and Aladdin, al-Talib steals it and abducts the princess to the desert. Aladdin follows with only a gourd of water. Suffering from thirst and exhaustion, Aladdin nearly succumbs, but the horsemen of the Sultan, who learned of his daughter's abduction, ride up and rescue Aladdin.

A prosperous small-town peddler accedes to his family's wish to move from their secure existence to the uncertainty of New York City. It proves fruitless and eventually his kin sees the error of their ways and return to their true home.

This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.

Roseanne (Ethel Clayton) has grown up near some diamond mines in South Africa. As a child, she became ill and a Malay nurse, Rachel Bangat (Fontaine La Rue) promised to cure her. That she did, but she also worked some voodoo on the child, who, as a grown up now displays a powerful desire for diamonds and the ability to throw evil curses on those who displease her.

Avis Langley's dying mother begs her to look after Avis's errant brother and continues after death to reappear in spirit form to remind Avis of her promise. Avis follows her brother to New Zealand in hopes of protecting him from his own ways, but on the trip tragedy apparently strikes.

Jaffery Chayne is the spectacular one of four chums, the others being Hilary Freeth, a literary man, Adrian Boldero, a short story writer, and Tom Castleton, a playwright. The story opens with Tom Castleton going on a voyage for his health and leaving with his friend, Adrian, the manuscript of the first novel he ever attempted. Shortly after Castleton's trip, he dies at sea and when word is received by Adrian of his friend's death, the temptation to secure the girl he loves by publishing his friend's novel and taking the money and credit from it is so strong that he succumbs and becomes the "literary lion of the hour."

Flowers Belated

Behind The Doors Of The Salon

When seaman Matt Peasley and his friend, Murphy (Hugh Cameron), go ashore in San Francisco, they save Florrie Ricks (Agnes Ayers) from a couple of robbers. Matt falls in love with Florrie, whose father is ship owner Cappy Ricks (Charles S. Abbe).

Lawyer Hanover Priestley plots with his friend Henry Winkley to marry off young heiress Leila Calthorpe to Winkley's nephew, John Warren. When John refuses, preferring to select his own wife, they lure him east by a false report of Winkley's death. Indignant at his rebuff, Leila disguises herself as Perkins, a maid, and romances him, leading him to believe that Aunt Agatha is the heiress. Complications develop, and after saving her from a fire John discovers her identity and agrees to marry her.

Eve Orrin is at the mercy of her possessive mother, who has a case of "nerves" every time her daughter tries to show a mind of her own. Mrs. Orrin and her friend, Mrs. Marchant, have determined that Eve will marry Mrs. Marchant's milquetoast son, Henry, and Eve is willing to go along with it just to placate her mother. But Eve herself finally has an attack of nerves, and she falls in love with Doctor Harmon, the physician called in to care for her.

A lottery win of $5,000 forever changes the lives of a miner turned dentist and his wife.

Just as Galeen and Wegener's Der Golem (1915) can be seen as a testament to early German film artistry, The Story of the Kelly Gang (1906) symbolizes both the birth of the Australian film industry and the emergence of an Australian cinema identity. Even more significantly, it heralds the emergence of the feature film format. However, only fragments of the original production of more than one hour are known to exist, preserved at the National Film and Sound Archive, Canberra; Efforts at reconstruction have made the film available to modern audiences.