Die Söhne des Grafen Dossy

Die schönsten Beine von Berlin

Nell, a beautiful mountain girl, is a member of the Serviss family, rivals of the neighboring Rutherford family. Nell is engaged to Jim Serviss, who is the head of their clan, but when, by accident, she meets a stranger who has come to stay with the Rutherfords, they become infatuated.

Janet Hall (Ethel Clayton) is "wronged" by Henry Dalton (Montagu Love) and becomes pregnant. She has the child and begs Dalton to marry her but he refuses. However, when he comes to a sudden end, he leaves her with a cottage and a small income. Then she meets and falls in love with Dale Overton (Irving Cummings), a minister who's fond of preaching the virtues of charity and forgiveness.

The Marsh Flower

In a prologue and four acts (the prologue and the first act are lost so is necessary to describe what happens with title cards) the film depicts the terrible dream of Asmus wherein the devil joins the human world disguised as a tinker. He meets Frau Ane, Asmus' wife; Ane yearns to have a baby but in vain so the devil takes advantage of Frau Ane's motherly inner desire by making a deal with her but for his own purposes. As a result, the farmer's wife comes under the devil's spell and then seduces the local priest, giving the devil to chance to build his own church to replace the old church that has burned down.

Casanova

The incidents of this story are some of those preceding and leading up to the Civil War in 1861 and the Declaration of Emancipation. The central figure in the drama is Uncle Tom, a slave initially in the possession of the Shelbys of Kentucky. A 1927 re-release of this film cut the original runtime in half, and in its extant, fragmentary state, it runs 14 minutes.

A policeman falls for a teacher, and befriends her students. A gang of bootleggers threatens his newfound joys.

A grease monkey discovers a defect in an auto engine being turned out by his employer. But since our hero discovers this only after losing an important race, his boss chalks up the loss to Fairbanks' supposed cowardice.

The son of a wealthy farmer loves a simple maid, for which he's booted out of the house by his father.

Die blaue Maus

A love story between a poor scholar and wealthy woman.

In a small provincial town there is a hotel run by one of those eccentric cooks of long ago who made generous meals that have nothing in common with the extravagant restaurateurs of nowadays and their meagre menus. The manager is named after Alexander the Great and in his restaurant the town bourgeoisie meet and discuss various issues, especially matters of the heart. Morals are part of the conversations and prove to be complicated issues even for strict and serious Nordics. 28 minutes of runtime are missing and presumed lost.

Kanji is a poor peasant widower who struggles to earn a living for his daughter and himself and to pay off his father-in-law's debts.

Rafael Sabatini's story of the swashbuckling era and of Bardeleys, the handsome courtier who could win any woman he set his mind to...and was not above boasting about it to all who would listen.

The long dead ancestress of a noble family returns to haunt her last two remaining descendants. She can not rest until the entire family line has passed away. When she reappears, the household knows it is an ill omen. The patriarch of the family is old, and without a son. He is eager for his daughter to marry. She has her eye on a handsome young nobleman named Jaromir, but he isn't quite who he appears to be. This may be the opportunity the restless spirit has been waiting for for so long...

On a farm in up-country Sweden, an enigmatic stranger comes to a conservative peasant community and seduces a farmer's wife.

A partially lost film, with only one surviving reel. A movie released in 1914 directed by Edwin S. Porter.

Sorvanets

Come Along, Do! is an 1898 British short silent comedy film, produced and directed by Robert W. Paul. The film was of 1 minute duration, but only forty-some seconds have survived. The whole of the second shot is only available as film stills. The film features an elderly man at an art gallery who takes a great interest in a nude statue to the irritation of his wife. The film has cinematographic significance as the first example of film continuity. It was, according to Michael Brooke of BFI Screenonline, "one of the first films to feature more than one shot." In the first shot, an elderly couple is outside an art exhibition having lunch and then follow other people inside through the door. The second shot shows what they do inside.