El Fool Sadeeqi

In the Salinas Valley in and around World War I, Cal Trask feels he must compete against overwhelming odds with his brother for the love of their father. Cal is frustrated at every turn, from his reaction to the war, how to get ahead in business and in life, and how to relate to his estranged mother.

Eva is a career woman who loves her job and hates beans. In the aftermath of rejecting a marriage proposal, Eva finds herself increasingly tormented when a sentient can of beans sets out to ruin her life. Fighting to maintain her autonomy, Eva endures the bean’s tactics until she must make a choice: betray herself, or die.

The accidental breakdown of an irrigation valve launches a hot confrontation between the mainly Latino farmers in a tiny New Mexico town and the real estate developers and politicians determined to acquire their land for a golf resort.

Sunday morning values, Saturday morning fun! It’s a tale of good versus evil with beans! Lord of the Beans follows the fantastic journey of a Flobbit named Toto Baggypants (Junior Asparagus) who inherits a most unusual and powerful bean. With the help of his mentor Randall and a spirited group of friends, Toto embarks on a mission to discover how he should use his gift. On their quest, the group encounters many challenges, including crossing the mountains of Much-Snowia, and facing the dreaded Lord Scaryman – who seeks the bean for misguided, selfish reasons. Will Toto discover the purpose of his giver, or will the scary dude and his Spark army capture the bean and wield its awesome powers?

W.C.Fields enters the Warmer Bros. Studio. Beans tries to drive in, but the guard throws him and his car against a tree. Charlie Chaplin drives in, followed by Oliver Hardy on foot - but we see that it's really Beans in disguise. Oliver Owl is directing a picture; Beans sneaks onto the stage. He's watching from a catwalk when someone knocks him off, into the middle of the scene. Beans is thrown off the set, right into the set of a Frankenstein movie. He accidentally brings the robotic monster to life, and it crashes into the original studio, eating the camera. Beans tries to stop the monster, but is sent flying. He lands against a wind machine. which chops up the monster.

Two couples go on a boating holiday together, and run into some strange people and events.

The Bean Pit follows Barold, a disgruntled employee working for BP (Bean Pit) Beans. His day begins like any other, running routine inspections on the Infinite Bean Pit with his co-worker Benny. What first starts as a “normal” day at work quickly devolves into chaos as Barold inadvertently witnesses the terrors that his corporate overlords are trying to hide. Barold finds himself entangled in BP Beans’ web of conspiracies, and can’t seem to find his way out.

In an age of darkness and despair, a century of pain and suffering, a hero rises from the ashes of known civilization and defeats the forces of evil. And just who may this hero be? BEAN BOWL!!!!!!!!!!!!

Bottleneck is an experimental video which is, in part, a reflection on borders. Using a jar of sprouting Mung beans as a metaphor it takes into consideration contemporary manifestations of national borders as they relate to regional and international growth and movement. This video emerges from questions such as: Who gains access? How does water transform a space and its borders? Who can move freely and access resources? What moves in and out of a given space and the boundaries that attempt to demarcate and contain it?

During his acceptance speech for a lifetime achievement award, Nicolas Chauvin – a farmer-soldier, a veteran of the Revolutionary Army and the Napoleonic Wars, “father” of the chauvinism that bears his name – embarks on a monologue and recounts his life story. At the bend of a road, a spectral encounter shocks his (non-)existence.

The young girl Lisbet lives on the farm Tolfmansgården together with her mother, her older brother Jerker and their grandparents.

In a remote and dark place in the outback of Western Australia, the wanted man Leon Murphey (Ben Mortley) leaves his family in a bid to ensure their safety. While being transported by Captain Dalton (Michael Muntz), Leon's daughter is captured by the cruel Maitland (Steve Turner). The journey soon becomes a chaotic tale of revenge and murder within the ever-changing terrain of Western Australia.

Horticulture professor Happy arrives in Shanghai and the other Happy along with husband Guddu also lands up in the Chinese city at the same time. Gangsters who’ve come to kidnap Happy and her husband, pick up the wrong Happy, while Guddu and his wife Happy are escorted to a university to deliver a lecture.

In the midst of a creative crisis after years of making short films, a group of friends foolishly endeavor on a way to break out of their seemingly hopeless situation: make their first feature film with no money, credibility, or talent.

Material from this film (as well as other sequences previously shot but never used in other films) were eventually edited into what became Period Piece in 2006.