Underground

Curt, a depressed student is at the end of his school year in university. As he gets ready to leave his dorm-room, something in Curt's mind goes wrong. He is surrounded by some friends and many people he dislikes. On Curt's last day at school he pulls out his guitar case, but inside is not a guitar rather an instrument of death, and what he is about to do with it will cause a huge uproar of screams and distress. In the end, Curt is looking down the sight at one of his best friends. Will Curt pull the trigger?

A sci-fi film about futuristic Africa, 35 years after World War III, 'The Water War'.

Young James struggles as an outsider at his school. His teacher, Mr. Sutherland, is the only person he feels he can connect with. When James finally puts a voice to his feelings, Mr. Sutherland's response isn't what James had hoped for.

One night, five teens and a deck of cards. Deception. Revenge. Sex. And it's all about to explode.

They go sledging behind a car. They earn extra by fixing the roof of a neighbor's house. They are young and want to fulfill their dreams, but before them an uncertain future prevails. We are there as one of them, equally present, equally absent.

An old lady in a nursing home is visited by a mysterious man no one else seems to be able to see.

Laura and her mother are spending their vacation on the seashore, in Sao Paulo, at a middle-class beach house. Laura's adolescent body is changing but not in harmony with her coming of age. She's less bothered by that than the situation the two of them find themselves in.

Stanley Kubrick’s first color film, commissioned by the Seafarers International Union to promote the benefits of union membership. Shot inside the union’s Atlantic and Gulf Coast District facilities, it features scenes of ships, machinery, cafeteria life, and meetings, highlighting the daily routines and camaraderie of seafarers. Thought lost for decades, the film was rediscovered in 1973 and preserved by the Library of Congress.

A tomato is planted, harvested and sold at a supermarket, but it rots and ends up in the trash. But it doesn’t end there: Isle of Flowers follows it up until its real end, among animals, trash, women and children. And then the difference between tomatoes, pigs and human beings becomes clear.

A man prepares and goes to work in a bizarre world, where the meaning of human workforce is taken to another level.

Wanda is a short story of feline and feminine desire. In this delightful piece composed of video animation and live-action footage in Super and Video 8 the narrator reflects on the unrestrained behavior of her cat in heat.

The term "The Weir-Falcon Saga" appeared to me, night after night, at the end of a series of dreams: I was "true" to the feeling, tho not the images, of those dreams in the editing of this and the following two films. The three films "go" very directly together, in the order of their making (as listed); yet each seems to be a clear film in itself. At this time, I tend to think they constitute a "Chapter No. 2" of The Book of Film I've had in mind these last five years (considering SCENES FROM UNDER CHILDHOOD as Chapter No. 1); and yet these "Weir-Falcon" films occur to me as distinct from any filmmaking I have done before. (Stan Brakhage)

A small curious bird tries to impress a new friend.

In 1977, Prince Charles was inducted as honorary chief of the Blood Indians on their reserve in southwestern Alberta. The ceremony, conducted in the great Circle of the Sun Dance, commemorated the centennial anniversary of the original signing of Treaty 7 by Queen Victoria.

Two disparate strangers, a Gen Xer and a Millennial, form an unlikely bond on a rooftop after both experiencing traumatic situations.

Abysse

A wandering warrior finds an unlikely friend in the form of a young dragon. The two develop a close bond, until one day the dragon is snatched away. She then sets out on a relentless quest to reclaim her friend, finding in the end that her quest exacts a far greater price than she had ever imagined.

The Dreamers (1985) is a posthumous short film assembled by Oja Kodar from unfinished footage directed by Orson Welles in 1982. Edited after Welles’s death, the film derives from fragmentary material intended for an uncompleted adaptation of stories by Isak Dinesen. The 1985 version represents an editorial assembly rather than a completed work authored by Welles, presenting selected footage in a reconstructed form for archival circulation. (Note: This is a posthumous editorial reconstruction. The original 1982 project exists separately as an unfinished Welles work and was never completed or released by him.)

A Canadian returns to find his fiancée is married and schemes revenge.

The scattered families gather and visit their mother.