Nous, ouvriers : «Nos cœurs battent encore » (1983 à nos jours)

Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.

Filmed in the Inner Mongolian portion of the Gobi Desert, this film follows a group of oil field workers as they go about their daily routine.

4, April, 2014. Worker's who worked in "SaengTak" are get to the struggle to require adjust of working environment for safely food, and guarantied a Three Right of labors. Then. Worker's tried to record there's own struggle and launch forth to street, However, Law, Capital, unconcern of crowd and avoid of famille are swallow up them.

CARNY is an intimate, gritty and poetic adventure following the lives of 'carnys' - traveling fairground workers whose experiences are outside the normalcy of most North Americans.

In suburban Buenos Aires, thirty unemployed ceramics workers walk into their idle factory, roll out sleeping mats and refuse to leave. All they want is to re-start the silent machines. But this simple act - the take - has the power to turn the globalization debate on its head. Armed only with slingshots and an abiding faith in shop-floor democracy, the workers face off against the bosses, bankers and a whole system that sees their beloved factories as nothing more than scrap metal for sale.

Not everyone sleeps at night in Zagreb. An exploration of various night-time jobs.

In 1977, the workers of the INAVE vehicle assembly company went on strike. This strike was declared legal, one of the few registered in the country. This strike was also a strike that demanded great sacrifice from the workers. It lasted more than three months, more than three months without pay and in constant struggle, until the strikers finally achieved their victory.

Take a deep dive into the booming, scantily-clad barista coffee shop scene in Seattle where sex sells - your morning coffee. But behind the intrigue of lingerie and java lurks a darker side, where female "bikini baristas" struggle with the troublesome and inappropriate behavior of their male clientele. At what cost are merchants willing to foster a culture of sexual harassment and use sex to push profit?

A documentary that invites the viewer to immerse themselves in a intimate and thoughtful walk through Poblenou Cemetery in Barcelona, better know as "El Santet", to see what is happening at its surrounding areas and, especially, inside: work, buildings, people watching over those who are no longer here, cemetery workers... A trip through a space that is closer than we think.

Nous, ouvriers : « Nos rêves ont façonné la société » (1963-1983)

Railroad of Hope consists of interviews and footage collected over three days by Ning Ying of migrant agricultural workers traveling from Sichuan in China's interior, to the Xinjiang Autonomous Region, China's northwest frontier.[1] Through informal interviews aboard the cramped rail cars, Ning Ying explores the hopes and dreams of the workers, many of whom have never left their homes before.

In a village in Belgium, the earth opens up, letting out the voice of a man, a stone worker. His fingers sculpt and carve, but the flashes of stone stop at the walls of a small workshop attached to his house. Each blow of his chisel rips a piece of history, of conscience, of struggle into oblivion. Meanwhile, not so far from his workshop, the quarry, without age, without memory, advances, devours the surrounding houses, the streets, the town, the roots...

November 2017, North of Paris : H. Reiner-Onet cleaning company workers are fighting an exemplary battle. This 45 days strike, one of the longest in the history of the French railway, led by these men and women, ended in a decisive victory against two giants, Onet and the SNCF. One of the most impoverished sectors among railway workers, they had no previous experience with striking or organized struggle. How did they pull such a victory ? Their dermination to fight was undoubtedly the key to winning, but so are the links they forged with revolutionary activists who brought with them a tradition of fighting for workers against employers.

This raw, gutsy portrait of New York's Chinatown captures the early days of an emerging consciousness in the community. We see a Chinatown rarely depicted, a vibrant community whose young and old join forces to protest police brutality and hostile real estate developers. With bold strokes, it paints an overview of the community and its history, from the early laborers driving spikes into the transcontinental railroad to the garment workers of today.

Numerous people are on subway trains running up and down the city center endlessly. There are people who run this decent space “underground”. Under the noisy world today, we approach them to see what life is like underground.

What happens when subcontracted precarious workers turn into podcast DJ. Subcontracted precarious workers at the SK Broadband, Inc. began a podcast titled ‘Workers Have Changed!’ to broadcast the story about their strike for job security. The podcast studio becomes a theater of their life as they share their stories - daily hardshipsof subcontracted labor, coping with rude customers, and their futures and dreams.

Raymond Roy is a 64-year-old idealist, an energetic social activist ready to give everything he has to those living on the edge: the alienated, impoverished and exploited members of society. Raymond is also a priest, doing what he has wanted to do ever since he was a teenager. Filmmaker Serge Giguère paints an intimate portrait of a man who has spent 30 years fighting for an alternative vision of life in his community. The film is a blend of cinema vérité and social history that provides a view of the man and his work from without and within, from the poetry of his personal diary laced with doubts and self-criticism, to the many achievements of the community groups he helped. Filming over several years, Giguère gives us a sense of the changes in values and attitudes of those who run our society, along with the role of the community groups who provide solutions, inspiration and a sense of renewal.

For decades, migrant workers have worked the fields of Immokalee, harvesting tomatoes, peppers, eggplants, oranges and other produce that is then shipped across the United States of America. Many of the workers are undocumented, and attempting to keep their jobs even as federal migration crackdowns hover over the town. The Fields of Immokalee film follows the daily lives of tomato workers, from the 5:00am trips to the parking lot in hopes of finding day labor, to work sessions in the scorching mid-day heat, to child detention centers for migrant youth that have been separated from their families. Via these vignettes, the film offers insight into the most volatile political issue of our time.

Three women share their experience of navigating the app-world in the metro city. The sharings reveal gendered battles as platform workers and the tiresome reality of gig-workers' identities against the absent bosses, masked behind their apps. Filmed in the streets of New Delhi, the protagonists share about their door-to-door gigs, the surveillance at their workplaces and the absence of accountability in the urban landscape.

How Finnish immigrants came into contact — and conflict — with industrial America. Three generations of Finnish-Americans recount how they coped with harsh realities by creating their own institutions: churches, temperance halls, socialist halls, and cooperatives.