Arima Neko

This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.

Alice Guy's version of Edgar Allan Poe's The Pit and the Pendulum. This film is partially lost.

A man is increasingly unnerved by a mysterious portrait. Based on a story by Nikolai Gogol, the film is thought to have run about 45 minutes long, but only an 8 minute fragment is known to have survived.

Whilst documenting his life as a lowly intern, James Parker (James Powell) uncovers the long forgotten film, The Street Walker. Desperate to make a mark on the film industry and to prove his ever-doubting parents wrong, James endeavours to complete the unfinished horror movie, resulting in a murderous obsession.

A quintessential example of the period "ghost cat" (bakeneko or kaibyo) movie, this was one of at least six such titles released by the studio Shinko Kinema between 1937-40 featuring Japan's first scream queen, Sumiko Suzuki. Here she plays Mitsue, the possessive onna-kabuki actress betrothed to apprentice shamisen player Seijiro. When one day Okiyo, a beautiful young girl of samurai class, is led to Seijiro's house by his lost cat Kuro, she becomes besotted with him. Dark jealous passions are invoked in Mitsue, which are intensified when Seijiro gifts Okiyo his precious shamisen. The cat is the first to suffer at the end of Mitsue's hairpin, but returns from the grave to assist Okiyo's younger sister Onui avenge her sister's murder.

A man takes a job at an asylum with hopes of freeing his imprisoned wife.

The long dead ancestress of a noble family returns to haunt her last two remaining descendants. She can not rest until the entire family line has passed away. When she reappears, the household knows it is an ill omen. The patriarch of the family is old, and without a son. He is eager for his daughter to marry. She has her eye on a handsome young nobleman named Jaromir, but he isn't quite who he appears to be. This may be the opportunity the restless spirit has been waiting for for so long...

Nabeshima Naoshige murders his lord, Ryuzoji Takafusa, seeking to gain power and steal his Lord’s wife. To avoid her fate, Lady Takafusa drowns herself along with her cat in a nearby marsh. A decade later, Naoshige’s efforts to steal another woman trigger a curse on him when she also commits suicide at the same marsh — forcing him to suffer the consequences of his past actions.

In a dream Uncle Jack looks through a magic telescope owned by the ghost of a hermit and sees what life was like millions of years ago, including a battle between prehistoric monsters.

Setting the standard for his later light-hearted biopics The Private Life of Henry VIII and Rembrandt, producer-director Alexander Korda steadfastly refuses to take any of The Private Life of Helen of Troy seriously. Maria Corda, wife of the director, plays the title character as a fetchingly underdressed coquette, oblivious to all the political turmoil she's causing when she allows the handsome Paris (Ricardo Cortez) to kidnap her. Meanwhile, poor King Menelaus (Lewis Stone), Helen's husband, stands by in stoic silence, just as he's done on previous occasions when his wife succumbed to the charms of various sexy suitors (one of whom is played by future cowboy star "Wild Bill" Elliot). Finally galvanized into action, Menelaus reclaims his bride, who seems none the worse for wear for her experiences.

The Husband Hunter

An inventor, David Hammond is the son of a ship's captain. He leaves his sweetheart, Lisbeth Bixler, and goes to the city to promote his invention. Lisbeth's father, an unsuccessful artist, deserts his family, secretly intending to commit suicide.

Outlaw Hawk Parsons, notoriously successful in his pursuits, has been caught by the local sherif of a New Mexico town in the 1850s. The overly prideful sherif and his lawmen are outsmarted and Parsons escapes. In the desert, he falls in with a reverend, his wife, and their group of missionaries, who hope to establish a church. After coming under attack by a tribe of Native Americans, Parsons strikes a deal: in exchange for the safe keeping of the missionaries, he takes the reverend's wife for himself. Ultimately a parable of Christian values, the film's narrative establishes and overcomes obstacles that test the virtue of men in the American West.

Pod oblomkami samoderzhaviya

A young woman, a prisoner who was dressed to steal by her lover, is in jail. She would like to see her sweetheart. One night she succeeds in persuading the doctor of the prison who also is a woman, to be released. She finds the man, a waiter in an elegant hotel, behaving as a cynical Don Juan, he was preparing to rob the safe of the hotel and go away with his new lover, a dancer. This dancer suffers a fatal accident.

A Pacific Island romance about a young adventurer, Stephen Conn, and his love for Luya. Only several scenes survive, although heavy nitrate damage is visible. It was shot on location in the Fiji Islands with interiors at Australasian's Bondi studios in Sydney. The film had many native extras and three American players (Burns, Roberts and Long). The script for the film was written by Norman Dawn from the novel, "Conn of the Coral Seas", by Beatrice Grimshaw.

Philandering husband George Montfort purchases railroad tickets for a weekend tryst in the mountains with his latest paramour. When his wife Yvonne finds the tickets, George hastily explains that they were bought as an anniversary present for her. Yvonne doesn't believe George, but she decides to use her ticket anyway, while George remains behind in Paris on "business."

A nobleman seeks to rescue his bride, who has been kidnapped by his former lover and a bandit.

Pastor Talnoх furiously urges the flock to fight temptations, but he himself becomes a victim of temptation. In his house appears Satan, pushing the hero to theft and spiritual fall.

Devdas, the son of a zamindar, and Parvati, his neighbour's daughter, are childhood sweethearts. However, class and caste differences prevent their marriage. Devdas is sent off to Calcutta, while Paro is married off to an aged rich widower. In Calcutta, as remorse drives him to alcohol, Devdas meets Chandramukhi, a prostitute. All Indian prints of this Bengali version were destroyed in a fire that ravaged New Theatre’s studios. Today, only one copy of the film survives which belongs to the Bangladesh Film Archives. Of that copy almost forty percent is destroyed.