Personal Drawing of a French Mercenary

Christine’s father died when she was still a small child, and she remained in the care of her sadistic mother, who beat her and abused her psychologically. Christine is still convinced that her mother hid a farewell letter from her beloved father. Jean’s father committed suicide several years ago, and left behind a lengthy letter, but Jean never found the courage to read it. Together, Christine and Jean embark on a unique road trip across the French countryside to visit Christine’s mother, and try to confront the past.

Filmmaker Froukje van Wengerden’s 86-year-old grandmother shares a powerful memory from 1944, when she was just 14. As her story unfolds, we see a group of contemporary 14-year-old girls. Their procession of portraits permits the spectator to see simultaneously forward and back, into the future and towards the past. A miraculous testimonial that uses eye contact to focus the viewer inward and evoke unexpected emotions.

Alongside André Kertész and Man Ray, Germaine Krull invented the New Vision in photography, an innovative way of seeing and revealing the modern world. Recognized by the art world as one of the greatest photographers of the 20th century and a pioneer of photojournalism, Germaine Krull remains little known to the general public. Portrait of an artist, a great lover, and a free woman.

Documentary about what makes a house a home.

Joni Mitchell has been called the queen of folk music and one of the biggest pop stars of the 60s and 70s. Even today, her lyrics and unique guitar style continue to inspire new generations of singers and songwriters.

Loïc Léry, du flingue au stylo

This documentary looks back on a career of a woman who, very early on, refused to accept the roles assigned to her. In the 1980s, while others were trying to please, she wrote "Les hommes préfèrent les grosses" (Men Prefer Fat Women), a manifesto ahead of its time, funny, feminist, and blunt. Later, with "Gazon maudit" (Damned Grass), she tackled homosexuality with a freedom that is still shocking today.

Danielle Mitterrand, une certaine idée de la France

In turn, the medical community has been affected by the post #metoo movement denouncing sexual violence against women. It was about time. Assaults and rapes perpetrated behind closed doors in doctors' offices have gone unpunished for too long. For a victim, reporting them is almost as difficult as recounting incidents of incest. And the medical councils, which are mainly made up of men, have long turned a deaf ear to patients' complaints. When cases are brought before the courts, the justice system also struggles to prosecute these rapists. Recently, practices and names have been made public, complaints are multiplying, and women are daring to speak out. Could this be the end of complacency towards these criminals in white coats?

Alix left his native island, Martinique, and its musical culture, to study opera singing in Paris. Portrait of a young man who now embraces all his singularities: his rare countertenor voice, his kohl and his done nails. He works hard to realize his dream of becoming a professional artist.

Once upon a time there was a morning, noon, evening and night when the inseparable shadows of man told us about memory... Interview with Ousmane Sow, life sculptor, for the first part of a series entitled Black Memory.

When Ines died, she left a very particular legacy, 10 books that read 'For my children'; it was the story of her life. Marked by a youth idyllic love, Ines was forced to marry a violent and womanizer man with whom she had 20 children. In the 50s, she managed to get divorce and 20 years after her death, Luisa, great-granddaughter of INES, reads, rescues and makes visible her history.

In this intimate portrait addressed directly to Hélène Hazera, filmmaker Judith Abitbol revisits a key figure of France’s countercultures from the late 1960s to the 1990s. A member of the Gazolines and the FHAR (Homosexual Front for Revolutionary Action), Hazera was a tireless LGBTQ activist who founded Act Up’s Trans and AIDS commissions—one of her proudest achievements. Her true victory, however, was becoming the first transgender journalist at a major national newspaper (Libération), and later a producer at Radio France and France TV. Through her story, Abitbol reconnects with the insurrectionary spirit and creative chaos of those decades—an era when French culture was shaken by radical imagination, humor, and defiance. The film celebrates these modern Antigones who dared to live their desires beyond the reach of any law.

À ton tour Mireille

Eric Escoffier, la Fureur de Vivre

“Let them eat cake!” laughs a Marie-Antoinette from the dunes... Gaëlle loves to dress up. Under her wigs, Gaëlle plays with codes and the surprise her appearances provoke. Each of her wigs explores a part of her femininity, her self-confidence and her relationship with the gaze of others... Above all, all her wigs hide a secret.

Saud now lives in Paris, caring with devotion and tenderness for his two young children while closely following the drama in Gaza. “It's hard to be far away.” He speaks sadly of his situation as a Palestinian citizen of Israel. When he accompanies his daughter to school, they both stick up placards for the liberation of Palestine...

Kirill can never see his hometown again: he fled Russia when Ukraine was attacked. His friend, Daniel, makes the journey and “cans Moscow” for him. Kirill discovers his “reconfigured” apartment; his bicycle hanging on the wall watches over his remaining comrades. In snowy Moscow, the lights are shining for the holidays. Kirill looks at the images: engulfed passers-by, war posters: “This is not my city”.

Michel Blanc, sur un malentendu

Zina left Algeria to fulfill her childhood dream of driving trucks. At every turn, her cabin becomes a space of freedom and the highway a battlefield.