Gatwick - The Last Chance Hotel

Et glas vand til Johnie

Every day, on the streets of Canada's cities, we pass them on our way to work or school. Bums, beggars, winos, bag people we call them. But who is the person at the end of that outstretched arm? What is life on the street really like? Is there a way off the street? For six years, director Daniel Cross followed the lives of three homeless men who spent much of their time in and around a Montreal subway station. Filmed in a cinema verité style, the film is unique: it humanizes the homeless, breaking down the barrier between us and them, neither moralizing nor offering easy answers. This is a gritty, compelling look at life on the streets that moves beyond the media stereotypes to show both the humanity of the homeless and the street-toughened aspects of their existence.

49 Up is the seventh film in a series of landmark documentaries that began 42 years ago when UK-based Granada's World in Action team, inspired by the Jesuit maxim "Give me the child until he is seven and I will give you the man," interviewed a diverse group of seven-year-old children from all over England, asking them about their lives and their dreams for the future. Michael Apted, a researcher for the original film, has returned to interview the "children" every seven years since, at ages 14, 21, 28, 35, 42 and now again at age 49.In this latest chapter, more life-changing decisions are revealed, more shocking announcements made and more of the original group take part than ever before, speaking out on a variety of subjects including love, marriage, career, class and prejudice.

A cinematic portrait of the homeless population who live permanently in the underground tunnels of New York City.

Two unhoused men turned community leaders— John and LaMonté —organize their neighbors in the face of displacement, addiction, and a failing social system.

People experiencing homelessness, social work professionals, and film artists join forces to transform fragments of real life into fictional short films.

Through interviews with people on the street and songs recorded to memorialize JFK in the mid-1960s, the film explores the impact of the November 22, 1963 assassination on issues in today’s world, from lingering conspiracy theories to the proliferation of gun violence, homelessness, and the scourge of K-2.

On June 13, 1978, the punk bands the Cramps and the Mutants played a free show for psychiatric patients at the Napa State Hospital in California. We Were There to Be There chronicles the people, politics, and cultural currents that led to the show and its live recording.

Beat Goes On is an impressionistic portrait of the activist Keith Cylar (1958–2004), co-founder of Housing Works and a central figure in the AIDS Coalition To Unleash Power (ACT UP) NY. Cylar spoke clearly, frequently and with moral force about the struggles of people living with HIV/AIDS in New York City, many of whom were impoverished and struggling with multiple social and medical problems. His openness about his own drug use and the centrality of the fight against the criminalization of drugs for AIDS activism make Cylar's legacy especially resonant and relevant at this time. Commissioned by Visual AIDS in 2019 as part of STILL BEGINNING, a program of seven short videos responding to the ongoing HIV/AIDS epidemic.

Altpieschen

Los Angeles' Skid Row is home to one of the largest homeless populations in the United States. And we found, inside that community, the remarkable and enormously moving stories of Olympic athletes, Harvard attorneys, accomplished musicians, scholars. We found poverty, drugs and mental illness, of course - but more importantly we found life, hope and incredibly powerful human journeys.

An inspiring feature documentary film about overcoming homelessness and addiction in the City of Los Angeles.

Following director Rotimi Rainwater, a former homeless youth, as he travels the country to shine a light on the epidemic of youth homelessness in America.

Johnny and Goyko were once homeless and are trying to tell their story in a film. It's not an easy road to rediscover the legitimacy of sharing your story. Together, we question the special bonds that documentary filmmaking creates.

The UN estimates street children worldwide at 150 million. In Latin America, they are 40 million. In Brazil, street boys and girls felt so enchanted by a camera that they took it as their own to express themselves and fight the silence.

La face cachée de l'aéroport CDG la nuit

Filmed over a number of years, David Vondráček’s powerful documentary records the lives of Jan and Jana, a homeless couple who find refuge in a cemetery in the Prague borough of Strašnice. Living on food from garbage containers and trading the books and porn magazines they find there, they nonetheless live lives of independence, love and humour. Jana, a former prostitute, tries to visit her daughter while Jan visits his aged mother after many years, but both fail to re-establish links with their past. Through identification with their everyday world, Vondráček reaches the human reality and complexity beneath the surface, a world not so different from that of the supposedly successful. Eventually, they are expelled from their temporary home with heartbreaking consequences. Vondráček’s award-winning documentary reveals the breadth of experience – even vibrancy – surviving in the world of the dispossessed.

SHELTER IN THE CITY is a documentary about homelessness that focuses on a father’s heartbreaking struggle to get his mentally ill son off the streets of New York City. Nominated for an Emmy award.

Shot in the aftermath of the 2010 Haiti earthquake, the documentary looks at what really happens with the money donated to help with disaster aid.

A look at the homeless problem in Manchester