Sergeant Keroro: Kero 0

Marsha McDevitt, Thuy N. Tran, Kevin Reagh & Marla Schweppe — Chimera ISEA Symposium Archives: [FISEA 1988]

While at the park, a group of birds engage in a swimming contest. Another cartoon by Warner Brothers promoting a song from its movie "Gold Diggers of 1933".

A tailor aides his king, who is threatened by a giant and a swarm of bees.

To win a frantic 100m dash, 5 heroic sprinters transform themselves into savage beasts.

A comic film about traditional Caucasian hospitality.

People’s body and soul transform into big a cloud, and are mixed with erotic shapes.

This haunting animation film, rich with symbolism, is the filmmaker's plea for a peaceful world in which to raise his newborn son. Using the menacing imagery of the howling wind, the artist provokes viewers to reflect on the insanity of war. While the film is symbolic, its message is unmistakably clear: unless there is an end to conflict, we will continue to see our children swept away like leaves in the wind.

Short experimental film by Naoyuki Tsuji.

Short film from animator Tsuji Naoyuki, who is known for his use of both charcoal and puppet animation. Wake Up is a dark and brooding animation epitomizing his story telling style by combining serene worlds and childlike images with darkness and nightmarish scenes.

A cartoonist falls asleep at the drawing board and into the clutches of his own villains, until Beans the Cat comes to the rescue.

A small creature travels through a well, hanging on a bubble and encountering various other strange life-forms.

Yujin breaks her glasses and visits an optician. During an eye exam, she sees a house in a field and finds herself inside. There, she meets three shadow selves, reconciles with them, and gains a new perspective. Finally, she leaves the house and gets new glasses.

Aladdin is a child laborer who works for a guy that exchanges "new lamps for old". This guy swaps a "new" lamp for 2-3 replacement old lamps, then brings back the old lamps for Aladdin to polish and make look like new. One day Aladdin sees a princess riding by as he looks out the window, and he falls for her. But then he must return to his lamp polishing...

Pirate Pete has kidnapped Mickey and Minnie and has them tied up. As Pete prepares to have his way with Minnie, Mickey escapes and gets a swordfish off the wall; a swordfight with Pete ensues. Mickey gets out of the cabin and on deck; he hoists Minnie up onto the mast. Pete summons his crew, and Mickey fights them off with a cannon, shooting pots and pans, a stove, and ultimately a harpoon before winning Minnie and the ship back for good.

Directed and animated by Run Wrake, a one minute illustration of Paul Merton's words on Sudoku commissioned by the BBC for the Radio 4 website.

Irina Evteeva’s debut quickly became a kind of manifesto for the one-room experimental studio: it defines classification by interweaving animation, appropriated footage, feature and documentary to form a unique whole, a film that rushes backwards into the future, thereby re-inventing Futurism. Mayakovskiy is the star; his occasional presence holds together a film driven by the sound, the beat, of his poetry. Evteeva develops a dramatic structure of flaring, fading, being from light: violin strings become rays, quivering dull yellow spots, pictures. The plot assails the material from which it derives energy from material. History, growling and roaring, finds its form.

The story is a celebration of the cleverness and wit of the simple peasant Čupera, who triumphs not only over the demon of alcohol, but also over the bureaucratically persistent and thorough devil. The hell that the farmer goes through during the withdrawal process is stylized as a shantytown, a galley with a prison and a dehumanized night club.

The second part of the duology on the famous Estonian artist Ülo Sooster continues his life story, paying homage to many other great artists who were spiritually consonant with his work.

An animated film in two parts, about the tragic fate of Estonian artist Ülo Sooster and about his work.

Big fish chases a small fish. One of them is separated from the group. But she's in danger. In the water, it is chased by a large fish, on land-by a cat, in the air-by an eagle. The fish returns to the water and goes straight into the big fish's open mouth. But it is at this moment that the big fish bites the fishing rod. A small fish is resting. But a powerful blow to the tail of a big fish will put an end to its joy.