Twist Again

Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.

A countryman kills his father and heads for the big city. On his way, he meets the most bizarre and allegorical types: a robber, a drag queen who thinks he's Carmen Miranda, a black king, a fallen black angel, a priest, two whores, a pregnant cowboy, among others.

Things become shrouded when The Loner discovers a dead body outside his home. His mind becomes a prison of contradiction, falsification and fear when a series of dreams push him to realize the truth.

Three teenagers from the industrial part of Los Angeles try to form a punk rock band in Hollywood, in this feature length film by renowned artist Raymond Pettibon.

A tribute to Mallarmé that not only asserts the continuing relevance of his work but also confronts its literary ambiguities with political and cinematic ambiguities of its own. In outline, the film could not be more straightforward: it offers a recitation of one of Mallarmé’s most celebrated and complex poems (it was his last published work in his own lifetime, appearing in 1897, a year before his death) and proposes a cinematic equivalent for the author’s original experiment with typography and layout by assigning the words to nine different speakers, separating each speaker from the other as she or he speaks, and using slight pauses to correspond with white spaces on the original page.

A lonesome man at the threshold of death finds himself trapped in a place called the Endless.

The first film in Vlatko Gilić’s Sisyphean trilogy, Homo sapiens follows a suited man as he takes a trek back and forth across a sandy desert to fill an oversized barrel using a woefully small tub of water. Shot in stark black and white and edited to achieve a dreamlike quality, the man’s devotion to this task is tested and taunted by a young couple that frolics around the barrel.

Andy Warhol's experimental reconstruction of the assassination of the President of the United States, John F. Kennedy, which serves as his critical commentary on the way the media presented the tragic event.

“I don’t believe in love because I’ve never seen it,” responds a young woman to an unseen interviewer in the first few minutes of the movie. This bleak portrait of loneliness and social exclusion is set on the edge of a desolate swamp where an aging clown and his daughter are struggling to survive. The location could be the end of the world, a place where hope has vanished along with a belief in the afterlife and the existence of God. The two unfortunates live together without the likelihood of change, as fear, aggression, and anger take hold of them – but they also experience sudden moments of tenderness.

An experimental short film that evokes moments in the life of a man recreated through the magic of memory. Made from documents from various sources, this film is composed of several scenes: the stages of the day and of life between joy and carefree youth, the cruelty of the working world, the horror of war. The final result is put into perspective with the birth of a child, perpetuating the cycle of life.

It’s New Year’s Eve and while the Brussels’ city streets are teeming with drunken revelers, the paths of two solitary souls will cross. Max, a poor sod, is drowning his existential confusion in alcohol. Julie, a young woman, finds it impossible to reconcile herself with the bitter realities of her life. But on this festive night, they’ll try to put aside their personal mess and painful pasts. Unfortunately, that past remains hot on their heels. Max’s urgent money needs drove him to commit a robbery with a trio of idiots. Juliette missed a meeting with a bottle of sleeping pills and feels the urge to try again if she can’t find anything worth living. The clock is ticking away to midnight. Whatever happens, there will be fireworks!

A Japanese salaryman finds his body transforming into a weapon through sheer rage after his son is kidnapped by a gang of violent thugs.

A very personal interpretation, to say the least, of the passion of the Christ According to St. John.

A short film by John G. Avildsen.

A Polish folktale set in the Middle Ages, tells the story of a man, whose eyes, or the gaze of them, brings upon death.

Coming out of an accident with amnesia, Sophie Bauer tries to reshape herself in the eyes of those who knew her best.

After ending a very close relationship, Manuel falls into melancholy and begins to rethink his way of loving. Within his thoughts are the social problems that surround him. He realizes that with these comes a rethinking of what love is. An idea that we have been carrying for a long time: the idea that to love is to possess.

Australian experimental, observational comedy about young people in Sydney struggling to get ahead in love and their careers.

The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.

Experimental short film that explores the feelings of 17-year-old Li Xia who searches for purpose and intimacy while trapped in Diyu, or "hell" in Chinese mythology.