Romantic fantasy about the ruckus that ensues after a mother and daughter switch bodies. Director Imaoka Shinji wrote the script for The Drudgery Train and has worked on numerous erotic films. Housewife Suda Sawako (Takaki Mio) is dissatisfied with her husband Kenzo (Haruta Junichi). Meanwhile, her daughter Yasuko (Ishikawa Yumi) is going out with Kitamura Mitsuru (Nagaoka Tasuku), a struggling musician. When Sawako visits Yasuko's apartment one day, her built-up frustrations explode and she gets into a physical altercation with her daughter.
Soo-hyeon and Hye-ji are sitting on a pile of debt thanks to their husband and father who ran away in the middle of the night. Tae-san the loan shark demands the money no matter what. He rapes the mother and daughter and requires them to join prostitution. They survive day by day selling themselves until one day, Tae-san suggests a way they can clean slate over one night and that is for the mother and daughter to have the most extreme sex with one man.
Toshihiro, a photography school dropout, is obsessed with secretly photographing the lovely Seiko. He is in love with her and hopes to lose his virginity to her someday but is unaware that Seiko is attracted to him as well. After spying on her with one of her professors, Toshihiro becomes jealous and swears to forget about Seiko. As they both struggle with their sexual urges, a series of misadventures bring them closer together.
The parallel fates of a few inhabitants of a strange planet : the world of Internet gay encounters...
Choong-heon, who is about to leave for the army soon, drinks away his sorrows with Geon-woo. On the way home, he finds Jeong-in, who is sleeping on the street, and takes her back to his house. The next day, she thanks Choong-heon and buys him breakfast. Then she tells him what happened. Apparently, she passed out after drinking out of anger for her friends teasing her that she's a virgin, and she asks Choong-heon to be her first experience after all he's done for her.
Yuriko has been forced into a life with no freedom due to her husband’s domestic violence. Her friend Mari is worried about her but recruits her to a newly emerged religion in the hopes of helping her find happiness. However, there is no one that can save Yuriko from her despair. Meet Yoshii, a man who was in jail for killing his wife. After being released from prison, he immediately starts to plan a robbery/rape. He browses through the cell phone he stole from Mari’s house, and comes across a photo of Yuriko in her underwear, wearing an eyepatch. He decides that she will be his next target. He plans his entry when Yuriko’s husband is out of the house; once he gets into the house he sees a naked Yuriko all chained up. Yuriko, who was able to escape because of the robbery, starts to live together with Yoshii. Yoshii, who is dealing with the trauma of killing his wife, seems to fit well with Yuriko. That is until a certain incident causes everything to go wrong…
Karin, a sex detective, and Nana, an assistant, have protected the peace of Shimbashi based in a Chinese-style oil beauty salon. In the city, a mysterious incident occurs in which women disappear one after another, but Karin is not so absorbed in having sex with the New York Police Department Kasumi. Nana aims to solve the case with a newcomer China Girl Hachi and pseudo-sex detectives who are a reserve army of sex detectives. As the investigation continues, the shadow of a male office worker who is envious of his female boss, as well as the super-male and female criminal association ADAM, begins to flicker.
Fumio, who works at an ironworks, has an affair with Yoko, the wife of the president of the ironworks. The wife of Shimizu, a detective who investigates Yoko's background at the request of Nobuo, the president of the company, is also having an affair with his mistress, Kenichi. Nobuo becomes angry and impulsive. Upon receiving the report, a jealous Nobuo impulsively kills Shimizu and appears with an iron pipe in front of Fumio and Yoko, who are entangled in an ironworks. The story accelerates toward the end as the impulsive murderer brings together a man and a woman in a love-hate relationship at a villa in Izu....
Lesbian-themed tale of a schoolgirl who entices her gullible (not to mention slightly warped) female teacher by positing that they are predestined to dance together on the day the world ends.
Joo-yeon is traveling before he joins the army. He visits his uncle's house to spend time there until he starts serving duty and gets off at the bus terminal in a small city. Unlike his tacitum uncle, his aunt is very open and sweet. Joo-yeon meets her friends too at the hospital where he meets his aunt and he also meets his childhood friend Tae-ho. Later, they work out at Mi-jin's Taekwondo studio and decide to get drinks. Joo-yeon notices that something is going on between Tae-ho and his aunt but he decides to ignore it. Joo-yeon keeps a watch on his aunt while Tae-ho tries to bring out her sexual fantasies. Mi-jin falls for Mi-jin. Joo-yeon is getting other ideas the more it's time to leave for National
A sex comedy for adults depicting the lust of a man in a promiscuous relationship with his lover's sister.
Misa was accused of shoplifting and was stripped naked and searched. Her girlfriend, a nurse, met Yamaguchi, a doctor. Yamaguchi has deep wounds in his heart, and Misa watches over him. However, after a failed surgical operation, Yamaguchi transforms into a sadist and begins abusing Misa. She awakens to the world of masochists and realizes the joy of servitude.
Apartment for newlyweds. Sachiko lives with her husband, Tadao Yamanaka who works at an advertising agency. A film crew consisting of Tetsuo and Mami arrives to film the innocent couple, who have yet to discover their sexual passion. At first, the Yamanakas are confused, but they gradually become more excited, and eventually get lost in each other , ignoring the director's instructions.
Skin flick about massage parlor
This routine effort from cult pinku-eiga director Hisayasu Sato centers around a divorcée who opens a beauty parlor and begins selling sexual services to boost her business.
A complete change of pace for cult pinku-eiga filmmaker Hisayasu Sato, this softcore farce set in a women's clinic looks more like one of Siggi Gotz's German romps than a film from the director of OL Renzoku Rape: Kyonyu Musaboru or Kamen No Yuwaku. The zany antics include the misadventures of a voyeuristic nurse, an exhibitionistic patient, a doctor and nurse who engage in S&M, a hypochondriac, and a lesbian nurse who sleeps with the patients.
Cult filmmaker Hisayasu Sato's second comedy of the year, this silly softcore effort stars pretty Nao Kikuchi as a young married woman who takes a job at a call-girl agency with the mistaken belief that it is a maid service. After she is raped on her first assignment, Kikuchi is understandably shocked, but quickly warms to her new career and becomes quite the professional. Unfortunately, her husband soon discovers the true nature of her work.
A mentally disturbed prostitute claims to have lost her baby in a heavy S&M session. As she begins a similar relationship with a man whose wife left him because of his kinky urges, their mutual mental deterioration leads them down a spiral toward a double-suicide pact.
Kasumi Yuka heads the cast of this silly softcore film from Hisayasu Sato, the usually far more sober cult filmmaker known for grim depictions of alienation and sadism. Yuka plays a cranky harridan who uses her vibrator to administer questionably effective punishment to people who annoy her.
Although its title indicates three personalities, the heroine of cult filmmaker Hisayasu Sato’s downbeat multiple-personality tale actually exhibits four, going from loving wife to crazed slut to insane child to depressed adolescent. As usual, Sato fills the film with alienation, kinky sex, and psychological subplots.