Der Nähkasten

Bayaya, a young peasant, protected by the spirit of his dead mother, arrives at the castle of the King, where he entertains his three daughters. He soon realizes that the three princesses are nagged by evil spirits. The little peasant manages to rid them of them, fights a duel with a wicked lord who wanted to marry one of the three princesses. He finally wins the heart of the youngest sister while saving the soul of his mother who was in purgatory.

A monumental piece of art bringing the heroes of the ancient Czech myths back to life. The picture consists of seven parts: Cech the Forefather, Bivoj, Libuse, Premysl, Girls War, Horymir, Lucka War.

Adapting Jaroslav Hasek's raucous satirical novel, and also bringing Josef Lada's equally famous illustrations to garrulous puppet life, posed Trnka one of his biggest creative challenges. Trnka himself felt that the final episode was the most artistically successful, but there's much to enjoy in all three, not least the way that the lackadaisical layabout Svejk's own self-serving anecdotes are realized through cut-out animation.

Junior is a preteen worm who struggles to be accepted by his peers, only to get bullied for being spoiled by his overprotective mother. One day, while in an attempt to impress his friends, he is accidentally brought up to the surface by a shovel, thus starting a journey with great adventures and very high stakes - not only for the little hero, but also to the entire worms society. To get back home and save his own kind, Junior must first learn the powers of self-respect, trust and true friendship.

an intuiting of the core feelings of the Moses story relating to the current capitalistic global system all told through a hybrid of stop motion animation and live action.

Shaun's seasonal excitement turns to dismay when a farmhouse raid to get bigger stockings for the flock inadvertently leads to Timmy going missing. Can Shaun get Timmy back before he becomes someone else’s present?

Aboard a humongous space ship, an astronaut discovers a magic, glowing portal that brings him to a land of wonder and amazement. Filmed with the Lego line of construction toys, the film is considered to be a significant example of early brickfilms.

In a cardboard forest, two stones argue.

Victor is stuck in a low-budget airliner next to a shamelessly intrusive stranger. The crackling candy wrapper, the smacking of the lips, oh, he thinks, just give me a break. No, he doesn't want candy, thank you very much. Victor isn't hungry. But there's no escape, thirty-five thousand feet in the air. So, just keep breathing.

Pioneer of silhouette animation, Lotte Reiniger, uses this technique in a retelling of the Greek legend in which the sculptor, Pygmalion, brings a statue to life.

Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.

Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.

Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.

Cheese-loving eccentric Wallace and his cunning canine pal, Gromit, investigate a mystery in Nick Park's animated adventure, in which the lovable inventor and his intrepid pup run a business ridding the town of garden pests. Using only humane methods that turn their home into a halfway house for evicted vermin, the pair stumble upon a mystery involving a voracious vegetarian monster that threatens to ruin the annual veggie-growing contest.

For 18-year-old Finnish–Kosovan Fatu, a simple visit to the grocery store feels as nerve-racking as a lunar expedition: for the first time in his life, he’s wearing makeup in public. Luckily his best friend Rai, a young woman on the spectrum of autism, is there to ferociously support him through the voyage.

In a lush and lively forest lives a hedgehog. He is at once admired, respected and envied by the other animals. However, Hedgehog’s unwavering devotion to his home annoys and mystifies a quartet of insatiable beasts: a cunning fox, an angry wolf, a gluttonous bear and a muddy boar. Together, the haughty brutes march off towards Hedgehog’s home to see just what is so precious about this “castle, shiny and huge.” What they find amazes them and sparks a tense and prickly standoff.

All is well in [Name of city removed to protect the identities of those involved in this incident], until Godzilla decides to show up and wreck everything. Watch as one man and his giant robot take it upon themselves to save [Name of city removed to protect the identities of those involved in this incident]

DEO A reimagining of Deo Gratias (ca. 1497) by Johannes Ockeghem. A Film by Eric Leiser. Animation by Eric Leiser. Composed by Pauline Kim Harris and Spencer Topel Deo is an acoustic-electronic transcription of Johannes Ockeghem’s stunning Deo Gratias devised as a complement to Ambient Chaconne. Notable as a 36-part canon, Ockeghem evokes singing of angels in heaven via an innovation on a traditional canon, using this ancient musical device as a kind of acoustic feedback delay. In essence, our Deo expands this idea of delays to a canon of thousands, in an ever expanding and infinite soundscape, where the melodies eventually dissolve into resonance.

A young girl and her pet duck tell the story of the time they were stuck on an airplane over Christmas, haunted by an omni-present Santa Claus.

On Halloween night, a little girl receives a spooky visit.