The 600: The Soldier’s Story

Tree Ukrainian volunteers, injured during the war with the Russians and the separatists, are treated at the military hospital of Kyiv. Three generations, three social environments, three different regions. Dmytro, Oleksii and Anatolii are recovering, hoping and preparing for their future.

Jeremy Clarkson tells the dramatic story of the Arctic convoys of the Second World War, from Russia to the freezing Arctic Ocean.

Behind-the-scenes documentary focusing on Marcus Luttrell, the lone survivor of a four-man Navy Seal team ambushed by the Taliban in 2005.

As daily airstrikes pound civilian targets in Syria, a group of indomitable first responders risk their lives to rescue victims from the rubble.

A feature documentary set in Kigali, Rwanda, the epicenter of the genocide that left a million dead two decades earlier. The film follows eccentric retired Dartmouth Professor Emeritus, Andrew Garrod, as he mounts Romeo and Juliet with college students from both Hutu and Tutsi backgrounds. Hopes, expectations, pasts, personalities and cultures collide as opening night approaches.

A powerful documentary about five women whose lives have been irrevocably altered by the Rwandan genocide. With the country left nearly 70% female in the wake of the massacres, "God Sleeps In Rwanda" is a lucid portrait of the much larger change affected by women in the East African country.

This "March of Time" entry examines the many problems, both human and economic, that faced the Allies in their respective zones of Germany -- USA, England and Russia -- following the end of World War II, and the Allied occupation of what was left of the country following the Nazi reign of Adolf Hitler. The Cold War issues had not yet fully surfaced, so this entry, with fleeting glances into each Zone of the time, traced what economic recovery had been made by the end of 1946, and how the average German citizen of 1946 was living...or getting by.

Haron is a Kurdish sniper operating within the Syrian town of Kobani. As he fights the IS occupation, he shares his hopes and fears for the future of his country.

Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.

What is left backstage of the heroic videos of our warriors in Ukraine? What do they have to face, one on one, in peaceful life, and where does the war stop?

MAMA RWANDA is the story of two women mixing the wit of motherhood with the spirit of entrepreneurship to overcome extreme poverty. Drocella, a village wife, and Christine, a city widow, represent a new generation of women business-owners transforming post-genocide Rwanda into one of the top ten fastest growing economies in the world. A modern tale of the work/life balancing act, MAMA RWANDA illuminates the remarkable lives of two working mothers in the developing world.

The story of Tony Blair's destruction of the Labour Party, his well-remunerated business interests, and the thousands of innocent people who have died following his decision to invade Iraq.

An event organised by CND pits the bomb against poetry. Hear artists who hoped that words and rhymes could put an end to destructive times.

1945 film that reveals the training that Alsatian dogs would have received for war as well as for non-combative work. (source: BFI, https://www2.bfi.org.uk/films-tv-people/565ce2f7cd29a)

The tragedy of the Syrian people: War, conflict, loss, migration, exile, asylum, detention, drowning… A deserted place. Abandoned people. Abandoned country. The doors slammed shot; the doors are now locked - the keys thrown away...for what seems forever.

Winner of the Grand Jury Documentary prize at the Sundance Film Festival, Syrian filmmaker Feras Fayyad’s breathtaking work — a searing example of boots-on-the-ground reportage — follows the efforts of the internationally recognized White Helmets, an organization consisting of ordinary citizens who are the first to rush towards military strikes and attacks in the hope of saving lives. Incorporating moments of both heart-pounding suspense and improbable beauty, the documentary draws us into the lives of three of its founders — Khaled, Subhi, and Mahmoud — as they grapple with the chaos around them and struggle with an ever-present dilemma: do they flee or stay and fight for their country?

Shot by a reported “1,001 Syrians” according to the filmmakers, SILVERED WATER, SYRIA SELF-PORTRAIT impressionistically documents the destruction and atrocities of the civil war through a combination of eye-witness accounts shot on mobile phones and posted to the internet, and footage shot by Bedirxan during the siege of Homs. Bedirxan, an elementary school teacher in Homs, had contacted Mohammed online to ask him what he would film, if he was there. Mohammed, working in forced exile in Paris, is tormented by feelings of cowardice as he witnesses the horrors from afar, and the self-reflexive film also chronicles how he is haunted in his dreams by a Syrian boy once shot to death for snatching his camera on the street.

Using archival footage, cabinet conversation recordings, and an interview of the 85-year-old Robert McNamara, The Fog of War depicts his life, from working as a WWII whiz-kid military officer, to being the Ford Motor Company's president, to managing the Vietnam War as defense secretary for presidents Kennedy and Johnson.

On the island of Rügen in the Baltic Sea lies one of the most megalomaniac projects built by the Nazis. The ‘Monster by the Sea’, a colossus of brickwork that stretches for kilometres, intended as a futurist holiday resort for the inhabitants of the Third Reich. A paragon of ‘guilty architecture’. Later occupied by the communist regime, it has since the fall of the Wall fallen victim to property developers who have found it a tough nut to crack. Nico Weber’s Inside Prora uncovers the storied history of a project that symbolises the utopian intentions of modernism and the emergence of mass tourism.

As a result of the Holocaust and later, AIDS, the male homosexual community has sustained bitter losses and, according to Praunheim, lesbian women have now placed themselves at the head of the so-called queer movement. The female protagonists in the film represent two different generations; they also incorporate the past and present status of homosexuals in society.