The Song of Songs

Corinne d'Alys (Daniels) achieves sudden success on the stage and among her many admirers is noted artist Robert Townsend (Menjou). Robert is married to Elsa (Williams), the sister of John Elliott (Stone), the producer responsible for Corinne's rise to fame. The young woman's head is turned by the praise she receives and, despite John's warning against Robert, she permits the latter to paint her portrait and pay her a good deal of attention. John himself loves Corinne and believes that wisdom will come to her with time.

Captain "Wolf" Larsen, the absolute master of a seal schooner, is a mystic and philosopher, though he rules his men with an iron hand. On a ferry going from San Francisco to Oakland, Van Weyden, a critic, and Maud Brewster, a novelist, meet in masquerade costumes and are forced overboard when their boat collides with a steamer. Humphrey, then Maud, are picked up by Larsen's crew. Because of her costume, Maud is taken for a boy and placed in the custody of Mugridge, the cook, who attempts to attack her upon discovering her identity. Larsen takes her under his protection and decides to marry her; but as the ceremony begins, the crew mutinies, and Larsen is stricken with blindness as he faces the rebels. The ship is set afire, and though Humphrey and Maud are rescued by another steamer, Larsen, deserted by his crew, refuses to quit his ship and is enveloped in flames.

Holmes and Watson match wits with an opera star intent on blackmailing a king.

A young woman of humble origins hides her family's lack of wealth and prestige from her boarding school friends.

The Talbots, formerly one of the Eastern Shore's first families, have gone to seed: Pap is a drunk, soddenly decaying in his ruined ancestral home, and three of his sons (William, Carol, and Ezra) are lazy, shiftless young men. Mulligan, Pap's second son who supports the entire family by oyster fishing, falls in love with wealthy Anna Lee, but when he first kisses her, she calls him "white trash."

As a derelict paints the face of a girl on a barroom floor, the plot is developed in a series of flashbacks: Robert Stevens, an artist engaged to marry Marion, a society girl, becomes charmed with a fisherman's daughter who poses for him. The society girl's brother brings dishonor upon the fisherman's daughter, and when she commits suicide the artist shields the brother. Stevens is blamed by his fiancée, who terminates their engagement. The artist becomes a derelict and is wrongfully imprisoned. Eventually Stevens is exonerated and reunited with Marion.

Neglected by shallow husband Dick, young bride Paula Wayne seeks male companionship outside the marital nest. She soon finds it in the form of mature lover Frank Gordon. Lost film.

Gloria, the daughter in a wealthy family, has finally spent most of her father's money. She marries Tony, whose as much of a reckless spendthrift as she is, and they continue indulging themselves. Tony's wealthy grandfather Adam Patch dies, but to their surprise he leaves Tony nothing. The couple try their hands at actually working for a living, but they don't like it and return to their spendthrift ways. Something has to give, and it soon does.

H. Ulysses Watts is a traveling Shakespearean actor whose career is on the decline, as his audiences are more interested in cinema and vaudeville. When the troupe is robbed by Stoner, Watts cares for an injured young trapeze artist.

"Waffles," the waitress at "Coffee Dan's" hash-house, is selected by Bert Gallagher and Clara Johnstone, a pair of crooks, to be represented as a missing heiress whose story they have read about in the papers. "Waffles" herself believes the story, as she was orphaned early and remembers little of her childhood, and by adroit coaching is able to convince the estate's none too bright lawyers of the validity of her claim. With this unlimited money, poor little "Waffles" nevertheless has only three desires: to buy the little restaurant for her old benefactor, Shorty Olson, to publish the music written by her lover, Carl Miller, a young, eccentric, absent-minded musical genius, and to adopt the baby that a Mrs. O'Shaughnessy is too poor to care for.

The Duke de Longtour, a European nobleman, with impoverished estates, comes to America and wins the hand of Stephana Martin, an American heiress, defeating Marquis Ferdinand, an adventurer and his rival.

Love Never Dies was set in France, and convincingly so (which was not often the case in American-made films of this period). It is established in the first reel that hero Felix and heroine Cecile have been sweethearts since childhood. Later on, Fate forces Felix and Cecile to separate, but viewers could take heart in the positive sentiments expressed by the film's title.

Maud and Cecil have been in love since they were children in the pre-Civil War South, but Howard, Maud's domineering brother, disapproves of a marriage between them. Instead, he has chosen English nobleman Lord Lovelace as the ideal fiancé for Maud. On the night that the engagement is to be announced, however, she elopes with Cecil. The runaways are caught, though, after which, because of her loyalty to her brother, Maud sends Cecil away. When the Civil War begins, Howard, Lovelace and Cecil all volunteer, and are all soon reported killed in action. Heartbroken, Maud decides to become a nun, and takes her vows just moments before Cecil, whose death was mistakenly reported, returns from the battlefield and comes to the convent to ask her to marry him.

Wealthy Jack Stimson (Jay Belasco) falls in love with Broadway diva Velma Vrooman (Gretchen Lederer), and for her sake bankrolls the musical production in which she is currently starred. But when Velma proves to be fickle and unreliable, Jack shifts his affections to humble chorus girl Bobbie (Louise Lovely).

Broken Fetters

Gabrielle Picard (Elda Hall) and Pierre Dupont (Rupert Julian) are lovers in a small French village in the early 1870s; Gabrielle's brother Anatole (Kingsley Benedict) is Pierre's best friend. The two young men are called to service by their country and go to Algiers. Anatole becomes the bugler and one day when he is commanded to sound the retreat, he sounds for the troops to charge instead. Anatole becomes a hero because of his action, but when the two men make their victorious return home, they find the Picard home ransacked and Gabrielle gone.

Olaf writes his memoirs, before his execution. He tells of his life as a struggling farmer when Renie, stranded in the village, stays one night in his home and Olaf falls in love with her.

What is more miserable than love-blighted life? For the heart that truly loves can never forget. Such is the sad fate of the hero of this Biograph story.

An American agent exchanges places in prison with a condemned British officer and brother of a woman he greatly admires and goes to the gallows.

Against the wishes of Cecelia, his wife, the Reverend Eric Norton leaves his position in a fashionable New York congregation to preach in a poor mining town.